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Independent · All-Star Comics · #28 · Atomic Age · ID-2335690
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
All-Star Comics #28 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
Publisher profile coming soon
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Gardner Fox
Martin Naydel
Martin Naydel
typeset
Sheldon Mayer
| Grade | Panel Profits |
|---|---|
| 9.2 | $1,365.00 |
| 9.0 | $1,208.00 |
| 8.0 | $1,050.01 |
| 7.0 | $765.00 |
| 6.0 | $534.50 |
| 5.0 | $534.22 |
| 4.0 | $295.00 |
| 3.0 | $236.00 |
| 2.0 | $189.00 |
| Raw | $343.00 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Rigorous options modeling requires empirical prices for both legs (raw acquisition and target slab FMV). One or both legs currently lack recorded market observations; synthetic assumptions are disabled.
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| 6.0 | $352.80 | $588.00 | 40.0% |
| 4.0 | $162.50 | $325.00 | 50.0% |
| Raw | $188.50 | $377.00 | 50.0% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
In the 120th Century, archeologists uncover several sealed jars of paint accompanied by a warning message from the Justice Society of America. The message tells the story of a painter / archeologist who discovered six jars of magical paint from Atlantis. These enchanted paints had the power to make anything illustrated with them come to life when struck by moonlight. The artist used it to create six paintings with the intent of exacting revenge on six college classmates. Soon afterwards, however, the artist was in a disastrous car accident that caused him to have a change of heart. From his deathbed, he contacted the Justice Society and alerted them to the dangers now facing his rivals, hoping they could save them from certain death. One painting depicted a group of gangsters. Hawkman rescued a rival archeologist from these gangsters. The archeologist had just recovered a treasure trove of Atlantean artifacts and was unwilling to flee from the gangsters. But he and Hawkman learned the hard way that the gangsters are indestructible. Knowing the paintings had to be back in the canvas by morning, Hawkman took the canvas and led the mobsters away from their target victim until them. Green Lantern contacted a big game hunter and warned him about the painting of archers. The hunter's rivals overheard Green Lantern's warning and opened the painting. They paid for their devious actions by being shot down by the archers in the painting. The screams gave the hunter time to escape and warn Green Lantern but his power ring was ineffective against them. The Lantern and the hunter fled. As dawn neared, Green Lantern took the canvas away, forcing the archers to chase him. Doctor Mid-Nite warned a mine owner about the dangers of the painting of Medieval knights he received. The owner didn't believe Mid-Nite's warning until he saw the knights in the painting attacking his miners. Dr. Mid-Nite jumped into the mine to fend off the knights, allowing the miners to escape. He then took off with the canvas on skis to lead the knights away from the mine. Johnny Thunder and the Thunderbolt flew to an ocean liner to rescue a ship's captain. Unfortunately, the Captain had several paintings in his possession and Johnny couldn't tell which painting was the problem, so he attacked one at random. Thinking he was crazy, the captain threw him in the brig. Later, a painting of seahorse cowboys came to life. The Thunderbolt broke Johnny out, but neither was able to stop them. Johnny grabbed the canvas and the Thunderbolt flew them away from the ship. The Atom journeyed to the estate of an oil baron just in time to fight off the moors from his painting. He was eventually overwhelmed. After they'd defeated him, they began rampaging out in the oil field. Unable to find a way to stop them, the Atom flees with the canvas. The Flash set out to save a circus owner from a painting of cavemen and prehistoric beasts. But the circus owner, determined to entice Flash into joining his circus, talked so much that the cavemen came to life before he was finished. The Flash dealt with them easily but simply they kept coming. Eventually, he was able to trap them using super speed, then took the canvas and ran away with it. All the members converged at Justice Society headquarters with the blank canvases in their possession and painted figures in pursuit. After hanging up their canvases, the beings return to their paintings. Flash decided that the best plan was to scrape the paint back into the original jars. Hawkman welded the jars back together, Green Lantern sealed the jars with his ring, and Wonder Woman wrote the warning to all future people to not open the jars.
Valuation parity across physical collectible manifestations for All-Star Comics #28.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
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Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Total graded population from the stored CGC census snapshot for this title and issue.
In 11,946, in the city of Nu Yuk, in a land known as Amerka, hands reach for several strangely wrought jars that carry a warning from the Justice Society NOT to open them. A parchment attached gives the story behind the warning and the strange jars. It seems Nels Farrow finds the jars, paints a picture of a man, who speaks and tells him that the paints live and whatever is painted into them can be for good or evil. He intends to use them for evil against five men whom he holds a grudge. When Farrow lies dying from an accident, he tells the JSA the story and they head out to save those men.
Archaeologist Hank Kavanaugh receives the painting from Farrow, but soon discovers an ancient gold platter with lost Atlantean secrets. Then the full moon comes out, its rays touching the painting, causing gangster figures to live. Hawkman shows up and witnesses this scene, and tries to battle the painting's figures, but he can do them no harm. Hawk hides Kavanaugh's discoveries in a tank of gold polish, them remembers that the beings must become a part of the canvas during the day. So Hawkman grabs the canvas and flies off with it, baiting the figures to follow him.
Green Lantern reaches the African veldt and locates hunter Elbert Jenkins, a supplier of rare animals to zoos. G.L. tells him of the painting and its weird properties, and both head to his home to get it before darkness falls. The Emerald Crusader rolls the painting up so the moon rays will not touch it, but unknown to either man, one of Jenkins's native helpers overhears and tells two rival hunters, who unroll it and the figures come to life. G.L. saves Jenkins and flies him back to his home, where Green Lantern rolls up the canvas and goes airborne again, forcing the enemy to chase him.
Dr. Mid-Nite heads to the frozen north to seek out Greg Scallop and warn him about his painting, which shows a band of knights in armor. The two go to his office, but arrive too late, as moonlight has already touched the painting and the strange armored figures have come to life, cutting elevator cables leading down into the mine. Mid-Nite keeps the armored figures busy while the cable is repaired, then, when the cable is repaired, the miners yell to the Mid-Nite, who makes it to the surface, grabs the empty canvas, puts on skis and heads down the slope with the paint beings in hot pursuit.
Johnny is taken by the Thunderbolt to the "S.S. Headliner" at sea to find its Captain, who received one of Farrow's paintings, and warn him of its perils. Considered a misguided lad, he's locked in the brig while moonlight touches the painting and the beings spring to life and start attacking the passengers. Johnny and the Thunderbolt race in to help with Johnny throwing turpentine on the beings, but with no effect. Even the Thunderbolt is having a rough time, so Johnny grabs the rolled up canvas and T-Bolt flies them away, with the beings on flying seahorses in hot pursuit.
Cassidy was well-pleased by the Farrow painting that he received, and ordered his secretary to have it framed immediately. The doorbell rings and the Atom arrives to tell her that the beings in the painting will be coming to life, and, as they turn around, the beings come at them. When Atom is knocked out, the beings then head for Cassidy's oil fields and attack all there. The Atom sprays the beings with oil and sets them afire, with no effect. The Atom races back to the office, grabs the canvas and begins running with it, hoping the beings will follow him, which they do.
Sgt. Mooney was having breakfast at the corner drugstore, baffled by a criminal that left no clues and had the Police scratching their heads. In his head, he reviewed the Case of the Silver Cup, bought by Percy Van Husted for $50,000, shipped to America, but was mysteriously missing from the crate it was sent in upon arrival. Sgt. Mooney decided to read a few detective books while thinking about the case and he just happened to find a book which described a crime of the very nature as the Silver Cup case. As it turns out, that book helped Mooney solve the case and get promoted to Lieutenant.
Farnum and Daley Circus owner Josh Mason is warned by the Flash of the terrible evil in the painting that Farrow had sent him, which showed cavemen and savage beasts. As Mason tries to convince Flash to join the circus, this delay allows the painting to come to life. As the beings enter the arena floor, Flash goes into action while Mason assures the crowd that all of this is a part of the show. And what a show it is...but soon, Flash realizes it is all for naught, so he heads to Mason's office, grabs the empty canvas and begins running with it to attract the paint beings into following him.
As the members arrive with their empty canvases at JSA HQ, each of them unrolls theirs and places them in prominent positions, then duck for cover. The paint beings enter and head back toward the canvas they came from, then the JSA members scrape the paint off of each canvas and place the scrapings into the jars. Green Lantern then hermetically seals the jars and places the warning on them, along with a parchment being read by the men of 10,000 years in the future. Those men decide, after reading the account, NOT to tempt fate by opening the jars, but leave them where they found them.
“We'd never forgive ourselves for not having tackled it!”
Johnny Thunder) and the Thunderbolt) flew to an ocean liner to rescue a ship's captain. Unfortunately, the Captain had several paintings in his possession and Johnny couldn't tell which painting was the problem, so he attacked one at random. Thinking he was crazy, the captain threw him in the brig. Later, a painting of seahorse cowboys came to life. The Thunderbolt broke Johnny out, but neither was able to stop them. Johnny grabbed the canvas and the Thunderbolt flew them away from the ship.
The Atom) journeyed to the estate of an oil baron just in time to fight off the moors from his painting. He was eventually overwhelmed. After they'd defeated him, they began rampaging out in the oil field. Unable to find a way to stop them, the Atom flees with the canvas.
The Flash) set out to save a circus owner from a painting of cavemen and prehistoric beasts. But the circus owner, determined to entice Flash into joining his circus, talked so much that the cavemen came to life before he was finished. The Flash dealt with them easily but simply they kept coming. Eventually, he was able to trap them using super speed, then took the canvas and ran away with it.
All the members converged at Justice Society headquarters with the blank canvases in their possession and painted figures in pursuit. After hanging up their canvases, the beings return to their paintings. Flash decided that the best plan was to scrape the paint back into the original jars. Hawkman welded the jars back together, Green Lantern sealed the jars with his ring, and Wonder Woman wrote the warning to all future people to not open the jars.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $343.00 | — | $236.00 | $295.00 | $534.22 | $534.50 | $765.00 | $1,050.01 | $1,208.00 | $1,365.00 | — | — | — |
Panel Profits(Bid (Buy Price)) | $188.50 | — | — | $162.50 | — | $352.80 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $377.00 | — | — | $325.00 | — | $588.00 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 3 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 3 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.