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Marvel · Daredevil · #18 · Silver Age · ID-2389407
Stored prices by grade and source, exactly as recorded. A source with no price for a grade shows a dash.
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News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Stan Lee
John Romita
Frank Giacoia
N/A
typeset
Stan Lee
| Grade | Panel Profits |
|---|---|
| 10.0 | $17,032.00 |
| 9.8 | $13,101.51 |
| 9.6 | $1,410.00 |
| 9.4 | $498.03 |
| 9.2 | $331.75 |
| 9.0 | $215.99 |
| 8.0 | $153.50 |
| 7.0 | $120.52 |
| 6.0 | $90.00 |
| 5.0 | $73.76 |
| 4.0 | $51.94 |
| 3.0 | $40.83 |
| 2.0 | $33.00 |
| Raw | $32.67 |
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| 6.0 | $39.60 | $98.99 | 60.0% |
| 4.0 | $22.80 | $56.99 | 60.0% |
| Raw | $14.40 | $35.99 | 60.0% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
This issue · Daredevil · grade history
10-period volatility
Last 30 readings
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Daredevil #18 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Generational apex asset with museum-grade historical prestige.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Marvel revolution. Stan Lee, Jack Kirby, and Steve Ditko create the modern superhero. Spider-Man, Fantastic Four, X-Men debut.
The sweet spot for collectors — significant enough to be culturally important, scarce enough to be valuable. 9.8 copies are extremely rare.
In illiquid alternative asset markets, sovereign blue-chip holdings trade at an exponential multiple over mid-grade float due to institutional accumulation and inelastic seller reservation prices.
In order to continue tricking Karen Page into thinking that he is Daredevil (and win her affections), Foggy Nelson has shown up at the costume shop, when he meets its temperamental owner, he asks the man to make him a Daredevil costume in his size. Taking Foggy's measurements, the costume maker sends Foggy out, to come back for the costume later. After Foggy leaves, we learn that the man hates costumed-heroes because they are "swaggering braggarts!" Thinking that anybody can be a hero or villain, the costume maker now feels ready to prove his theory. Meanwhile, after some exercise at home, Matt Murdock shows up for work to find that Foggy is still pretending to be Daredevil, which worries him. That night, Foggy picks up his costume, and the costume maker -- picking up on Foggy wanting to impress a woman -- offers to help him put on a mock battle in his Daredevil costume as a new costumed villain. Foggy eagerly agrees and then tries on his new costume at home, not knowing that the real Daredevil has been watching him the whole time. As Foggy takes Karen out on a date (little knowing they're being followed by Daredevil) the costume maker has made his own costume in an attempt to be a real villain, dubbing himself the Gladiator, he goes out to the designated meeting place for their battle. When Foggy puts on his Daredevil costume and fights the Gladiator, he soon realizes that the Gladiator is playing for keeps. Realizing that Foggy was faking the whole time Karen flees to get help just as the real Daredevil arrives to fight off the Gladiator. When Karen gets to their office, she faints in front of their landlord and is rushed to a hospital. While back at the pier, Daredevil leaves the scene after the foe is defeated, leaving Foggy to explain the situation to the police. When Foggy realizes that Karen isn't there, he realizes that maybe she figured out his whole story was a lie. Meanwhile, Matt finds out that Karen has been taken to a hospital where he goes to find that she's being treated for exhaustion.
Valuation parity across physical collectible manifestations for Daredevil #18.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
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typeset
A burly costume store owner decides it is really the clothes that make the man and begins his career as the Gladiator. Foggy gets a Daredevil costume from Melvin who talks the tubby lawyer into setting up a staged super fight to impress Karen. Thinking his fight with Foggy will draw out the real Daredevil, Gladiator goes after him for real and Matt has to take a hand in rescuing his friend. In the night and the fog, everyone assumes it is Foggy as Daredevil that beat the Gladiator back.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2389407. 65 dated nightly snapshots on file for this book.
“Fool! Why do you) prolong your agony? You've no chance against the Gladiator!”
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $32.67 | — | $40.83 | $51.94 | $73.76 | $90.00 | $120.52 | $153.50 | $215.99 | $331.75 | $1,410.00 | $13,101.51 | $17,032.00 |
Panel Profits(Bid (Buy Price)) | $14.40 | — | — | $22.80 | — | $39.60 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $35.99 | — | — | $56.99 | — | $98.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 142 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 142 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.