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Independent · Tomb of Dracula · #34 · Bronze Age · ID-2401577
Stored prices by grade and source, exactly as recorded. A source with no price for a grade shows a dash.
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RSI needs 15 dated prices; 1 on file for 9.8.
BB20 is waiting for 20 dated prices for 9.8; no shorter window is substituted.
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Tomb of Dracula #34 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Marv Wolfman
Gene Colan
Tom Palmer
Tom Palmer
John Costanza
Len Wein
| Grade | Panel Profits |
|---|---|
| 10.0 | $455.00 |
| 9.8 | $350.00 |
| 9.6 | $150.00 |
| 9.4 | $89.95 |
| 9.2 | $100.00 |
| 9.0 | $75.00 |
| 8.0 | $84.00 |
| 7.0 | $42.83 |
| 6.0 | $69.99 |
| 4.0 | $17.35 |
| 3.0 | $14.00 |
| 2.0 | $11.00 |
| Raw | $14.33 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| 6.0 | $30.80 | $76.99 | 60.0% |
| 4.0 | $4.80 | $18.99 | 74.7% |
| Raw | $4.00 | $15.99 | 75.0% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Value-focused accumulation target poised for catalyst breakouts.
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
In Brazil, Frank Drake is alone against a horde of zombies unknowingly set upon him by Dracula. Trying to fend them off with a gun, Frank finds it useless, and the zombies grab him and attempt to throw him off a nearby cliff. Frank is saved at the last moment by the arriving Brother Voodoo who sends his brother Daniel's spirit out to possess Frank's body and allow him to get to safety. Although Frank is saved, the zombies are not finished with him yet and continue to advance toward him seeking his death. Brother Voodoo vows to prevent the zombies from completing their task. While in England, Dracula is given the government file on him by his minion Bennington. Unfortunately for Dracula, Inspector Chelm has followed him and as the exchange is happening tries to take a shot at Dracula with specially made silver bullets. His first shot misses Dracula when the vampire lord uses Bennington as a human shield. Dracula would then pounce on Chelm and is about to feed upon him. Dracula is completely unaware that he is being watched by another vampire who vows not to let the vampire lord out of his sight so that he may use the vampire king to suit his own ends in the future. Before Dracula can strike at Chelm, the inspectors back up arrives and one of the arriving officers strikes Dracula with the butt of his gun. Before they can fire upon Dracula, the vampire lord turns into his mist form and makes an escape. While in Jajpur, India, Taj Nital returns home with his wife and decides that he is going to stay with her, and so he writes a letter to Rachel van Helsing to say farewell and that he will not be rejoining her quest to destroy Dracula. Back at Scotland Yard, Chelm calls in both Quincy Harker and a psychologist named Dr. Scott to try and figure out what Dracula's next move is. Scott deduces that Dracula may not stay in London for too much longer and that Dracula -- in spite of his many resurrections -- fears death. They are soon joined by Rachel van Helsing who adds her own bits of information: That she overheard one of the female vampires who recently held her captive say that Dracula was losing his powers and that he had become worried, and deduces that the only probably threat to Dracula came from Doctor Sun, and that if Sun succeeds in draining all of Dracula's powers then the vampire king could be killed once and for all. Chelm then decides to have the Yard to look into the Doctor Sun, as a final point as well Chelm informs Quincy that his former associate Blade is also currently wanted for murder. Elsewhere in London, struggling fashion designer Daphne von Wilkinson rejects another designed made by a male artist further fueling her hatred toward men. She burns the man's designs and fires him, she is soon visited by a collector looking for the money that she owes. When he suggests that her poor business practices (namely only hiring women) is the root of her business woes, she orders him out of her office and threatens to sue him for defamation of character. When the bill collector is kicked out she is startled by the crashing sound in one of the other offices. Going to investigate, she finds Dracula has crashed through her window. The ever weakening vampire has passed out, and noticing that he is clutching a file in his hands, she takes it and reads over the notes and realizes that Dracula is seeking out information about Dr. Sun. Realizing that she can use this to her advantage, Daphne calls Mr. Harding back to her office and attempts to seduce him. When this doesn't work, she allows Dracula to feed upon him. With Harding dead, she plots to get revenge against other men she blames for her businesses failure. This story is continued next issue...
Valuation parity across physical collectible manifestations for Tomb of Dracula #34.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Foreign editions (licensed through Panini, Urban Comics, Editorial Novaro, Novedades, Otto Simon, etc.) represent physical tradeable instruments in international secondary markets. Geographic scarcity and currency differentials drive global cross-border arbitrage.
Le Tombeau de Dracula #34
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
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Daphne Hardy coerces Dracula to kill for her.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2401577. 1 dated nightly snapshot on file for this book.
Le Tombeau de Dracula #34
Dracula #12
Dracula #12
Dracula #21
Corriere della Paura Presenta Dracula #16
Het graf van Dracula #8
Het graf van Dracula #8
Het graf van Dracula #8
Dracula #2/1983
Dracula #2/1983
Dracula #2/1983
Dracula Lives #73
“| Speaker =”
— | StoryTitle1 = Showdown of Blood!
When the bill collector is kicked out she is startled by the crashing sound in one of the other offices. Going to investigate, she finds Dracula has crashed through her window. The ever weakening vampire has passed out, and noticing that he is clutching a file in his hands, she takes it and reads over the notes and realizes that Dracula is seeking out information about Dr. Sun. Realizing that she can use this to her advantage, Daphne calls Mr. Harding back to her office and attempts to seduce him. When this doesn't work, she allows Dracula to feed upon him.
With Harding dead, she plots to get revenge against other men she blames for her businesses failure.
This story is continued next issue...
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $14.33 | — | $14.00 | $17.35 | — | $69.99 | $42.83 | $84.00 | $75.00 | $100.00 | $150.00 | $350.00 | $455.00 |
Panel Profits(Bid (Buy Price)) | $4.00 | — | — | $4.80 | — | $30.80 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $15.99 | — | — | $18.99 | — | $76.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 57 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 57 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.