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Independent · Tomb of Dracula · #43 · Bronze Age · ID-2401587
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Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Marv Wolfman
Gene Colan
Tom Palmer
Tom Palmer
John Costanza
Marv Wolfman
| Grade | Panel Profits |
|---|---|
| 10.0 | $1,519.00 |
| 9.8 | $1,168.17 |
| 9.6 | $219.50 |
| 9.4 | $137.12 |
| 9.2 | $95.00 |
| 9.0 | $73.32 |
| 8.0 | $65.93 |
| 7.0 | $51.48 |
| 6.0 | $61.87 |
| 5.0 | $45.00 |
| 4.0 | $8.99 |
| 3.0 | $7.00 |
| 2.0 | $6.00 |
| Raw | $21.80 |
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| 6.0 | $27.20 | $67.99 | 60.0% |
| 4.0 | $2.00 | $9.89 | 79.8% |
| Raw | $7.20 | $23.99 | 70.0% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
In illiquid alternative asset markets, sovereign blue-chip holdings trade at an exponential multiple over mid-grade float due to institutional accumulation and inelastic seller reservation prices.
Paul Butterworth, reporter for the Boston Bugle, has run afoul of Dracula and he is quickly trying to type up his story before Dracula can find him: His story begins on the night of New Year's Eve as Mary-Ann Travers is heading home from a party; she is attacked and killed by Dracula. When the police arrive on the scene, Paul arrives as well, trying to get a scoop on this girl who was bled dry, and his presence is less than welcomed by the police. Later, in the early hours of the new year, Margaret Simmons pays her respects to her deceased husband when she witnesses Dracula rising from the grave, and she is also fed upon by Dracula. When these reports go out, Paul begins to wonder if vampires are involved when he hears a radio advertisement for Harold H. Harold's book True Vampire Stores, who was an eyewitness account of Harold's encounter with Dracula. Visiting Harold's home and asking Harold for an interview, Harold tells Paul of his encounter with Dracula and how, after their battle with Dr. Sun, Blade had demanded that Dracula help him find the vampire who killed his mother or fight to the death. Dracula refused to be ordered around, leading to a battle between the two. Harold tells Paul that he saved Blade's life and sent Dracula running - a part of the tale fabricated by Harold that Paul sees right through. Paul asks for Blade's address and Harold gives it to him. Along the way to Blade's house, Paul hears a police call about Dracula attacking some police officers. Rushing to the scene, Paul arrives in time to see Dracula in action and attempts to take Dracula's photograph. This angers the vampire lord who attempts to attack Paul; however, Paul slips on the ice and snow, jarring his crucifix loose and prompting Dracula to flee. Paul continues his trek to the address that Harold gave him and finds himself in the company of Blade, Rachel van Helsing, Frank Drake and Quincy Harker. Blade gives Paul a more accurate depiction of their last encounter with Dracula, one where Blade's struggle with Dracula ended in Rachel firing an arrow at Dracula, forcing him to flee. As Paul listens to the story, Dracula has appeared in the lobby of the hotel and has demanded that the desk clerk provide him with the room in which Quincy is staying in. Upstairs, Paul finishes his interview with the vampire hunters who request that, if he is going to publish his story, that they keep their names anonymous. As Paul is leaving the hotel room, Dracula suddenly bursts in. Catching the vampire hunters off guard, Dracula easily fights off Blade and is about to feed on Rachel when Paul suddenly pulls out a crucifix and trains it on Dracula. Furious that this man has once more stood in his way, Dracula uses his hypnotic powers to force Butterworth to drop his crucifix. Paul finishes his recounting of the events by explaining how Frank saved his life but was tossed aside, and Dracula fleeing the scene once more, vowing to get revenge against him in the near future. Just as he finishes typing up his story, Dracula bursts in; however, Paul has had time to prepare for Dracula's coming with a gun armed with silver bullets and a crucifix sharpened at the point. Dracula attacks Paul, who uses up all his bullets, and gets his crucifix smashed by Dracula. Their fight wrecks the entire newsroom, and eventually Dracula gains the upper hand. However, before the vampire lord can feed upon Paul, he pulls the curtains open to show the coming dawn. Realizing that it is almost morning, Dracula flees before the Sun can destroy him. Later, when Paul's editor enters the office, he demands to know what has happened, Paul rushes to the dark room and gets the photos of Dracula he was having developed and soon realizes that vampires cannot be photographed. Without any credible evidence to prove his story, he is demoted to answering the "Ask Miss Annie" section of the paper.
Valuation parity across physical collectible manifestations for Tomb of Dracula #43.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Foreign editions (licensed through Panini, Urban Comics, Editorial Novaro, Novedades, Otto Simon, etc.) represent physical tradeable instruments in international secondary markets. Geographic scarcity and currency differentials drive global cross-border arbitrage.
Le Tombeau de Dracula #43
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
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Investigative reporter Paul Butterworth assists Harker and company in driving away Dracula.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2401587. 1 dated nightly snapshot on file for this book.
Le Tombeau de Dracula #43
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Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $21.80 | — | $7.00 | $8.99 | $45.00 | $61.87 | $51.48 | $65.93 | $73.32 | $95.00 | $219.50 | $1,168.17 | $1,519.00 |
Panel Profits(Bid (Buy Price)) | $7.20 | — | — | $2.00 | — | $27.20 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $23.99 | — | — | $9.89 | — | $67.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 63 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 63 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.