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Marvel · Totally Awesome Hulk · #1.MU · Postmodern Age · ID-2413620
Stored prices by grade and source, exactly as recorded. A source with no price for a grade shows a dash.
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Track your holding in your portfolio. Record your grade (0.5–10.0 or Raw), grading authority (CGC, CBCS, PSA, or Raw), acquisition cost basis, and purchase date to activate real-time equity valuation, unrealized ROI, and capital gains tracking.
Dated PriceCharting snapshots and recorded sales. Nothing is drawn where no dated price exists.
AI-scored · tracking Totally Awesome Hulk · refreshes every 2 min
RSI needs 15 dated prices; 1 on file for 9.8.
BB20 is waiting for 20 dated prices for 9.8; no shorter window is substituted.
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Totally Awesome Hulk #1.MU demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Bryan Edward Hill
Ty Templeton
Ty Templeton
Mat Lopes
Cory Petit
Tom Brevoort
| Grade | Panel Profits |
|---|---|
| 10.0 | $227.00 |
| 9.8 | $174.49 |
| 9.2 | $15.42 |
| 8.0 | $10.45 |
| 6.0 | $5.59 |
| 4.0 | $0.51 |
| Raw | $0.99 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| 6.0 | $1.20 | $6.19 | 80.6% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
A Korean fly was forced to went down over the pacific ocean, so White Fox called Amadeus Cho due to being both a genius and the Hulk, and Fox informs him that other vehicle in the ocean disapeared in the last 5 months, and Amadeus tells her that he will be ready in five minutes in analyze the data Later, Amadeus was given all the classified data of the disapearances, and Amadeus reveals that was a territorial monster what caused the disapearances and destroyed the vehicles when they were in his area, and that its heading to the mainland, so they must stop it of reaching land. The army, lead by Fox, heads to the monster, while Amadeus transforms into the Hulk and fights the monster. Hulk easily defeats the monster an Fox goes there to say thanks, however Hulk says that "she's not real", then Hulk willingly strikes himself with a electric cables as he realizes what is going on...
Valuation parity across physical collectible manifestations for Totally Awesome Hulk #1.MU.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Foreign editions (licensed through Panini, Urban Comics, Editorial Novaro, Novedades, Otto Simon, etc.) represent physical tradeable instruments in international secondary markets. Geographic scarcity and currency differentials drive global cross-border arbitrage.
Les monstres attaquent #2
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
Amadeus Cho fights a giant monster with the support of White Fox but he realizes that the battle has all been a dream.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2413620. 1 dated nightly snapshot on file for this book.
Les monstres attaquent #2
Les monstres attaquent #2
Les monstres attaquent #3
Xemnu the Titan uses his mind control abilities to immobilize everyone in South Korea (including Amadeus) by putting them in a dream state where they will be invisible to the Leviathons overrunning the rest of the planet.
Maddy contacts Lady Hellbender for advice about dealing with the Leviathons, but she doesn't like the answer she gets.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $0.99 | — | — | $0.51 | — | $5.59 | — | $10.45 | — | $15.42 | $192.00 | $174.49 | $227.00 |
Panel Profits(Bid (Buy Price)) | — | — | — | — | — | $1.20 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $2.99 | — | — | — | — | $6.19 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 9 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 9 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.
“Bruce) told me to always look for the price of power. And when you can't see the price -- don't trust the power.”
— Amadeus Cho)