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Marvel · Cable · #15 · Modern Age · ID-2417395
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Cable #15 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Jeph Loeb
David Brewer
Will Conrad
Marie Javins
Richard Starkings
Bob Harras
| Grade | Panel Profits |
|---|---|
| 10.0 | $95.00 |
| 9.8 | $72.94 |
| 9.6 | $43.89 |
| 9.4 | $39.00 |
| 9.2 | $27.51 |
| 8.0 | $19.27 |
| 6.0 | $12.84 |
| 4.0 | $5.20 |
| 3.0 | $4.00 |
| 2.0 | $3.00 |
| Raw | $4.23 |
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| 6.0 | $3.50 | $13.99 | 75.0% |
| 4.0 | $1.10 | $5.69 | 80.7% |
| Raw | $0.90 | $4.69 | 80.8% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
In a flashback set two months in the past, the X-Men fought Mikhail Rasputin in the Morlock Tunnels. Mikhail used his power to open the floodgates that were holding back the water from the tunnels, intending to "save" them by drowning them. Thornn saw this and jumped into a pipe. She felt that she had abandoned the Morlocks and soon found a girl named Sarah in the tunnels. She went to Sarah, but the waters reached them. Thornn tried to hold onto Sarah, but the water was too powerful, and their grip was torn apart. Thornn thought she was going to die, but then saw a light at the end of the tunnel and moved toward it. In the present, Cable and Domino prepare for their date together. Cannonball talks to Cable while he gets ready. Cable tells him that all the enemies they’ve fought combined were not as scary as this date. Meanwhile, Siryn counsels Domino, and Domino tells Siryn that maybe it’s wrong to turn their friendship into something more right now. Domino finally feels that if Cable takes the date the wrong way, he’ll just have to deal with it. Cable soon arrives and is stunned by Domino’s appearance, and they bodyslide away to the restaurant. They arrive in Central Park and are seated. They pass the time by playing a game. Domino asks Cable, if he were stranded on a deserted island, what book, music, and person would he bring. He chooses The Art of War, Sinatra at the Sands, 1966, and Cyclops, because his father could find his way off the island. Domino is not amused and says she would bring Alice in Wonderland, Harrison Ford, and then Cable interrupts with Barbara Streisand, joking that Domino loves that music. She says she doesn’t, but Copycat did, and she gets upset. There’s an awkward silence as they both stare off. Cable sees a pair of eyes in the bushes and thinks it’s Feral. He soon realizes it’s her sister, Thornn, and she’s not here to attack him, despite slashing at him because he attacked her. Thornn then explains that she went back to the Morlock Tunnels after Masque died and Mikhail opened the floodgates. She asks for Cable’s help in saving them. Cable tells her that the Morlocks are all dead. She says that if that’s true, then she’s going crazy. She pleads for his help again and begins to cry. Cable and Domino agree to help and make their way into the tunnels. Thornn says that Mikhail “took” the Morlocks to a place just before they all drowned. Thornn sees Sarah in the distance and tells her that the Morlocks won’t come out until they perform the “Ceremony of Light.” Cable asks Thornn to show them how to perform the ceremony. They all work on setting things up for the ceremony, and Thornn explains that it represents the Morlocks coming into the light and finally being accepted by the humans above. They finally open the manhole cover and let the light in. The light floods the tunnels, bouncing off mirrors and items they’ve set up. They watch as the light reveals only writings by the Morlocks, but they do not appear. Thornn begins to cry. Domino then sees something, as does Cable. Sarah walks out and explains that the Morlocks are still too scared to reveal themselves. Thornn asks Sarah to stay with her, but Sarah declines, saying she will see Thornn again soon. Thornn is left alone again. Cable speaks up and offers Thornn a position on the team, but Thornn declines. She says she must stay in the tunnels, waiting for the Morlocks’ return, and she goes off into the darkness. Cable and Domino stare into each other’s eyes, and Domino says that the night was special and that Cable gets points for the date. Cable is upset about not even getting to eat, and Domino says she’s still hungry. Cable mentions a good chili dog stand outside, and they head toward the surface level. Domino then says that the music she would bring would be Nevermind the Bollocks by the Sex Pistols, and Cable is surprised.
Valuation parity across physical collectible manifestations for Cable #15.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Foreign editions (licensed through Panini, Urban Comics, Editorial Novaro, Novedades, Otto Simon, etc.) represent physical tradeable instruments in international secondary markets. Geographic scarcity and currency differentials drive global cross-border arbitrage.
Cable #8
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
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All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2417395. 1 dated nightly snapshot on file for this book.
Marvel Miniserie #24
Cable #6
Cable and Domino go out on a date but Thornn interrupts.
“When I agreed to a night in New York, I didn't mean in the sewers.”
— Domino)
They arrive in Central Park and are seated. They pass the time by playing a game. Domino asks Cable, if he were stranded on a deserted island, what book, music, and person would he bring. He chooses The Art of War, Sinatra) at the Sands, 1966, and Cyclops), because his father could find his way off the island. Domino is not amused and says she would bring Alice in Wonderland, Harrison Ford, and then Cable interrupts with Barbara Streisand, joking that Domino loves that music. She says she doesn’t, but Copycat) did, and she gets upset. There’s an awkward silence as they both stare off. Cable sees a pair of eyes in the bushes and thinks it’s Feral). He soon realizes it’s her sister, Thornn, and she’s not here to attack him, despite slashing at him because he attacked her.
Thornn then explains that she went back to the Morlock Tunnels after Masque) died and Mikhail opened the floodgates. She asks for Cable’s help in saving them. Cable tells her that the Morlocks) are all dead. She says that if that’s true, then she’s going crazy. She pleads for his help again and begins to cry. Cable and Domino agree to help and make their way into the tunnels. Thornn says that Mikhail “took” the Morlocks to a place just before they all drowned. Thornn sees Sarah in the distance and tells her that the Morlocks won’t come out until they perform the “Ceremony of Light.” Cable asks Thornn to show them how to perform the ceremony. They all work on setting things up for the ceremony, and Thornn explains that it represents the Morlocks coming into the light and finally being accepted by the humans above.
They finally open the manhole cover and let the light in. The light floods the tunnels, bouncing off mirrors and items they’ve set up. They watch as the light reveals only writings by the Morlocks, but they do not appear. Thornn begins to cry. Domino then sees something, as does Cable. Sarah walks out and explains that the Morlocks are still too scared to reveal themselves. Thornn asks Sarah to stay with her, but Sarah declines, saying she will see Thornn again soon. Thornn is left alone again. Cable speaks up and offers Thornn a position on the team, but Thornn declines. She says she must stay in the tunnels, waiting for the Morlocks’ return, and she goes off into the darkness.
Cable and Domino stare into each other’s eyes, and Domino says that the night was special and that Cable gets points for the date. Cable is upset about not even getting to eat, and Domino says she’s still hungry. Cable mentions a good chili dog stand outside, and they head toward the surface level. Domino then says that the music she would bring would be Nevermind the Bollocks by the Sex Pistols, and Cable is surprised.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $4.23 | — | $4.00 | $5.20 | — | $12.84 | — | $19.27 | — | $27.51 | $43.89 | $72.94 | $95.00 |
Panel Profits(Bid (Buy Price)) | $0.90 | — | — | $1.10 | — | $3.50 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $4.69 | — | — | $5.69 | — | $13.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 15 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 15 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.