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DC · Batman: Three Jokers · #3 · Postmodern Age · ID-3554197
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Batman: Three Jokers #3 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Geoff Johns
Jason Fabok
Jason Fabok
Brad Anderson
typeset
Mark Doyle
| Grade | Panel Profits |
|---|---|
| 10.0 | $93.00 |
| 9.8 | $71.50 |
| Raw | $6.25 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| Raw | $1.40 | $6.89 | 79.7% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Superman, Batman, Wonder Woman, and the Justice League.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Inside the Batcave, Bruce, Barbara and Jason are investigating about the plan of the Three Jokers, who are trying to find people to transform in other versions of themselves. Jason also told Bruce and Barbara about the words of the Criminal: they want to create the perfect Joker, even if he does not know what they mean with that. One thing is sure though: the Red Hood wants to finish the job he started, killing the two remaining Jokers, as Batman is too weak to do it by himself. This enrages Batman, who tells Jason if he really believes that he never wanted to end Joker's life. He did desire that, many times, especially after what the monster did to both him and Barbara. As Red Hood and Batgirl argue about the role of Bruce in their lives, Batman tells Jason he will never understand why he chose not to kill the Joker. Ending any kind of argument, Bruce wants to focus on the case: he analyzes the Three Jokers and the fact that each and every one of them played a role in his career. The Criminal reminds him of the first encounters he had with the madman, while the Clown brings up memories of cartoonish, macabre showmanship, like hiring Gaggy as court jester. And the Comedian, with a sadistic streak stronger than the others, linking him to the Joker he faced last. Batman thinks that one of those is the original, and than at some point in time he created the other two. Barbara though tells him that another option might be right: the Joker created these two recently, to better hide his identity. Batgirl hopes that in this confusion, they might finally discover the true name of the Joker. She asks Bruce if he has some more info about it to share, but Jason tells her that he would not say anything to them, and that he believes he knows far more about the Joker's true past. Batman though tells them that if he knew the Joker's real name, he would share it with them. They get interrupted by an alarm, signaling something happened at Blackgate: they discover that the Joker kidnapped Joe Chill. While investigating inside his cell, Batman finds a group of handwritten letters that Chill wanted to send him, but never did. To know more, he needs to address Reverend Evans, who could tell him what was going on in the conscience of Chill. Talking with the reverend, Batman learns that Chill wrote the letters long before he got sick and that he really could have changed, feeling guilty for what he did that tragic night. Meanwhile, outside of Blackgate, Jason promises to Barbara he will never do what he did with the Clown again, because of her. The three head to Monarch Theater, as inside the pack of letters Batman found one clearly inserted there by the Joker: inside a ticket for the Mask of Zorro, a clear reference to the murder of Thomas and Martha Wayne. As they enter, a video about the confession of why Chill murdered the Waynes starts being projected on the screen. As both Barbara and Jason are occupied with several Jokerized goons, Batman faces the Criminal alone: in the end, says the Criminal, he will face the Bat together with Joe Chill, on the scene of Batman's original tragedy. He also tells Batman he thought about turning one between Jason and Barbara in the new, perfect Joker. But they lack the characteristics needed to be the ultimate version of the Dark Knight's nemesis. So he picked the killer, Joe Chill. And that's because Chill matters more to Batman than the Joker himself: they can do anything to him, but they will never surpass the pain Chill caused him when he murdered his parents. So turning Joe into the Joker would make him the one that matters. As Batgirl and Red Hood fend off the attacks of the Comedian, Batman saves Chill from falling into a chemical bath that would have turned him into another Joker, also kicking the Criminal out of the theater. Once again demonstrating his morale, Batman saves Chill another time from certain death, surprising the criminal: Joe knows who Batman is, and thinks that it would be right if he wanted to take his life. As the Criminal reappears, ready to blow off the explosives attached to himself, the Comedian shoots him in the head. And there was only one, exclaims the madman. What he wants now is some rest from this crazy, fun ride and so he asks Batman to take him in. Batman took the Comedian, riding him to Arkham, while he told Jason to get back home with the Batmobile, enraging the Hood: after all, is this how it ends? Still, Jason once again approaches Barbara, telling her that he would like to be more than friends, but Batgirl says that Jason interprets what happened between them differently than her, and keeps her distance. As Jason leaves, Commissioner Gordon tells Batgirl she should not associate herself with someone like the Red Hood. Barbara, addressing him as dad, showing the fact Gordon clearly knows her identity, tells him that what people she hangs out with is none of his business. Meanwhile, the Batman and the only remaining Joker are inside the transport to Arkham. They talk about what happened: the Joker tells him he knows who he is, Bruce Wayne, and he knows the names of Batgirl and Red Hood, too. Barbara Gordon and Jason Todd. But that this does not matter: he will never reveal their secret identities, because if he does Batman might end his career. He might stop being the Dark Knight. And that would ruin all the fun. Batman is tired, and asks him what does he truly want. The Joker answers him, telling he does not want what the other two desired. The Clown just wanted to see people suffer, laughing at them. How common, he comments. And the Criminal...that old man was so delusional. The whole idea of creating a perfect Joker, with an identity, pure dumbness. The Joker is mystery and chaos. The Comedian definitely regrets making him...or was it the other way around? Batman wants the joke to end, so he asks for the punchline. But Joker tells him there's no joke this time around: the other two did not understand who he is. He's chaos, he's the devil, he's nothing and everything for Batman. He convinced them that Joe Chill would be the perfect Joker, because he understood he would never be able to commit a crime more tragic than what Chill did to Bruce. So he manipulated everyone, and obtained what he wanted: the Batman saved Joe Chill's life, and than forgave the poor old man as Bruce Wayne. So now, the Joker can be his worst pain! And he will be, time and time again, until they both die together. Meanwhile, Barbara is in the gym, trying to keep her mind away from bad memories. A letter is taped on the door of her apartment. It's from Jason: inside it, he confesses to Barbara he always loved her, and that he's ready to even abandon the Red Hood identity for good, if it means having a chance at staying with her. But Barbara will never read that letter: as it falls, the janitor collects it with his broom, and the message disappears. In the aftermath, Bruce visits Chill just before he dies, giving him comfort and forgiveness. He then travels to Alaska, and comes back to Gotham. Meeting with Alfred, he tells him that even if Jason killed them all, him and Barbara will not forget what happened to them. They never will. In Alaska, he tells Alfred, lives the Comedian's family. Batman knows the Comedian's name, he knew since the start, discovering one week after their first encounter. But his name is not important, because revealing it would lead him to them. To Jeannie and her son, who the Joker never knew. For their safety, the safety of a mother and her child, Bruce must keep the secret.
Valuation parity across physical collectible manifestations for Batman: Three Jokers #3.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 3554197. 1 dated nightly snapshot on file for this book.
As Batman, Batgirl, and Red Hood try to track down the surviving two Jokers, the duo plan to create a new "better Joker" by infecting many victims with Joker venom, and by kidnapping Joe Chill to use in a plot against Batman.
As Batgirl and Red Hood fend off the attacks of the Comedian, Batman saves Chill from falling into a chemical bath that would have turned him into another Joker, also kicking the Criminal out of the theater. Once again demonstrating his morale, Batman saves Chill another time from certain death, surprising the criminal: Joe knows who Batman is, and thinks that it would be right if he wanted to take his life. As the Criminal reappears, ready to blow off the explosives attached to himself, the Comedian shoots him in the head. And there was only one, exclaims the madman. What he wants now is some rest from this crazy, fun ride and so he asks Batman to take him in.
Batman took the Comedian, riding him to Arkham, while he told Jason to get back home with the Batmobile, enraging the Hood: after all, is this how it ends? Still, Jason once again approaches Barbara, telling her that he would like to be more than friends, but Batgirl says that Jason interprets what happened between them differently than her, and keeps her distance. As Jason leaves, Commissioner Gordon tells Batgirl she should not associate herself with someone like the Red Hood. Barbara, addressing him as dad, showing the fact Gordon clearly knows her identity, tells him that what people she hangs out with is none of his business.
Meanwhile, the Batman and the only remaining Joker are inside the transport to Arkham. They talk about what happened: the Joker tells him he knows who he is, Bruce Wayne, and he knows the names of Batgirl and Red Hood, too. Barbara Gordon and Jason Todd. But that this does not matter: he will never reveal their secret identities, because if he does Batman might end his career. He might stop being the Dark Knight. And that would ruin all the fun. Batman is tired, and asks him what does he truly want. The Joker answers him, telling he does not want what the other two desired. The Clown just wanted to see people suffer, laughing at them. How common, he comments. And the Criminal...that old man was so delusional. The whole idea of creating a perfect Joker, with an identity, pure dumbness. The Joker is mystery and chaos. The Comedian definitely regrets making him...or was it the other way around?
Batman wants the joke to end, so he asks for the punchline. But Joker tells him there's no joke this time around: the other two did not understand who he is. He's chaos, he's the devil, he's nothing and everything for Batman. He convinced them that Joe Chill would be the perfect Joker, because he understood he would never be able to commit a crime more tragic than what Chill did to Bruce. So he manipulated everyone, and obtained what he wanted: the Batman saved Joe Chill's life, and than forgave the poor old man as Bruce Wayne. So now, the Joker can be his worst pain! And he will be, time and time again, until they both die together.
Meanwhile, Barbara is in the gym, trying to keep her mind away from bad memories. A letter is taped on the door of her apartment. It's from Jason: inside it, he confesses to Barbara he always loved her, and that he's ready to even abandon the Red Hood identity for good, if it means having a chance at staying with her. But Barbara will never read that letter: as it falls, the janitor collects it with his broom, and the message disappears.
In the aftermath, Bruce visits Chill just before he dies, giving him comfort and forgiveness. He then travels to Alaska, and comes back to Gotham. Meeting with Alfred, he tells him that even if Jason killed them all, him and Barbara will not forget what happened to them. They never will. In Alaska, he tells Alfred, lives the Comedian's family. Batman knows the Comedian's name, he knew since the start, discovering one week after their first encounter. But his name is not important, because revealing it would lead him to them. To Jeannie and her son, who the Joker never knew. For their safety, the safety of a mother and her child, Bruce must keep the secret.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $6.25 | — | — | $3.19 | — | $8.48 | — | $12.46 | — | $17.17 | $29.00 | $71.50 | $93.00 |
Panel Profits(Bid (Buy Price)) | $1.40 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $6.89 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 9 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 9 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.