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DC · Batman: Three Jokers · #1 · Postmodern Age · ID-3554199
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Geoff Johns
Jason Fabok
Jason Fabok
Brad Anderson
typeset
Mark Doyle
| Grade | Panel Profits |
|---|---|
| 10.0 | $125.00 |
| 9.8 | $47.50 |
| 9.4 | $26.00 |
| 9.2 | $16.84 |
| 8.0 | $12.07 |
| 6.0 | $7.89 |
| 4.0 | $2.63 |
| 3.0 | $2.00 |
| 2.0 | $2.00 |
| Raw | $5.50 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| 6.0 | $1.70 | $8.69 | 80.4% |
| Raw | $1.20 | $6.09 | 80.3% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Batman: Three Jokers #1 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Superman, Batman, Wonder Woman, and the Justice League.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Batman crashes his Batmobile over Thomas Wayne's tombstone, badly injured and in need of medical care. Alfred takes him inside, and heals his wounds: Pennyworth asks Mr. Wayne what was the cause of the damage this time. Penguin's umbrella is the answer. While the butler stitches the cut, Batman recalls the history of all his major scars. And three of them, they were made by the Joker. Every time, a slightly different one, with a different weapon. Acid-spraying flowers, razor-edged cards and the stick of a tiny flag who was part of a toy gun. All this memories about pain, of course, make Bruce go to that scene, that moment of redefinition: the shooting of his parents by Joe Chill. The voice of Alfred and the news, telling about Joker killing the last members of the Moxon crime family, wake Bruce up from his thinking: he must head out to find the clown prince of crime. Barbara Gordon is in the gym, running on a tapis roulant. She's listening to a commercial about the restless leg syndrome. The tv suddenly changes theme, with a news flash talking about the murder of a famous comedian, an Hawaiian artist who went by the alias of Fatman, an idiotic version of Gotham City's caped crusader. It seems it was the Joker the one responsible for it. Barbara steps down from the machine, broken by her frantic pace, and goes away, sweating. Back home, as she takes a shower, her fingers trace the scar that the Joker left her. There, a bullet made Barbara unable to walk and move her legs for a long time. She thinks back at her question to the madman: why was he doing it? To prove a point. That was the answer Joker gave her. In a graveyard inside Gotham, the Red Hood is mauling down some thugs related to the Joker. He's following a trail, he wants to take him first and nothing will stop him from doing just that. For a brief moment, the criminals get the upper hand, getting Jason to think back at his most tragic moment: the Joker slowly but painfully beating him to death with a crowbar. Waking up from his trance, Jason finishes all his opponents, revealing them he knew since the start that they would have no useful information. He just wanted to stretch his legs. Outside Ace Chemicals, Detective Bullock and Commissioner Gordon are inspecting a crime scene. Three men were murdered and tossed inside a vat of chemicals similar to the one that, in theory, made the Joker into who he is. They are all dressed like the original Red Hood. The cops are troubled: this murder was contemporary to the Moxon massacre and to the assassination of the comedian known as the Fatman. The Joker cannot be the man behind all three crimes, it is illogic to think he could. Jim knows Batman is approaching, and so he asks him to clear their doubts. Batman starts talking with Batgirl, hidden above, about the fact Joker used this murders as a diversion. The real danger was the fact he stole a truck full of his Joker-turning chemicals. Barbara also noted that the Joker wanted to be seen in all three crime scenes, including this one: he directly stared at all the security cameras in the area. It seems there are three Jokers in town tonight, but the truck could become a bigger problem if they are not able to find it. Suddenly, one of the three supposedly dead men wakes up, laughing and asking for help. He gets loaded inside an ambulance, and Batman tells he will escort him to the hospital while he goes to the comedian's crime scene. Commissioner Gordon asks Batgirl if she needs a ride to the scene, but she answers him she's all right, calling for her motorcycle. While travelling, Bruce asks Barbara if Jim knows about her secret life, with the girl telling him he does not. Then, the driver of the ambulance starts to call for help: someone is attacking the victim inside. As Batman gets in, he discovers that Jason is the one beating the Jokerized man, as he wants information about what Joker said to him before making him take a bath. Batman is furious with the Red Hood's attitude, and tries to stop him. Meanwhile, the Joker is driving the truck full of chemicals to an isolated house in the woods. He gets out and knocks at the door, starting a joke: another Joker, opening the door, finishes it. The one outside, the Clown, welcomes the answer with surprise, but the second Joker, the one inside, tells him that he wrote that line, after all. He's the Comedian, dressed in the same shirt he wore when he shot Barbara Gordon, paralyzing her. The Clown though tells him he should not wear his things, and the two start discussing about who was the one that crippled the daughter of the Commissioner. Still, they stop and get in as the boss is waiting. The Clown comments that he's the only one thinking he's the boss, while the Comedian tells him that someone has to be. Inside, the Criminal is waiting. A third Joker, he tells his two comrades about the plan: they have the chemicals, now they must set up the baths and find some talent. He tells the Comedian to come with him to evaluate candidates, while the Clown will organize the baths. Back to the ambulance, Batman injects the antidote inside the victim, healing him. Jason comments that the guy was accused of domestic violence against his own son: he was worthy of every punch Jason gave him. Still, the three vigilantes need to focus on finding the Jokers and stopping their plan: their investigations lead them to the Gotham Aquarium. In there, they find a vat full of Jokerized fish, including a menacing shark, and while they start theorizing what the Jokers might be planning, they are attacked by a band of thugs led by Gaggy, a former lackey of the Joker that the madmen called his court jester. As the shooting from Red Hood breaks the glass, the shark comes out and eats Gaggy alive. In that moment, the Joker comes out, launching some piranhas at Barbara, and then shouts to Jason he wants more of his fear, of his pain. He can't get enough. Batman catches him by surprise and knocks him out, with Jason and Barbara sure he's the real deal. The laughs, the chemicals, it must be him. Batman does not answer and leaves searching for the other two, telling Batgirl and Red Hood to keep an eye on him while he organizes a transport to Arkham. Of course, he must stay alert, as the Joker always has a trick or two up his sleeve. The two start questioning him, with the Joker of course laughing and tricking them with some gadgets. After eliminating all the traps the madman has on himself, the Joker starts sharing his thoughts about Red Hood's decisions in life. He's trapped in a cycle of violence, even taking the Clown's own former alias for himself. Joker provokes Jason: he wants him to shoot him in the head. And it seems Jason is not against his idea: he starts warming up at the thought, while Barbara tells him that's not how they work. As Batgirl tries to make Red Hood reason, the Clown reveals Jason a detail about their almost lethal encounter: the Joker left him alive on purpose. He wanted him to live to hurt Batman with guilt and remorse. Does Jason remember what he said to him to make him stop? That he would have been his Robin. Well, he's the Red Hood now, spreading violence and pain. He is the Joker's Robin after all. Jason has got enough: even if Barbara tries to physically stop him, Todd puts a bullet in the Joker's head., killing him on impact. A shocked Barbara leaves, after Jason tells her that even with all the ideals and the moral, she missed with her throw. He never saw her miss once, so maybe he was not the only one thinking the Joker was better if dead. Alone with the corpse of the man who changed his life, Jason hopes he was the real deal.
Valuation parity across physical collectible manifestations for Batman: Three Jokers #1.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Foreign editions (licensed through Panini, Urban Comics, Editorial Novaro, Novedades, Otto Simon, etc.) represent physical tradeable instruments in international secondary markets. Geographic scarcity and currency differentials drive global cross-border arbitrage.
Batman #[nn]
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 3554199. 1 dated nightly snapshot on file for this book.
Batman #[nn]
Batman : Trois Jokers #[nn]
Batman : Trois Jokers #[nn]
Batman : Trois Jokers #[nn]
Batman : Trois Jokers #[nn]
Batman Three Jokers #1
Batman Three Jokers #1
Batman: Tres Jokers #1
Batman: Tres Jokers #1
When the Joker strikes at three different places at the same time, Batman, Batgirl, and Red Hood team up to investigate, unaware that the crimes were committed by three different Jokers who are working together.
Suddenly, one of the three supposedly dead men wakes up, laughing and asking for help. He gets loaded inside an ambulance, and Batman tells he will escort him to the hospital while he goes to the comedian's crime scene. Commissioner Gordon asks Batgirl if she needs a ride to the scene, but she answers him she's all right, calling for her motorcycle. While travelling, Bruce asks Barbara if Jim knows about her secret life, with the girl telling him he does not. Then, the driver of the ambulance starts to call for help: someone is attacking the victim inside. As Batman gets in, he discovers that Jason is the one beating the Jokerized man, as he wants information about what Joker said to him before making him take a bath. Batman is furious with the Red Hood's attitude, and tries to stop him.
Meanwhile, the Joker is driving the truck full of chemicals to an isolated house in the woods. He gets out and knocks at the door, starting a joke: another Joker, opening the door, finishes it. The one outside, the Clown, welcomes the answer with surprise, but the second Joker, the one inside, tells him that he wrote that line, after all. He's the Comedian, dressed in the same shirt he wore when he shot Barbara Gordon, paralyzing her. The Clown though tells him he should not wear his things, and the two start discussing about who was the one that crippled the daughter of the Commissioner. Still, they stop and get in as the boss is waiting. The Clown comments that he's the only one thinking he's the boss, while the Comedian tells him that someone has to be. Inside, the Criminal is waiting. A third Joker, he tells his two comrades about the plan: they have the chemicals, now they must set up the baths and find some talent. He tells the Comedian to come with him to evaluate candidates, while the Clown will organize the baths.
Back to the ambulance, Batman injects the antidote inside the victim, healing him. Jason comments that the guy was accused of domestic violence against his own son: he was worthy of every punch Jason gave him. Still, the three vigilantes need to focus on finding the Jokers and stopping their plan: their investigations lead them to the Gotham Aquarium. In there, they find a vat full of Jokerized fish, including a menacing shark, and while they start theorizing what the Jokers might be planning, they are attacked by a band of thugs led by Gaggy, a former lackey of the Joker that the madmen called his court jester. As the shooting from Red Hood breaks the glass, the shark comes out and eats Gaggy alive. In that moment, the Joker comes out, launching some piranhas at Barbara, and then shouts to Jason he wants more of his fear, of his pain. He can't get enough. Batman catches him by surprise and knocks him out, with Jason and Barbara sure he's the real deal. The laughs, the chemicals, it must be him. Batman does not answer and leaves searching for the other two, telling Batgirl and Red Hood to keep an eye on him while he organizes a transport to Arkham. Of course, he must stay alert, as the Joker always has a trick or two up his sleeve.
The two start questioning him, with the Joker of course laughing and tricking them with some gadgets. After eliminating all the traps the madman has on himself, the Joker starts sharing his thoughts about Red Hood's decisions in life. He's trapped in a cycle of violence, even taking the Clown's own former alias for himself. Joker provokes Jason: he wants him to shoot him in the head. And it seems Jason is not against his idea: he starts warming up at the thought, while Barbara tells him that's not how they work. As Batgirl tries to make Red Hood reason, the Clown reveals Jason a detail about their almost lethal encounter: the Joker left him alive on purpose. He wanted him to live to hurt Batman with guilt and remorse. Does Jason remember what he said to him to make him stop? That he would have been his Robin. Well, he's the Red Hood now, spreading violence and pain. He is the Joker's Robin after all. Jason has got enough: even if Barbara tries to physically stop him, Todd puts a bullet in the Joker's head., killing him on impact. A shocked Barbara leaves, after Jason tells her that even with all the ideals and the moral, she missed with her throw. He never saw her miss once, so maybe he was not the only one thinking the Joker was better if dead. Alone with the corpse of the man who changed his life, Jason hopes he was the real deal.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $5.50 | — | $2.00 | $2.63 | — | $7.89 | — | $12.07 | — | $16.84 | $55.00 | $47.50 | $125.00 |
Panel Profits(Bid (Buy Price)) | $1.20 | — | — | — | — | $1.70 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $6.09 | — | — | — | — | $8.69 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 12 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 12 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.