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Independent · Dark Nights: Death Metal · #4 · Postmodern Age · ID-3554284
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Dark Nights: Death Metal #4 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
Publisher profile coming soon
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Scott Snyder
Greg Capullo
Jonathan Glapion
FCO Plascencia
Tom Napolitano
Marie Javins
| Grade | Panel Profits |
|---|---|
| 10.0 | $90.00 |
| 9.8 | $33.95 |
| Raw | $9.00 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| Raw | $2.00 | $9.89 | 79.8% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Earth-0. The Metalverse. Now. Sgt. Rock is explaining how the plan of Wonder Woman is fleshing out: the Lanterns went across the remaining universes to destroy the antennae which give Perpetua access to the Dark Multiverse's crisis energy. The speedsters are trying to help Wally West escape the Darkest Knight, as the evil Batman wants Wally's remaining Manhattan energy. Harley Quinn, Swamp Thing and Jonah Hex helped Diana, Bruce and Clark get into a portal for the Dark Multiverse, but they also got caught by the Robin King, who managed to kill Hex. Wonder Woman, Batman and Superman all got into one of the Dark Crisis worlds, where crises happen over and over again, to feed Perpetua with crisis energy. They expected to find something familiar, but what they found was completely different... Dark Multiverse. The Crisis on Infinite Earths, the Final Crisis and the Infinite Crisis Batman is trying to resist against the Antimatter, and tries to contact Diana and Clark, telling them they should get back as these worlds are not the ones they expected: in these crises, they lost. And then, the Anti-Monitor, Mobius, appears, speaking to Batman and telling him he's right: they did lost on this world, he defeated them all a long time ago. He also tells him that he is the real Mobius, not some kind of Dark version. Batman tries to reason with him, but it seems to be a wasted effort... Meanwhile, Superman has been captured by several versions of himself, under the control of Darkseid, who now reigns supreme on everything, controlling anything in existence through Anti-Life. Superman senses something strange: this Darkseid is the real one, not some kind of alternate version. And the tyrant confirms it: in Superman's perception, he's been inside this world for only months. But in truth, he reigned over everything for eons, and now he's ready to put the nail in the coffin, with the submerging of the true Superman in his pits, to make him reborn into his Final Son. Clark tries to move him, telling him he must hear him out, because there is still a chance to defeat Perpetua, but Darkseid does not seem inclined to listen.... Meanwhile, Wonder Woman has been imprisoned by Superboy Prime, inside an antenna. He reveals to Diana it was him who, once freed from the Source Wall, came to the Batman who Laughs, telling him he wanted a universe where all heroes, and only heroes, survived. An utopian dream of total goodness made reality. And that's where Diana is now, a world where everyone truly is safe and happy. Wonder Woman tries to make him reason, but Superboy tells her he won't change sides: for this world to be born, he promised to the Darkest Knight the life of Diana herself. Back on Earth-0. The Metalverse Wally and the other speedsters are still escaping from the Darkest Knight, but the Speed Force is almost extinguished and the enemy is gaining on them. They contact Jarro, so that he might give them some updates on the status of Diana's team. The fact is, the little star does not know what to say, because there is no answer at the other end: the Alfred Boxes are still active, but Diana, Bruce and Clark are not. Also, Harley and Swamp Thing must deal with the Robin King, who just condemned Jonah Hex to an eternal punishment in Hell after hitting him with the Knife of Neron, triggering Harley's rage. Jarro just hopes that Wonder Woman and the others find a way to come back, or it's all doomed... Inside the Dark Multiverse, the Crisis Universes Batman starts to be consumed by Mobius, as he is the last bit of matter inside his world. Bruce's Alfred Box is destroyed. Superman is consumed by the pits of Apokolips, ready to be reborn as the Final Son of Darkseid. Holding Clark's Alfred Box in his hand, Darkseid shatters it, turning it into dust. Wonder Woman is imprisoned inside the antenna in the world of Superboy Prime, who is ready to give all the crisis energy to the Batman who Laughs, so that he might make the Crisis Universes real, and stable. But Diana makes an effort to convince Superboy: the Multiverse, and the life of all things, is about change. We must accept it, never hold it back, because it's the natural order of things. We should stay the same in our values, and our hopes, but we must also adapt to what is new. Creating a world of constants, who must live alone and without change, is wrong. Is something that Superman will never do. But Prime answers Diana that allowing change means putting what you have in danger: it's a shot in the dark. And Diana then answers him: isn't a shot in the dark what Superman is all about? And so, Superboy gets convinced by Diana, and with his powers destroys the antenna, allowing the heroes to take the energy inside the Alfred Boxes. Earth-0. Coming back to Earth-0 with Batman and Superman, Wonder Woman tells Superboy to redirect the energy to the Mobius Chair, and Wally West. He does, but as they step inside their home, Wally tells them it did not work. And the Darkest Knight appears, telling them why: he rigged the Mobius Chair long ago, so that when Wally tried to use it again, all the energy would be redirected to him. With Perpetua unable to absorb the crisis energy anymore, and himself full of the powers of Manhattan, the Darkest Night will now give life to a Multiverse in his own shape: the Last 52.
Valuation parity across physical collectible manifestations for Dark Nights: Death Metal #4.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 3554284. 1 dated nightly snapshot on file for this book.
In the Dark Multiverse, on the perpetual crisis worlds of Crisis on Infinite Earths, Infinite Crisis, and Final Crisis, Wonder Woman faces Superboy-Prime, Superman faces Darkseid, and Batman faces the Anti-Monitor, and they must win out against their enemies to capture the Crisis Energy to defeat Perpetua and the Darkest Knight and restore the Multiverse.
“Yes. You) just gave me everything I need. To remake the Multiverse in my own image. So let me be the first to welcome you)... to the <big>**Last 52.**</big>”
* Dark Multiverse. The Crisis on Infinite Earths, the Final Crisis and the Infinite Crisis *
Batman is trying to resist against the Antimatter, and tries to contact Diana and Clark, telling them they should get back as these worlds are not the ones they expected: in these crises, they lost. And then, the Anti-Monitor, Mobius), appears, speaking to Batman and telling him he's right: they did lost on this world, he defeated them all a long time ago. He also tells him that he is the real Mobius, not some kind of Dark version. Batman tries to reason with him, but it seems to be a wasted effort... Meanwhile, Superman has been captured by several versions of himself, under the control of Darkseid), who now reigns supreme on everything, controlling anything in existence through Anti-Life.
Superman senses something strange: this Darkseid is the real one, not some kind of alternate version. And the tyrant confirms it: in Superman's perception, he's been inside this world for only months. But in truth, he reigned over everything for eons, and now he's ready to put the nail in the coffin, with the submerging of the true Superman in his pits, to make him reborn into his Final Son. Clark tries to move him, telling him he must hear him out, because there is still a chance to defeat Perpetua, but Darkseid does not seem inclined to listen....
Meanwhile, Wonder Woman has been imprisoned by Superboy Prime), inside an antenna. He reveals to Diana it was him who, once freed from the Source Wall, came to the Batman who Laughs), telling him he wanted a universe where all heroes, and only heroes, survived. An utopian dream of total goodness made reality. And that's where Diana is now, a world where everyone truly is safe and happy. Wonder Woman tries to make him reason, but Superboy tells her he won't change sides: for this world to be born, he promised to the Darkest Knight the life of Diana herself.
* Back on Earth-0. The Metalverse *
Wally) and the other speedsters are still escaping from the Darkest Knight, but the Speed Force is almost extinguished and the enemy is gaining on them. They contact Jarro), so that he might give them some updates on the status of Diana's team. The fact is, the little star does not know what to say, because there is no answer at the other end: the Alfred Boxes are still active, but Diana, Bruce and Clark are not. Also, Harley and Swamp Thing must deal with the Robin King, who just condemned Jonah Hex to an eternal punishment in Hell after hitting him with the Knife of Neron), triggering Harley's rage. Jarro just hopes that Wonder Woman and the others find a way to come back, or it's all doomed...
* Inside the Dark Multiverse, the Crisis Universes *
Batman starts to be consumed by Mobius, as he is the last bit of matter inside his world. Bruce's Alfred Box is destroyed. Superman is consumed by the pits of Apokolips, ready to be reborn as the Final Son of Darkseid. Holding Clark's Alfred Box in his hand, Darkseid shatters it, turning it into dust. Wonder Woman is imprisoned inside the antenna in the world of Superboy Prime, who is ready to give all the crisis energy to the Batman who Laughs, so that he might make the Crisis Universes real, and stable.
But Diana makes an effort to convince Superboy: the Multiverse, and the life of all things, is about change. We must accept it, never hold it back, because it's the natural order of things. We should stay the same in our values, and our hopes, but we must also adapt to what is new. Creating a world of constants, who must live alone and without change, is wrong. Is something that Superman will never do. But Prime answers Diana that allowing change means putting what you have in danger: it's a shot in the dark. And Diana then answers him: isn't a shot in the dark what Superman is all about? And so, Superboy gets convinced by Diana, and with his powers destroys the antenna, allowing the heroes to take the energy inside the Alfred Boxes.
* Earth-0. *
Coming back to Earth-0 with Batman and Superman, Wonder Woman tells Superboy to redirect the energy to the Mobius Chair, and Wally West. He does, but as they step inside their home, Wally tells them it did not work. And the Darkest Knight appears, telling them why: he rigged the Mobius Chair long ago, so that when Wally tried to use it again, all the energy would be redirected to him. With Perpetua unable to absorb the crisis energy anymore, and himself full of the powers of Manhattan, the Darkest Night will now give life to a Multiverse in his own shape: the Last 52.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $9.00 | — | — | — | — | — | — | — | — | — | $55.00 | $33.95 | $90.00 |
Panel Profits(Bid (Buy Price)) | $2.00 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $9.89 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 5 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 5 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.