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Marvel · Infamous Iron Man · #3 · Independent · ID-3757256
Stored prices by grade and source, exactly as recorded. A source with no price for a grade shows a dash.
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RSI needs 15 dated prices; 1 on file for 9.8.
BB20 is waiting for 20 dated prices for 9.8; no shorter window is substituted.
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Infamous Iron Man #3 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Brian Michael Bendis
Alex Maleev
Alex Maleev
Matt Hollingsworth
Clayton Cowles
Tom Brevoort
| Grade | Panel Profits |
|---|---|
| 10.0 | $130.00 |
| 9.8 | $100.00 |
| 9.2 | $19.11 |
| 8.0 | $14.36 |
| 6.0 | $10.66 |
| 4.0 | $4.92 |
| 3.0 | $4.00 |
| 2.0 | $3.00 |
| Raw | $9.34 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
| Grade | Dealer buy | Retail sell | Gap |
|---|---|---|---|
| 6.0 | $3.00 | $11.99 | 75.0% |
| 4.0 | $1.10 | $5.39 | 79.6% |
| Raw | $2.00 | $9.99 | 80.0% |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Outside the Marvel/DC duopoly. Often creator-owned with outsized cultural impact and far greater natural scarcity.
No returnable copies, no overprint buffer. True scarcity with potential for explosive growth on media adaptation news.
No narrative synopsis recorded in GCD for this sequence.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Inside a dark room, Cynthia von Doom begins a ritual drawing a pentagram with her blood, surrounded by candles. She starts to channel magical energy when a voice alerts her of Victor's current fight against The Thing. As said battle continues, The Thing manages to break through Doom's shield, but a following punch is blocked by Doom, whose armor has begun to surround him. Now armored up, Iron Man proceeds to defenestrate his opponent. Ben catches his breath when Doom hovers above him, trying to dissuade the situation to no avail, prompting the two old foes to trade blows again, to Amara Perera's dismay. Amara suddenly wakes up in a luxurious room elsewhere. She makes her way through the building and finds Victor meditating in the garden. She confronts him and demands to be returned home, but Victor claims she can't because S.H.I.E.L.D. would now believe she has a connection with Doom. He tries to convince Amara to settle down in this castle, which Doom identifies as his new home in Switzerland, but she rejects the idea, now demanding Victor to explain why did he give up being Doctor Doom and has now taken over Tony Stark's place. Victor vaguely informs Amara about the period of time when he was God-Emperor Doom, ruler of Battleworld. He proceeds to reveal that during his tenure as a deity, Doom didn't feel fulfilled, and instead had realized achieving godhood was a fool's quest. Once he had fallen and returned to his place, he decided to rethink his life. It struck him the notion that if the selfish act of ultimate power wasn't his calling, maybe the opposite could be true. Because of this, Doom decided to focus his life on protecting instead of conquering, having seen a better purpose in his peers like Reed Richards or Tony Stark. Due to his past life having put him in close contacts with some of the worst villains on the planet, Doom decided to use this past experience to battle these threats more efficiently than anyone else. Victor had come to Tony because he had always admired him, and once Stark fell, Doom thought the cosmos had granted his penance the opportunity to take a new form, that of Iron Man. Amara remains skeptical of Victor's new calling, mainly because his pursue for a fairer path originated from simply finding that villainy wasn't fulfilling enough. Victor tries to disregard her accusations, claiming that his motive didn't affect the result. Amara demands Doom to take her home once again, and he complies. After channeling magic through his hand, Amara was abruptly gone from the scene. Meanwhile, The Thing flies to Castle Doom in an attempt to find clues about Doom's current whereabouts. Once Ben finds his way to Doom's thrashed and abandoned laboratory, the lumps that make up his hide gradually fall off, and he's confronted by Cynthia.
Valuation parity across physical collectible manifestations for Infamous Iron Man #3.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 3757256. 1 dated nightly snapshot on file for this book.
“I was God, and... and yet, I was unchanged. I was not one with the universe. I was not content. I had pushed myself for this for so much of my life only to discover it was a fool's quest. So I fell back to Earth... forced to confront my true self... to rethink my purpose in this life. And it was then that a sudden and simply notion struck me. It knocked me to my knees. If the selfish act of ultimate power was not my calling... then maybe the opposite could be true.”
Victor vaguely informs Amara about the period of time when he was God-Emperor Doom, ruler of Battleworld). He proceeds to reveal that during his tenure as a deity, Doom didn't feel fulfilled, and instead had realized achieving godhood was a fool's quest. Once he had fallen and returned to his place, he decided to rethink his life. It struck him the notion that if the selfish act of ultimate power wasn't his calling, maybe the opposite could be true. Because of this, Doom decided to focus his life on protecting instead of conquering, having seen a better purpose in his peers like Reed Richards) or Tony Stark. Due to his past life having put him in close contacts with some of the worst villains on the planet, Doom decided to use this past experience to battle these threats more efficiently than anyone else. Victor had come to Tony because he had always admired him, and once Stark fell, Doom thought the cosmos had granted his penance the opportunity to take a new form, that of Iron Man.
Amara remains skeptical of Victor's new calling, mainly because his pursue for a fairer path originated from simply finding that villainy wasn't fulfilling enough. Victor tries to disregard her accusations, claiming that his motive didn't affect the result. Amara demands Doom to take her home once again, and he complies. After channeling magic through his hand, Amara was abruptly gone from the scene.
Meanwhile, The Thing flies to Castle Doom) in an attempt to find clues about Doom's current whereabouts. Once Ben finds his way to Doom's thrashed and abandoned laboratory, the lumps that make up his hide gradually fall off, and he's confronted by Cynthia.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $9.34 | — | $4.00 | $4.92 | — | $10.66 | — | $14.36 | — | $19.11 | $110.00 | $100.00 | $130.00 |
Panel Profits(Bid (Buy Price)) | $2.00 | — | — | $1.10 | — | $3.00 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $9.99 | — | — | $5.39 | — | $11.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 13 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 13 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.