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Marvel · Peter Parker: Spider-Man · #1 · Modern Age · ID-3723091
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AI-scored · tracking Peter Parker: Spider-Man · refreshes every 2 min
RSI needs 15 dated prices; 1 on file for 9.8.
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Peter Parker: Spider-Man #1 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
The Amazing Spider-Man (Vol. 2) #1 — Late-90s Relaunch
Archival retrospective on Marvel's 1999 volume relaunch of Peter Parker following the Clone Saga, exploring direct market reception and modern holographic cover variants.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Archival retrospective on Marvel's 1999 volume relaunch of Peter Parker following the Clone Saga, exploring direct market reception and modern holographic cover variants.
Howard Mackie
| Grade | Panel Profits |
|---|---|
| 10.0 | $325.00 |
| 9.8 | $250.00 |
| 9.6 | $89.00 |
| 9.4 | $199.00 |
| 9.2 | $308.55 |
| 8.0 | $243.19 |
| 6.0 | $219.40 |
| 4.0 | $149.98 |
| 3.0 | $120.00 |
| 2.0 | $96.00 |
| Raw | $174.37 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $120.50 | $241.00 | 50.0% | Khamsin Custodial |
| 4.0 | $82.50 | $165.00 | 50.0% | Khamsin Custodial |
| Raw | $96.00 | $192.00 | 50.0% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Value-focused accumulation target poised for catalyst breakouts.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
John Romita Jr.
Scott Hanna
B (signed)
typeset
Ralph Macchio
No narrative synopsis recorded in GCD for this sequence.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
In Manhattan, a crime in progress is being photographed by Peter Parker. An officer of the NYPD advises Parker to stay down until reinforcements arrive. Peter's spider sense had directed him towards the scene. Peter considers how lucky he is that all he has to do is take photos of the new Spider-Man battling a group known as the Agents of Anarchy, rather than being the one having to battle them. The group was in the process of attempting to help a terrorist known as the Ranger to escape police custody. As Peter watches on, Spider-Man seems to be handling things well. Whilst Spider-Man is distracted by his opponents, another of the group manages to break open the truck transferring Ranger to prison and the terrorist escapes. Once outside a stasis field in the prison transfer truck, Ranger is able to break out of his shackles. He then makes his escape. Spider-Man recognises Peter from the incident with the Scorpion at General Techtronics Lab and questions whether Peter is following him. Armed police arrive and want to speak to both Peter and Spider-Man. Spider-Man decides to give them the slip, leaving Peter badmouthing the web-slinger. One of the officers demands to know how Peter made his way through barricades to the scene of the jail break. Betty Brant arrives and shows her credentials, before informing the police that Peter is a photographer working with her. After a warning from the police, Betty and Peter leave, hoping to get Peter's photos into the early evening edition of the Daily Bugle. Later, at the Daily Bugle Building, J. Jonah Jameson has slanted the story Betty wrote and Peter's photos of the jail break to make it look like Spider-Man was an accomplice of Ranger. This gets Jameson a tirade from Betty where she questions his journalistic integrity, which causes him to tell her that if she doesn't like the way he runs his newspaper then she can leave. After he leaves, Robbie Robertson assures Betty that he will run the story the way she wrote it. He also inquires if she has managed to arrange an interview with Senator Ward. Betty replies that he'll be landing at John F. Kennedy International Airport tomorrow and she has an interview scheduled with him for one o'clock. Robbie asks Peter to go along as well to get some photos. Robbie suggests that Ward, who appeared out of nowhere, could be the future President and he seems like an honest politician since even Jonah has been unable to dig up any dirt on him. Betty asks if Peter wants to get a coffee, but Peter gets a message on his pager from Aunt May and leaves to go and check on her. Meanwhile, in the Presidential suite of a hotel, Senator Ward is thinking about his future and ignoring his past. His past returns to haunt him, literally, when a voice and a bright light jumps around the room to reflective surfaces. The voice calls Ward a coward, says that so many people died because of him and tells him that he could have stopped it all from happening. Ward is spooked and demands that the person speaking shows themself. The voice continues to taunt Ward and he throws a glass from which he's been drinking at the TV where the voice emanates from. His secret service bursts into the room to check what happened. He tells them that he tripped and the glass hit the TV. He assures them that he's alright and looking forward to going to New York City tomorrow. At the same time, Peter decides to get to Aunt May by leaping across rooftops, despite not being Spider-Man or wearing a costume anymore. Once he arrives at the Penthouse he finds Aunt May is fit and well. She's in conversation on the telephone with Anna Watson. May apologises for worrying Peter and tells him that she was trying to let him know that Mary Jane had called to say that she'd be home for a few days, which Peter is overjoyed at. The next day, at JFK International Airport, Peter waits for Mary Jane to arrive. Alongside Peter is Jill Stacy. Peter wonders why there's so much extra security at the airport, forgetting that Senator Ward is arriving at the same airport. Peter laments that he didn't realise Mary Jane's modelling would keep them apart so much. Mary Jane arrives and enthusiastically greets Peter. She promises Peter that after a small photo shoot in town they'll have some alone time. Peter, Mary Jane and Jill watch Senator Ward arrive, with the ladies remarking on how good looking he is. Suddenly, Ranger, who has been watching from a shadowy corner, launches an attack at Ward. Peter gets Mary Jane and Jill out of the way to safety. Ranger takes out some secret service agents that were guarding Ward, which causes Peter to realise that he's reliving the same mistake he made when he didn't stop a burglar who went on to murder Uncle Ben when he first became Spider-Man, since he could have stopped Ranger escaping and now a man might die. Suddenly Spider-Man leaps into action against Ranger. Spider-Man is able to evade an electrical weapon that Ranger is using. Ranger tells Spider-Man that he has no idea of the kind of man Ward is. Eventually Ranger manages to hit Spider-Man with the weapon. Then Ranger sees Ward and his remaining guards escaping across the tarmac of the airport. As Spider-Man leaps on him again, Ranger smashes them both through a window in order to get to Ward. Ranger manages to throw Spider-Man off him and takes out the rest of Ward's guards. Peter, seeing all this, is starting to feel lik he has a responsibility to step in and stop Ranger. Mary Jane, knowing what Peter is planning to do, reminds him that he made her a promise and that this isn't his problem anymore. Ranger confronts Ward and says that Ward has everyone else fooled, but Ranger knows him for the monster he really is. He tells Ward that “I was there”. Before anymore can be revealed, Peter hits Ranger with a punch that someone without powers would give, in order to hide his enhanced strength. Spider-Man attacks Ranger again and, seemingly embarrassed at the way he was dispatched by Ranger, flails away at him. Spider-Man's strength is enough to knock Ranger out. Spider-Man sees Peter watching him. He warns Peter to stop following him or he'll be sorry. He then leaps away from the airport. As Ward is escorted away by other secret service agents he tells Peter that after saving his life Ward owes him a debt and he'll find a way to repay it. The police take Ranger into custody. Mary Jane hugs Peter and photographers snap photos of them both, asking what connection Mary Jane has to Ward. Peter decides he's going to investigate the connection between Ward and Ranger, and has a feeling he won't like what he finds.
Valuation parity across physical collectible manifestations for Peter Parker: Spider-Man #1.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Foreign editions (licensed through Panini, Urban Comics, Editorial Novaro, Novedades, Otto Simon, etc.) represent physical tradeable instruments in international secondary markets. Geographic scarcity and currency differentials drive global cross-border arbitrage.
Best Comics : Spider-Man #5
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
B (signed)
typeset, ?
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 3723091. 1 dated nightly snapshot on file for this book.
Best Comics : Spider-Man #5
Spider-Man #4/1999
Spider-Man #6/1999
Spider-Man #6/1999
Spider-Man #5/1999
Spider-Man #5/1999
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $174.37 | — | $120.00 | $149.98 | — | $219.40 | — | $243.19 | — | $308.55 | $89.00 | $250.00 | $325.00 |
Panel Profits(Bid (Buy Price)) | $96.00 | — | — | $82.50 | — | $120.50 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $192.00 | — | — | $165.00 | — | $241.00 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 24 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 24 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.
“...this new Spider-Man), whoever it is, seems to have things pretty much under control.”
— Peter Parker)
Later, at the Daily Bugle Building, J. Jonah Jameson) has slanted the story Betty wrote and Peter's photos of the jail break to make it look like Spider-Man was an accomplice of Ranger. This gets Jameson a tirade from Betty where she questions his journalistic integrity, which causes him to tell her that if she doesn't like the way he runs his newspaper then she can leave.
After he leaves, Robbie Robertson) assures Betty that he will run the story the way she wrote it. He also inquires if she has managed to arrange an interview with Senator Ward). Betty replies that he'll be landing at John F. Kennedy International Airport tomorrow and she has an interview scheduled with him for one o'clock. Robbie asks Peter to go along as well to get some photos.
Robbie suggests that Ward, who appeared out of nowhere, could be the future President and he seems like an honest politician since even Jonah has been unable to dig up any dirt on him. Betty asks if Peter wants to get a coffee, but Peter gets a message on his pager from Aunt May) and leaves to go and check on her.
Meanwhile, in the Presidential suite of a hotel, Senator Ward is thinking about his future and ignoring his past. His past returns to haunt him, literally, when a voice and a bright light jumps around the room to reflective surfaces. The voice calls Ward a coward, says that so many people died because of him and tells him that he could have stopped it all from happening.
Ward is spooked and demands that the person speaking shows themself. The voice continues to taunt Ward and he throws a glass from which he's been drinking at the TV where the voice emanates from. His secret service bursts into the room to check what happened. He tells them that he tripped and the glass hit the TV. He assures them that he's alright and looking forward to going to New York City tomorrow.
At the same time, Peter decides to get to Aunt May by leaping across rooftops, despite not being Spider-Man or wearing a costume anymore. Once he arrives at the Penthouse he finds Aunt May is fit and well. She's in conversation on the telephone with Anna Watson). May apologises for worrying Peter and tells him that she was trying to let him know that Mary Jane) had called to say that she'd be home for a few days, which Peter is overjoyed at.
The next day, at JFK International Airport, Peter waits for Mary Jane to arrive. Alongside Peter is Jill Stacy). Peter wonders why there's so much extra security at the airport, forgetting that Senator Ward is arriving at the same airport. Peter laments that he didn't realise Mary Jane's modelling would keep them apart so much. Mary Jane arrives and enthusiastically greets Peter. She promises Peter that after a small photo shoot in town they'll have some alone time.
Peter, Mary Jane and Jill watch Senator Ward arrive, with the ladies remarking on how good looking he is. Suddenly, Ranger, who has been watching from a shadowy corner, launches an attack at Ward. Peter gets Mary Jane and Jill out of the way to safety.
Ranger takes out some secret service agents that were guarding Ward, which causes Peter to realise that he's reliving the same mistake he made when he didn't stop a burglar who went on to murder Uncle Ben) when he first became Spider-ManAmazing Fantasy Vol 1 15, since he could have stopped Ranger escaping and now a man might die.
Suddenly Spider-Man leaps into action against Ranger. Spider-Man is able to evade an electrical weapon that Ranger is using. Ranger tells Spider-Man that he has no idea of the kind of man Ward is. Eventually Ranger manages to hit Spider-Man with the weapon. Then Ranger sees Ward and his remaining guards escaping across the tarmac of the airport. As Spider-Man leaps on him again, Ranger smashes them both through a window in order to get to Ward.
Ranger manages to throw Spider-Man off him and takes out the rest of Ward's guards. Peter, seeing all this, is starting to feel lik he has a responsibility to step in and stop Ranger. Mary Jane, knowing what Peter is planning to do, reminds him that he made her a promise and that this isn't his problem anymore.
Ranger confronts Ward and says that Ward has everyone else fooled, but Ranger knows him for the monster he really is. He tells Ward that “I was there”. Before anymore can be revealed, Peter hits Ranger with a punch that someone without powers would give, in order to hide his enhanced strength. Spider-Man attacks Ranger again and, seemingly embarrassed at the way he was dispatched by Ranger, flails away at him. Spider-Man's strength is enough to knock Ranger out.
Spider-Man sees Peter watching him. He warns Peter to stop following him or he'll be sorry. He then leaps away from the airport. As Ward is escorted away by other secret service agents he tells Peter that after saving his life Ward owes him a debt and he'll find a way to repay it.
The police take Ranger into custody. Mary Jane hugs Peter and photographers snap photos of them both, asking what connection Mary Jane has to Ward. Peter decides he's going to investigate the connection between Ward and Ranger, and has a feeling he won't like what he finds.