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DC · Sandman: Overture · #1 · Postmodern Age · ID-2454093
Stored prices by grade and source, exactly as recorded. A source with no price for a grade shows a dash.
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Dated PriceCharting snapshots and recorded sales. Nothing is drawn where no dated price exists.
AI-scored · tracking Sandman: Overture · refreshes every 2 min
RSI needs 15 dated prices; 1 on file for 9.8.
BB20 is waiting for 20 dated prices for 9.8; no shorter window is substituted.
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Sandman: Overture #1 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Neil Gaiman
J.H. Williams III
J.H. Williams III
Dave Stewart
Todd Klein
Karen Berger
| Grade | Panel Profits |
|---|---|
| 10.0 | $98.00 |
| 9.8 | $75.00 |
| 9.2 | $20.40 |
| 8.0 | $15.45 |
| 6.0 | $11.67 |
| 4.0 | $5.59 |
| 3.0 | $4.00 |
| 2.0 | $3.00 |
| Raw | $9.94 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $3.30 | $12.99 | 74.6% | Khamsin Custodial |
| 4.0 | $1.20 | $6.19 | 80.6% | Khamsin Custodial |
| Raw | $2.80 | $10.99 | 74.5% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Superman, Batman, Wonder Woman, and the Justice League.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
The planet had three species. A fur-bearing race of humanoids; a horde of insect-like creatures who worked in tandem to make shapes and forms; and a race of intelligent, carnivorous plants. One of those plants was called Quorian, and Quorian dreamed. The flower dreamed of a tall, white flower who spoke of something wrong. Quorian could not understand the white flower's concerns, but recoiled when that flower suddenly caught ablaze, and burned away. When Quorian woke, he had gained a sense of his own death - and a certain inkling that someone had died screaming. Who might it have been? In London in 1915, Ian Stewart, was visited by the Corinthian. The strange man explained that he had come with something Mr. Stewart needed, and Ian hoped it would be news from his brother in the war. Obligingly, the Corinthian agreed that he did have news of Ian's brother, and arranged for them to meet later that night at a nearby bar. As he left, Ian inquired about the dark glasses his visitor wore, wondering if, perhaps, he had been a victim of a gas attack. Grinning, the Corinthian responded that Ian would find out all about his eyes at their meeting. From his domain, Destiny watched those events, and indeed all events within his Book of Souls. As he turned the page, he had the rare surprise of reading about himself. He saw himself in his gallery, calling upon his sister, Death, though he did not know why. She had wanted him to call her. She was worried about their brother Dream, whom she just took, a hundred galaxies away. She wondered if she should warn him, though Destiny reminded that he would find out soon enough. George Portcullis' name was only that in his dreams. But when he was George Portcullis, he was an office manager in London, with the sole duty of preparing that office for its owner's return. Occasionally, customers would come asking to see his employer, and he would have to say that the master was not receiving visitors - however, he had no idea who the master was. It came as a surprise, then, when the master finally arrived, expecting a guest shortly. That guest was the Corinthian. The master had created the Corinthian as a nightmare, meant to show humanity everything about itself that it did not want to see. Indeed, the Corinthian had been quite successful in that respect, but he had violated an important rule: those who belong to the realm of Dreaming do not crossover into the real world, and they certainly do not kill mortals for pleasure. Intuitively, the Corinthian guessed that he had been called away to the rarely used London office so that Dream could confront him away from the other nightmares - so as not to give them similar ideas. Morosely, Dream responded that he had called this meeting outside of his castle in order to spare the others the sight of his uncreating the Corinthian. The nightmare demanded a trial by jury, but a sudden matter of importance called Dream away, and the sentence was left undelivered. As Dream left, the Corinthian resolved first to kill Ian Stewart, and then to run until the world resembled him entirely. Dream found himself unable to resist the call that drew him back to the Ghost Castle. There, Lucien and Merv Pumpkinhead were working in the library, when a sudden shock drew their attention to the throne room. Uninvited, Lucien decided to investigate. He found Dream prepared for a battle, and worried that his master may not return from the "state visit" that Dream spoke of. Dream meant to reassure his librarian, but mid-sentence, he was pulled halfway across the universe. He found himself late to a gathering of other Dreams. Other versions of himself, from all corners of the universe. Though he had thought himself prepared for what he would face, this sight filled him with confusion.
Valuation parity across physical collectible manifestations for Sandman: Overture #1.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Foreign editions (licensed through Panini, Urban Comics, Editorial Novaro, Novedades, Otto Simon, etc.) represent physical tradeable instruments in international secondary markets. Geographic scarcity and currency differentials drive global cross-border arbitrage.
Biblioteca Sandman #0
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2454093. 1 dated nightly snapshot on file for this book.
“A call is, itself, unusual. A call that cannot be resisted is unique. I am curious.”
— Dream)
George Portcullis' name was only that in his dreams. But when he was George Portcullis, he was an office manager in London, with the sole duty of preparing that office for its owner's return. Occasionally, customers would come asking to see his employer, and he would have to say that the master was not receiving visitors - however, he had no idea who the master was. It came as a surprise, then, when the master finally arrived, expecting a guest shortly. That guest was the Corinthian. The master had created the Corinthian as a nightmare, meant to show humanity everything about itself that it did not want to see. Indeed, the Corinthian had been quite successful in that respect, but he had violated an important rule: those who belong to the realm of Dreaming do not crossover into the real world, and they certainly do not kill mortals for pleasure. Intuitively, the Corinthian guessed that he had been called away to the rarely used London office so that Dream could confront him away from the other nightmares - so as not to give them similar ideas. Morosely, Dream responded that he had called this meeting outside of his castle in order to spare the others the sight of his uncreating the Corinthian. The nightmare demanded a trial by jury, but a sudden matter of importance called Dream away, and the sentence was left undelivered. As Dream left, the Corinthian resolved first to kill Ian Stewart, and then to run until the world resembled him entirely.
Dream found himself unable to resist the call that drew him back to the Ghost Castle. There, Lucien) and Merv Pumpkinhead) were working in the library, when a sudden shock drew their attention to the throne room. Uninvited, Lucien decided to investigate. He found Dream prepared for a battle, and worried that his master may not return from the "state visit" that Dream spoke of. Dream meant to reassure his librarian, but mid-sentence, he was pulled halfway across the universe.
He found himself late to a gathering of other Dreams. Other versions of himself, from all corners of the universe. Though he had thought himself prepared for what he would face, this sight filled him with confusion.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $9.94 | — | $4.00 | $5.59 | — | $11.67 | — | $15.45 | — | $20.40 | $83.00 | $75.00 | $98.00 |
Panel Profits(Bid (Buy Price)) | $2.80 | — | — | $1.20 | — | $3.30 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $10.99 | — | — | $6.19 | — | $12.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 14 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 14 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.