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DC · Batgirl · #3 · Postmodern Age · ID-2406045
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RSI needs 15 dated prices; 1 on file for 9.8.
BB20 is waiting for 20 dated prices for 9.8; no shorter window is substituted.
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Batgirl #3 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Gail Simone
Ardian Syaf
Vicente Cifuentes
Ulises Arreola
typeset
| Grade | Panel Profits |
|---|---|
| 10.0 | $69.00 |
| 9.8 | $53.32 |
| 9.6 | $25.00 |
| 9.2 | $49.99 |
| 8.0 | $19.95 |
| 6.0 | $8.61 |
| 4.0 | $2.96 |
| 3.0 | $2.00 |
| 2.0 | $2.00 |
| Raw | $6.48 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $1.90 | $9.49 | 80.0% | Khamsin Custodial |
| Raw | $1.40 | $7.09 | 80.3% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Superman, Batman, Wonder Woman, and the Justice League.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Bobbie Chase
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
With the Mirror mocking her through her ear-piece, Batgirl races to one of Gotham City's trains in order to save a man whom the Mirror has marked for death merely for having survived an event miraculously. Rupert Ansell had fallen onto the train tracks on his morning commute, and had been saved at the last second by a good Samaritan going the opposite direction. The Mirror's MO sees him murdering anybody who seems to have been saved by a miracle, because he doesn't think miracles should be believed in. Batgirl knows better, because the fact that she's standing at all is a miracle. Banging on the engineer's window, Batgirl determines that the train can't be stopped, and the doors can't be opened. Frustrated, she gets inside by smashing in through one of the windows. Rather than try to find the bomb that the Mirror has planted, she searches for Ruper Ansell himself. When he comes forward, she sends the other passengers out of the car. Understanding the Mirror's method, Batgirl banks on the fact that she is also on his list. She wraps her arms around Rupert Ansell, knowing that the Mirror can't blow him up without blowing her up too. Batgirl is on the list because she miraculously survived a fall during an encounter with the Brisby Killers. If she dies by explosion, it will thwart the Mirror's plans. However, the Mirror has the upper hand, as he reminds her that the good Samaritan also survived by a miracle. Moments later, the train going in the opposite direction blows with Rupert Ansell's saviour on board. Batgirl saved one man, but allowed another to die. Two hours later, Det. Mel McKenna tries to convince Commissioner Gordon to let her come back in to work. The Commissioner reminds her that protocol requires her to see a psychologist about her partner's death before she can come back to work. Grumpily, McKenna decides to hold her own investigation into Batgirl, who she blames for her partner's death. Barbara visits her father at work, and invites him to lunch. She is obviously shaken about her encounter with the Mirror, and the man she allowed to die. Her father sees it, but rather than open up, all she can do is tell him that she misses him. Seeing that she's upset, her father expresses worry that she's taking on too much. She has only just recovered from her injury, and he worries that she will relapse if she works too hard. He can't take lunch with her because of a lead, and Barbara watches him go, wondering if people really see her as that breakable. That night, Batgirl breaks into the police impound lot, having left her Batcycle outside the hospital the night before. She is interrupted by Nightwing, though she claims to have known he was tailing her the whole time. She invites him onto the back of the bike, and they crash through the fence, speeding through the twilight streets of Gotham. Though she loathes to admit it, the feeling of Dick's arms around her on that bike makes her feel very good. Parking the bike, Barbara demands to know what Dick is doing there. Awkwardly, he admits that he's checking in on her because he and Batman are worried that she could end up back in the wheelchair if she's not careful - just like her father does. Frustrated, he is forced to simply ask whether she can handle the Mirror on her own. In answer, Barbara kicks his feet out from under him, and rappels off into the night. She recalls how she and Dick used to chase each other like this even back when they first met - he an acrobat, and she a ballerina. Despite his cockiness back then, his kindness made up for a lot of it - and it became easy to like him. Richard Grayson was the first boy Barbara ever had a crush on who wasn't a scientist. Admittedly, she still feels the way she did during that first crush when she's around him - but it's an admission she can barely make to herself. When Dick catches up to her, Barbara decides that she's had enough of well-meaning boys, from Dick to Batman - even her father. She will have no more of men trying to protect her when she doesn't want or need it. She says that if men keep on trying to protect her, she would send them back with blackened eyes. She begins physically sparring with Nightwing, offering little quarter, and forcing him to defend himself. Finally, he yells out that the reason that he and Batman have been worried is not because they doubt her, but because they love her. Shocked, Barbara realizes that she has been pushing away those who love her because she craved understanding more than pity; respect more than comfort. Playing off her realization casually, Barbara states firmly that she has to do this - face this - alone. She cuts off a lock of her hair and places it in Dick's hand, stating that if he can't let her do it alone, then they can't be friends. Reluctant, but understanding, Dick lets her go.
Valuation parity across physical collectible manifestations for Batgirl #3.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
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Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2406045. 1 dated nightly snapshot on file for this book.
Cassandra learns how she would have fared in combat against Barbara Gordon — during the current Oracle's time as Batgirl.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $6.48 | — | $2.00 | $2.96 | — | $8.61 | — | $19.95 | — | $49.99 | $25.00 | $53.32 | $69.00 |
Panel Profits(Bid (Buy Price)) | $1.40 | — | — | — | — | $1.90 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $7.09 | — | — | — | — | $9.49 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 12 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 12 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.