Latest sale · click to enlarge
Independent · Flashpoint · #5 · Postmodern Age · ID-2451900
Stored prices by grade and source, exactly as recorded. A source with no price for a grade shows a dash.
Your cost basis next to the stored PriceCharting price for the grade you hold
Track your holding in your portfolio. Record your grade (0.5–10.0 or Raw), grading authority (CGC, CBCS, PSA, or Raw), acquisition cost basis, and purchase date to activate real-time equity valuation, unrealized ROI, and capital gains tracking.
Dated PriceCharting snapshots and recorded sales. Nothing is drawn where no dated price exists.
AI-scored · tracking Flashpoint · refreshes every 2 min
RSI needs 15 dated prices; 1 on file for 9.8.
BB20 is waiting for 20 dated prices for 9.8; no shorter window is substituted.
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Flashpoint #5 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Ash #0 — Joe Quesada & Jimmy Palmiotti's Event Comics
The 1994 independent phenomenon that established Event Comics as a creative powerhouse, serving as the direct springboard to Joe Quesada becoming Marvel's Editor-in-Chief.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
The 1994 independent phenomenon that established Event Comics as a creative powerhouse, serving as the direct springboard to Joe Quesada becoming Marvel's Editor-in-Chief.
Geoff Johns
| Grade | Panel Profits |
|---|---|
| 10.0 | $39.00 |
| 9.8 | $29.99 |
| 9.6 | $22.55 |
| 9.4 | $11.50 |
| 9.2 | $32.00 |
| 8.0 | $24.99 |
| 6.0 | $10.79 |
| 4.0 | $4.72 |
| 3.0 | $4.00 |
| 2.0 | $3.00 |
| Raw | $9.49 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $3.00 | $11.99 | 75.0% | Khamsin Custodial |
| 4.0 | $1.00 | $5.19 | 80.7% | Khamsin Custodial |
| Raw | $2.00 | $9.99 | 80.0% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Publisher profile coming soon
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Andy Kubert
Sandra Hope
Alex Sinclair
Nick J. Napolitano
Eddie Berganza
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
As the final battle rages, Professor Zoom looms over the Flash. Enraged, Barry demands to known what he had done to the timestream to create this world. However, to Barry's surprise, Zoom had done nothing. Using his connection to the Reverse Speed Force, Zoom reveals that it was Barry who had created this universe, stopping Zoom from killing his mother. Doing so had shattered history, causing the world of Flashpoint to occur. Barry breaks free from Zoom's grasp and the two begin their fight before Batman stops them. He figures they need to "remove Thawne from the equation", but the madman beats Batman to a pulp, declaring that it was backwards, that Barry had done that to his own equation. He, then, reveals to Barry that because of his alteration to the Speed Force while he was traveling it, he became a living paradox, free from history and free to do whatever he sees fit. As he gloats that Barry can't kill him, he's shown a loophole when Batman skewers him with a sword. As the other heroes regroup, they learn that the Enchantress is working with Wonder Woman and is plowing through the Atlantean soldiers. They're soon joined by Grifter and the Resistance, however the Enchantress slays the gathering before mortally wounding Batman. Her rampage is stopped by the arrival of Subject One, who lands and disperses her energies before focusing on Aquaman and Wonder Woman. Despite his arrival, along with Grodd, things got worse - the Atlanteans had plans for sinking Britain was going to end up splitting the Earth in half. The resulting explosions kill most everyone there, save Barry and the dying Thomas. Before passing on, Thomas gives Barry a letter to give to Bruce. With one last nudge, Barry races into the timestream, only to be pulled back to his home where his mother waits. In his home, Barry reveals that it was his fault that this world came to be and that he can't accurately fix things without the Cosmic Treadmill. She tells him that if he got to her by using her as some sort of lightning rod, he could do the same to his other self. Barry becomes hesitant, not wanting to lose her again, but she asks a question that gets him to change his mind: how many people had died because of this? She finally gets him to just let go of her and he chases after his past self. He is able to catch up to him and, reluctantly, stops him and attempts to hop back into the timestream. However, he sees three timelines in doing so - normal DCU, Vertigo and Wildstorm - and is confronted by a mysterious woman, who reveals that the three universes were splintered into three to allow an invasion to arrive. However, she needs the three unified and uses Barry to do so, costing him something valuable. Soon, Barry wakes up in his office, realizing everything was fixed. He, soon, races to the Batcave to confront Bruce. There, he reveals what had happened, feeling bad that he allowed it to occur. Bruce reassures him slightly by saying he would have done the same thing. Barry, then, realizes he still has fond memories of being with his mother. Bruce, wistfully, suggests it was a gift of sorts to make things feel better for him. In return, Barry gives Bruce the letter Thomas gave him. In shock, Bruce reads it and finds himself reading it intently, bringing himself to tears before thanking him for doing so.
Valuation parity across physical collectible manifestations for Flashpoint #5.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Foreign editions (licensed through Panini, Urban Comics, Editorial Novaro, Novedades, Otto Simon, etc.) represent physical tradeable instruments in international secondary markets. Geographic scarcity and currency differentials drive global cross-border arbitrage.
Ultimate Comic Collection #7
Special black & white noir printings, facsimile editions, and anthology collections licensed or published domestically.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2451900. 1 dated nightly snapshot on file for this book.
Ultimate Comic Collection #7
Flashpoint #3
Flashpoint #3
DC Comics Graphic Novel Collection #61
Flashpoint #5
Flashpoint #5
Flashpoint #[nn]
Flashpoint #[nn]
“Doctor's advice: when you're) in the middle of a war... don't stand still.”
Soon, Barry wakes up in his office, realizing everything was fixed. He, soon, races to the Batcave to confront Bruce. There, he reveals what had happened, feeling bad that he allowed it to occur. Bruce reassures him slightly by saying he would have done the same thing. Barry, then, realizes he still has fond memories of being with his mother. Bruce, wistfully, suggests it was a gift of sorts to make things feel better for him. In return, Barry gives Bruce the letter Thomas gave him. In shock, Bruce reads it and finds himself reading it intently, bringing himself to tears before thanking him for doing so.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $9.49 | — | $4.00 | $4.72 | — | $10.79 | — | $24.99 | — | $32.00 | $22.55 | $29.99 | $39.00 |
Panel Profits(Bid (Buy Price)) | $2.00 | — | — | $1.00 | — | $3.00 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $9.99 | — | — | $5.19 | — | $11.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 34 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 34 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.