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Marvel · Tony Stark: Iron Man · #7 · Postmodern Age · ID-2452502
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Tony Stark: Iron Man #7 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Dan Slott
Valerio Schiti
Valerio Schiti
Edgar Delgado
typeset
| Grade | Panel Profits |
|---|---|
| 10.0 | $35.00 |
| 9.8 | $27.00 |
| 9.2 | $30.00 |
| 8.0 | $11.59 |
| 6.0 | $7.15 |
| 4.0 | $1.92 |
| 3.0 | $2.00 |
| 2.0 | $2.00 |
| Raw | $3.85 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $1.60 | $7.89 | 79.7% | Khamsin Custodial |
| Raw | $0.80 | $4.19 | 80.9% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Tom Brevoort
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Brief Summary Inside the eScape, Tony Stark manages to disengage Arsenal, and logs off to check on Amanda Armstrong. She lays on the floor of Stark Unlimited unresponsive but stable. Still connected to the eScape, Amanda finds herself in an unfamiliar section of the eScape modeled after a mansion where she encounters a digital construct of Howard Stark and the unhinged Motherboard A.I., which has taken the form of Maria Stark. In the real world, Tony manages to get every other eScape user to disconnect. Before he can figure out how to get Amanda off safely, the Controller grants access back to all of the previously banned users, attempting to blackmail Tony into doing his bidding unless he wants to risk disconnecting them and killing them. Having become aware of the Controller's involvement ever since Fin Fang Foom's last appearance, Tony prepared a failsafe and managed to locate the signal of his transmission. Tony convinces Friday to download herself back into his armor for assistance, and as he prepares to take down the Controller, he asks Jocasta to find Machine Man and ask his help since the illegal eScape interface in his possession allows him to log in unnoticed. When Iron Man, Wasp and Jim Rhodes approach a Baintronics manufacturing and fulfillment center where the Controller's signal is coming from, the villain reveals that he has used the warehouse's resources to ship lethal weapons to the logged-in eScape users. With their connection to the eScape preventing them from realizing they're not simply living out their fantasies, they become a danger to the general public, rampaging through the streets completely armed. Detailed Summary The Controller contacts simultaneously hundreds of banned eScape users, offering them a chance to re-enter the program, and they all accept eagerly. Inside the eScape's Retro Arcadia zone, Tony Stark's Iron Man avatar is fighting the rogue Arsenal. Motherboard barely acknowledges Tony. Tony manages to disengage Arsenal asking Motherboard politely, much to his surprise since it didn't correspond to any lines of code he wrote. Tony rushes to Amanda Armstrong's avatar, which lays unconscious and derezzed. Unable to tell whether she's been logged out or not, Tony logs off himself, only to find Amanda lying on the floor of the Stark Unlimited Command Center. Andy Bhang tells him that she's non-responsive, and Jocasta and Bethany Cabe try to reach out to her. Still connected to the eScape and wearing her virtual avatar, Amada wakes up surrounded by Tony Stark's golden soccer robots inside a mansion colored completely white. As she makes sense of her surroundings, Amanda finds a framed picture of Tony with his parents Howard and Maria. The robots announce the arrival of their "daddy," and a shadowy figure appears at the door. Amanda lowers the framed picture, and it glitches out, replacing Tony with his brother Arno. The figure is Arsenal, which the robots welcome in delight. Amanda is shocked and drops the frame, and it returns to displaying Tony when it touches the ground. Amanda grabs a chair to defend herself, but Arsenal scans her and recognizes a guest protocol. It stands down, and Howard Stark emerges from the monster's husk. Howard presents himself and asks Amanda who she is, wondering how did she gain access to the Home Setting, and explains that he expected Tony's mother. Motherboard's voice identifies Amanda. She points out that she' Tony's biological mother, but states that it holds little sway in the eScape, since biology and digital are as good as the other. Motherboard generates an avatar for herself, taking the appearance of an unhinged Maria Stark, and expresses delight to talk to Amanda, face-to-face, mother-to-mother. Back in the real world, the S.U. staff is working out what to do with Amanda. Jocasta checks her vitals and determines that she has stabilized. Tony considers forcing Amanda to log off, but Jocasta warns that it might be too jarring. Bethany reproaches, raising the possibility that other users might be suffering the same. The other employees start arguing whether or not to reboot the system to knock everyone offline. Tony raises his voice, ordering to keep Amanda connected and wall off her section. He then broadcasts a message across the eScape urging its users to log off, announcing that the eScape is closed until further notice. An employee jeers, pointing out the damage it will cause to the brand. Stark rebukes him, telling him Stark Unlimited doesn't matter as long as lives are in danger, and declares it will always be a priority to ensure his technology doesn't put any life on the line. As soon as every user beside Amanda logs off, and before Tony can shift his attention back to her, the status screen lights up, showing that all the banned accounts are returning. The Controller hijacks all of the Command Center screens to reveal himself, and tries to blackmail Tony into doing his bidding unless he wants to risk killing the logged-in users to expel them from the program. Tony interrupts the Controller's diabolical laughter, sarcastically asking who could have seen him coming. He flips a button case in the control panel, revealing a button labelled "Big, red, mess up the Controller's plans button." He presses it, interrupting the villain's transmission and revealing the location of his signal in a map. Tony suits up in the Iron Man Armor while contacting Wasp and Jim Rhodes to ask them to meet up at the Controller's base. Bethany asks Tony for how long he knew the Controller was targeting Stark Unlimited, and he recalls the Control Disk he found inside Fin Fang Foom. Tony orders Bethany to take Amanda to the infirmary, and then appoints Andy to be in charge of the company until he returns, arguing that since he's the newest and came aboard after the Controller made his first move, he's the least likely to be under his control. Tony asks Jocasta to find Machine Man because his illegal eScape interface allows him to log in unnoticed. Stark then orders the other employees to work on a way to get Amanda and everyone else out safely, even if they're problematic people, pointing out that as the good guys, they have to save everyone. Before taking off, Tony convinces Friday to download herself back into his armor because Motherboard is compromised, and it had been doubling as his armor's A.I. operating system. Friday agrees reluctantly, and Andy berates Tony for asking her to do it. At the Uncanny Valley, Aaron Stack is drowning his sorrows confessing to the bartender his love for Jocasta. When she appears, Aaron initially thinks she wants to get back with him. Jocasta shoots down that notion and reveals the true reason for her visit, though Aaron refuses. Jocasta tries to convince her to be like his past self, and faints due to her power reserves running out, using her last strength to ask him not to let her down. Worried, Aaron picks her up on his arms. Janet and Rhodey are arriving on the Manticore at the Controller's base in Cranbury, New Jersey, which is revealed to be a Baintronics warehouse. Iron Man catches up with them and explains that the warehouse is a manufacturing and fulfillment center that uses advanced 3D-printing technology to make nearly any item in the company's catalog and ship it anywhere locally via robot drones. Rhodey uses the Manticore's scanners and finds out that all the drones flying out of the facility are carrying countless of different types of weapons. An image of the Controller appears in the sky, revealing that he has been using the facility to send the logged-in users real weapons, with their connection to the eScape preventing them from realizing they're not simply living out their fantasies, and have actually become a danger to the general public, rampaging through the streets completely armed. Iron Man pleads the Controller to stop, but the villain retorts that they're in Stark's game and challenges him to play.
Valuation parity across physical collectible manifestations for Tony Stark: Iron Man #7.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2452502. 1 dated nightly snapshot on file for this book.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $3.85 | — | $2.00 | $1.92 | — | $7.15 | — | $11.59 | — | $30.00 | $30.00 | $27.00 | $35.00 |
Panel Profits(Bid (Buy Price)) | $0.80 | — | — | — | — | $1.60 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $4.19 | — | — | — | — | $7.89 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 7 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 7 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.