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Marvel · Deadpool vs. Carnage · #1 · Postmodern Age · ID-28916
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Deadpool vs. Carnage #1 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Cullen Bunn
Salvador Espin
Salvador Espin
Veronica Gandini
Joe Sabino
| Grade | Panel Profits |
|---|---|
| 10.0 | $46.00 |
| 9.8 | $35.00 |
| 9.6 | $18.99 |
| 9.2 | $28.00 |
| 8.0 | $21.70 |
| 7.0 | $18.99 |
| 6.0 | $10.31 |
| 4.0 | $2.63 |
| 3.0 | $2.00 |
| 2.0 | $2.00 |
| Raw | $7.94 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $2.80 | $10.99 | 74.5% | Khamsin Custodial |
| Raw | $1.70 | $8.69 | 80.4% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Jordan D. White
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
In a diner at the Kansas state line, a state trooper reads a newspaper detailing Carnage's escape from prison and loudly complains that the police should just shoot Cletus Kasady, saying he'd do so himself if they ever met. A red-haired man sitting nearby asks him if that's a fact, a red-and-black tendril suddenly spearing the state trooper through the head. The red-haired man - Cletus Kasady himself - transforms into Carnage and gleefully rounds on the terrified patrons with splayed claws, but a trio of musclebound thugs confront him. Carnage tells them to relax and be at peace, amending that he meant pieces as he brutally slaughters them. As the waitress and the patrols rush to the door while he's busy gouging one of the thug's eyes out, Carnage seals the door shut with his symbiote and menacingly asks who's next. Elsewhere, Deadpool lounges on his chair munching a bowl full of cereal and watching a television. As a news report of Carnage slaughtering the diner's patrons comes on - Deadpool is disgusted by the gory images; the news anchor saying that authorities have launched a nationwide manhunt but are operating purely on guesswork, a government agent adding that they have their best profilers trying to discern a method to Carnage's madness. Tapping into his medium awareness, Deadpool rapidly changes channels such that the snippets of dialogue spell out a message: "The killer is... not acting... randomly... as he believes! Ride the wave... of insanity... and you can be the first to... find him, boy!" Making a series of random guesses as to what the narrative is compelling him to do, Deadpool asks the TV if he's the only person crazy enough to find Carnage, changing the channel to a game show just as a contestant wins a jackpot. Deciding that he and Carnage operate on similar enough wavelengths of madness, Deadpool gloats that he always knew that being "amazeballs screwy" would come in handy before wondering what to do when he finds Carnage. A dove crashes into the window, spattering it with blood before falling to the ground. Setting out into the street, Deadpool asks the world for another sign, hearing snippets of peoples' conversations that spell out another message, spotting a cantankerous old man carrying a package that's dripping blood and complaining about someone ripping up meat. Tracking the blood to a nearby butcher shop, Deadpool notices the angry butcher's apron has a bloodstain in the shape of Carnage's face. Entering the butcher shop, Deadpool spots a Fatality Fighters arcade console proclaiming "Maximum Carnage!" Egging the child playing the game on, Deadpool notices a pamphelt talking about ghost towns in front of a newspaper detailing Cletus Kasady's escape, and decides that's a good place to start. Outside Tulsa, Oklahoma, Cletus Kasady exits an abandoned house wearing nothing but his underwear. Gloating about the ghost town symbolizing the death of the American Dream, Cletus revels in his freedom. Recalling that he'd escaped prison before, Cletus laments the one prison he hadn't escaped was that of his own mind, lamenting that for a while he'd forgotten who he was; dismissing his ambitions of taking over cities and trying to conquer the Microverse as stupid. As he declares that he's finally seeing clearly and is going to go back to basics with a good old-fashioned random killing spree, he notices a rocket headed straight for him. As the rocket blows up the house, Deadpool - standing on a nearby hilltop and holding a bazooka - dances gleefully. Tossing the bazooka aside, Deadpool draws one of his katanas and sets out to finish Carnage off. Sprawled on the edge of the crater, Cletus incredulously wonders how someone found him; transforming into Carnage and furiously demanding to know who whats to die. Pulling out a pistol, Deadpool says that any other time they could have a nice long chat about that over some moonshine, shooting Carnage as he says that it's his duty to put Carnage in the ground for good. Shrugging off the bullets, Carnage slashes at Deadpool with his claws, but Wade dodges and attacks with his katana. Transforming one of his arms into a blade, Carnage parries and tosses Deadpool back, following up with a volley of spikes. As Carnage pins Deadpool and furiously asks who he thinks he is, Deadpool cheerfully introduces himself before pulling out a grenade and ramming it down Carnage's throat. Carnage bites off Deadpool's hand, but the grenade goes off in his mouth. As Carnage lies on the ground, dazed, Deadpool regrows his missing hand and cheerfully says he's going to skin Carnage and use his symbiote as a throw rug for romantic encounters. As he presses his sword to Carnage's throat, Deadpool boasts that his own brand of madness outclasses Carnage's, but a voice interrupts and retorts that Deadpool is outnumbered. Blasting Deadpool with a sonic attack so intense it rips his face off, Shriek approaches and snaps that no-one lays a hand on her lover, Carnage rising to his feet and thanking her for the timely intervention.
Valuation parity across physical collectible manifestations for Deadpool vs. Carnage #1.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
The story opens in a diner at the Kansas state line. Carnage has escaped from captivity and continues his murderous rampage here. Later that day in New York City Deadpool is watching TV and a news story about Carnage's rampage at the Kansas diner comes on. He decides he is the perfect crazy person to hunt down another crazy person and off he goes in search of Carnage. He finds him at an abandoned farmhouse near Tulsa, Oklahoma and proceeds to try and take him down. As he's about to deliver the coup de grace a new combatant, Shriek, stops him.
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All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 28916. 1 dated nightly snapshot on file for this book.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $7.94 | — | $2.00 | $2.63 | — | $10.31 | $18.99 | $21.70 | — | $28.00 | $18.99 | $35.00 | $46.00 |
Panel Profits(Bid (Buy Price)) | $1.70 | — | — | — | — | $2.80 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $8.69 | — | — | — | — | $10.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 28 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 28 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.