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Marvel · Symbiote Spider-Man: King in Black · #1 · Postmodern Age · ID-3626556
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Symbiote Spider-Man: King in Black #1 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
The Amazing Spider-Man (Vol. 2) #1 — Late-90s Relaunch
Archival retrospective on Marvel's 1999 volume relaunch of Peter Parker following the Clone Saga, exploring direct market reception and modern holographic cover variants.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Archival retrospective on Marvel's 1999 volume relaunch of Peter Parker following the Clone Saga, exploring direct market reception and modern holographic cover variants.
| Grade | Panel Profits |
|---|---|
| 10.0 | $34.00 |
| 9.8 | $26.19 |
| 9.2 | $17.20 |
| 8.0 | $12.48 |
| 6.0 | $8.47 |
| 4.0 | $3.16 |
| 3.0 | $3.00 |
| 2.0 | $2.00 |
| Raw | $6.43 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $1.90 | $9.29 | 79.5% | Khamsin Custodial |
| Raw | $1.40 | $7.09 | 80.3% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Peter David
Greg Land
Jay Leisten
Frank D'Armata
typeset
Danny Khazem
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
At Ravencroft Institute, Alistair Symthe is awakened to see his deceased father, Spencer Smythe, sitting at his bedside. Alistair asks how his father can be there when he's dead, "Spencer" admitting that he's just borrowing the form of Alistair's father to communicate with him. "Spencer" asks if Alistair remembers Louis Tuttle, Alistair remarking that they'd gone to college together before Louis joined NASA. "Spencer" remarks that Louis had been his previous host, now sadly immolated, but that he'd thought highly of Alistair. Alistair asks what the entity impersonating his father means by "host", the entity replying that it needs to bond to someone in order to exist in that realm. Alistair surmises that the entity intends to take him as its next host, the entity agreeing before saying it can give Alistair back the use of his legs if he agrees to bond to it; and that all he needs to do in return is synthesize a formula, inject himself with it, and introduce it to the clinic's ventilation system. Alistair agrees and shakes the entity's hand, and it promptly vanishes. Observing these events from the Blue Area of the Moon, Uatu the Watcher laments not being able to break his oath of non-interference. Breaking the fourth wall, he exposits on the history of his species before lamenting how the mortals of Earth fixate on trivial matters while ignoring those of importance. As he declares his omniscience, he is abruptly engulfed in a beam of blue light - cutting him off from the space-time continuum, something he admits he didn't see coming, noting that this should prove interesting. In Manhattan, a young boy runs out into a crowded street after a wayward balloon and is nearly run over by a truck. Spider-Man snatches him out of harm's way and gently scolds him, telling him to stay close to his mother. As the boy tells his mother that Daredevil saved him, Peter Parker transforms his alien costume into civilian clothes and chuckles to himself at the sorry state of his life. Entering the Daily Bugle Building, Peter is told by J. Jonah Jameson to accompany Ned Leeds. Following Ned, Peter asks where they're going, and Ned replies that Alistair Smythe claimed to be working on a cure for paralysis victims. As Peter sarcastically remarks that Alistair seems intent on reforming, he thinks to himself that maybe Alistair is being sincere about his redemption and that sometimes one has to wait and see. Awakening strapped into a memory-scanning machine, Uatu finds himself the prisoner of the time-travelling despot Kang the Conquerer, who declares his intent to download Uatu's knowledge of the Multiverse into his computer. When Uatu asks why he would want to do that, Kang remarks that he's trying to save the universe. As Kang initiates the download, Uatu realizes he can use his psychic powers to hack into Kang's ship's AI and download its databanks. Doing so, Uatu witnesses an ancient war between Darkness and Light, before seeing into a future where darkness has consumed everything. Gazing into the Abyss, to his horror Uatu feels it gaze also into him - witnessing a vision of a primordial god of darkness. Uatu's psychic powers overload Kang's ship and cause it to self-destruct, leaving Kang adrift in space and lamenting having tried to save the universe. At Ravencroft Institute, Alistair's nurse informs him that his guests have arrived before witnessing him inject a syringe into his arm. As she demands to know what he's doing, he informs her that he hooked a tank of it to the sanatorium's ventilation system and that everyone should have been exposed by now. As the nurse doubles over, coughing, Alistair quips that his plan is going off without a hitch. Outside, Peter Parker's spider-sense goes off and he looks up to see a solar eclipse occurring, and is incredulous as to why one would happen with no warning. Inside, Alistair stands - controlled by the entity that had impersonated his father - and gloats to the nurse that what she's witnessing is the Shadow Realm echoing back through the timestream and rewriting history. As the nurse, the other Ravencroft staff, and Ned Leeds are engulfed by living darkness, the entity remarks that his master will not regret giving him a second chance. Entering the asylum, Peter calls out for Ned only to be confronted by the entity's shadow slaves - recognizing Ned as one of them. Peter transforms into Spider-Man as Ned lunges and slashes him across the chest, knocking him back. Deciding to make a break for it, Spider-Man punches Ned - who reacts in surprise at being hit. Leaping over the other shadow slaves, Spider-Man rips open the elevator door and scales the shaft - noting that the higher he climbs the more his spider-sense warns him he's in danger. Noticing the shadow slaves following him, Spider-Man evades a descending elevator and opens the door where his spider-sense's signal is strongest. Spider-Man confronts Alistair Smythe, accusing him of being behind everything, but to his shock Smythe is engulfed by an entity of living darkness, which introduces itself as "Mister E". Calling out the bad pun on "mystery", Spider-Man is shocked when Mister E suddenly embraces him, jubilantly calling him "brother", but takes advantage of the distraction to sucker-punch him. Mister E leaps out a window, Spider-Man following only to be snared by tendrils of living abyss. Adhering to the wall as a shadow, Mister E asks Spider-Man why he attacked him when they're brothers, both worshipers and children of the same god. Quipping that he doesn't remember hearing about Mister E in church, Spider-Man breaks free; Mister E commenting that Spider-Man is stronger than it thought. Mister E urges Spider-Man - or rather, the symbiote posing as his costume - to listen to it, but Spider-Man angrily snaps that they're not brothers and attempts to punch him again. Mister E phases through his fist, remarking that he won't be caught off-guard again. Solidifying around Spider-Man's arm, Mister E again asks why its brethren attacked it, Spider-Man retorting that beating up bad guys is what he does. Headbutting Spider-Man, Mister E scoffs that it and its brethren represent the natural order, and that their kind existed at the beginning of the universe and will endure to its end, while humanity is nothing more than a blip in the cosmos. Releasing Spider-Man, Mister E tells his symbiote to stop playing games and pretending to be something it's not. Dazed, Spider-Man realizes that in order to hit Mister E he has to rely on instinct and his spider-sense, closing his eyes. Misinterpreting this as a surrender, Mister E approaches him only to be sucker-punched into the wall of the asylum. Growing to a massive height, Mister E snarls that he's done playing games, only to be impaled through the chest by a black-bladed sword. Looking up to see the Black Knight astride a winged horse, Spider-Man asks what he's doing and the Black Knight replies that he's saving the day like he always does. Dismounting, the Black Knight asks Mister E if it's responsible for the eclipse. Mister E cryptically replies that while creation moves forward time, uncreation moves backwards; expelling the Ebony Blade and vanishing into the shadows. As the Black Knight retrieves his sword, Spider-Man asks him what they should do next; the Black Knight admitting he isn't sure. Drifting through space, Kang is picked up by a spaceship and finds himself being held at gunpoint by a surly bipedal raccoon, who introduces himself as Rocket.
Valuation parity across physical collectible manifestations for Symbiote Spider-Man: King in Black #1.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
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typeset
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 3626556. 1 dated nightly snapshot on file for this book.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $6.43 | — | $3.00 | $3.16 | — | $8.47 | — | $12.48 | — | $17.20 | $25.00 | $26.19 | $34.00 |
Panel Profits(Bid (Buy Price)) | $1.40 | — | — | — | — | $1.90 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $7.09 | — | — | — | — | $9.29 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 7 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 7 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.