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Marvel · Deadpool: Back in Black · #5 · Postmodern Age · ID-3721504
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RSI needs 15 dated prices; 1 on file for 9.8.
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Deadpool: Back in Black #5 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Cullen Bunn
Salvador Espin
Salvador Espin
Ruth Redmond
Joe Sabino
| Grade | Panel Profits |
|---|---|
| 10.0 | $62.00 |
| 9.8 | $47.59 |
| Raw | $17.00 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| Raw | $4.80 | $18.99 | 74.7% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Jordan D. White
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
While web-swinging through New York, Spider-Man is struck by a beam of energy. In too much pain to think properly, he barely manages to shoot a webline and stop himself from falling to his death, crash-landing on a rooftop. Killer Thrill expresses disappointment that Spider-Man survived and is scolded by Guzz, who tells her they need him alive if they want to lure the symbiotes in. Killer Thrill disembarks to collect Spider-Man, gleefully remarking on the horrific tortures she's planning to inflict on him. Elsewhere, Deadpool perches on a street light when the symbiote senses Spider-Man is in pain and takes control of its host to head to his location, Deadpool intending to save Spider-Man and the symbiote to kill him itself. Deadpool expresses confusion at his sudden urges to kill his idol, hoping he gets himself sorted out before arriving. At an abandoned warehouse, Killer Thrill laments Spider-Man's low pain tolerance as he lies in a pool of his own blood, stating that she plans to keep him so that she can torture him in zero gravity. Guzz tells her the symbiote is getting close, just as Deadpool crashes through a window in his bulky monstrous form, the symbiote in full control. Complementing her choice of location, the Venomized Deadpool lunges at her and snarls that he's going to eat her brains. Guzz blasts Deadpool with a sonic cannon, destabilizing the symbiote, and Killer Thrill kicks him in the chest. The symbiote separates from Deadpool to give him an opportunity to shoot the sonic cannon. Kicking Guzz aside, Deadpool realizes how much the symbiote was adversely affecting his already messed-up thoughts; but it rebonds to him and takes over again. Killer Thrill launches an I-bar at him with her psychokinesis, but Deadpool morphs his arm into a blade and cuts it in half, snarling that it will take more than that to stop him. She attacks Deadpool's brain with a psychic blast, but the symbiote scolds her for forgetting it and its host are a team, slicing off her left arm with its tongue. As Killer Thrill clutches her bleeding stump and complains that the symbiote is being mean, it quips she hasn't seen anything yet before devouring her severed arm. Guzz calls an end to the fight and drags Killer Thrill to the safety of their spaceship, telling her she'll need to get a new arm when she asks him to retrieve it. Having finished eating Killer Thrill's arm, Deadpool chases after them and jumps onto their spaceship, intent on eating them both. The spaceship blasts him off and flies away, so Deadpool turns his attention to the unconscious Spider-Man, menacingly extending tentacles towards him and snarling that it's time for payback. Inside, Wade desperately fights the symbiote's control until it separates from him, snarling that Wade has to let it kill Spider-Man so that they can be free. Wade tells the symbiote he's not going to let it eat Spider-Man, but the alien can't reply to him without a host and ignores him. As the symbiote prepares to devour Spider-Man, Deadpool throws himself in between it and its prey, declaring that if it wants to kill Spider-Man it'll have to go through him. As the symbiote looms over him with its maw open, Deadpool states he understands that it hates Spider-Man for abandoning it, but that devouring friends just isn't something that's permitted on Earth, no matter how mad you are at them, and that if the symbiote really wants to go through with killing Spider-Man then he doesn't want to be bonded to it anymore. Deadpool prepares to be eaten, then opens his eyes to see the furious symbiote leaving. In deep space, Killer Thrill's space ship approaches that of the one who hired her, Guzz, and Coldwar to capture the symbiote. Disembarking with Guzz, she calls out to her employer, telling them that the longer she's kept waiting the more she'll bleed out onto their floor. Their employer, the Collector, chastises them for failing to capture the symbiote, and Killer Thrill retorts that she barely escaped with her life and that she's not good at bounties that require the target to be brought in alive. The Collector admits that some reward might be in order, remarking that while they may not have captured the symbiote they prevented great cataclysmic chaos from ensuing by separating it from Deadpool. When he remarks that he's still disappointed at not being able to add the symbiote to his collection, Killer Thrill offers him Guzz as a consolation prize, stating that he's not the last of his species but that she'd be more than happy to stop by his homeworld and fix that on her way home. On Earth, the scorned symbiote returns to Our Lady of Saints Church, followed at a distance by Wade, who chastises himself for acting like a creepy stalker. Wade laments that he can't help but feel responsible for the symbiote and that they made a good team, aside from the bloodlust it felt towards Spider-Man. He remarks to himself that he never thought much of Spider-Man before bonding to the black suit, and wonders if it pushed all the respect and love it felt for Spider-Man onto him. Nearby, Eddie Brock stands in front of the church, trying to talk himself down from committing suicide. Wade approaches him and states that he looks like he could use a friend, suggesting he might find what he's looking for inside the church. Eddie agrees, stating that he has to follow through with something and do something right for once in his life. As Eddie enters the church, attracting the attention of the symbiote, Wade thinks to himself that Eddie seemed like a nice guy and hopes that he gets his head on straight.
Valuation parity across physical collectible manifestations for Deadpool: Back in Black #5.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 3721504. 1 dated nightly snapshot on file for this book.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $17.00 | — | — | — | — | — | — | — | — | — | $51.00 | $47.59 | $62.00 |
Panel Profits(Bid (Buy Price)) | $4.80 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $18.99 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 2 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 2 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.