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Marvel · The Punisher: Year One · #2 · Modern Age · ID-7339649
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
The Punisher: Year One #2 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Dan Abnett
Dale Eaglesham
Scott Koblish
Justin Gabrie
typeset
| Grade | Panel Profits |
|---|---|
| Raw | $3.54 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
Rigorous options modeling requires empirical prices for both legs (raw acquisition and target slab FMV). One or both legs currently lack recorded market observations; synthetic assumptions are disabled.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| Raw | $0.80 | $3.89 | 79.4% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Don Daley
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Homicide detectives John Laviano and Stan Witts are standing outside Mount Sinai Hospital, trying to take a brief break from the Castle Massacre. Laviano comments how he just get the face of Frank Castle, the only survivor of the massacre, out of his head. Back inside the hospital, Castle is on his knees in his room, mourning the deaths of his family whilst the Maggia assassins close in for the kill. Caste surprises them however by charging the both of them, resluting in the death of one of them. The surviving flees the room with Castle closely following him when he bumps into Officer Weiss blocking the exit, resulting in the assassin being shot by the assassin. This gives Castle the time he needs to tackle the assassin and aim his gun at him. Castle is interrupted by Laviano however, who pleads with Castle to not kill the man and instead to help the NYPD bring down the men who did this. Laviano promises Frank that justice will be served in honor of his family. The next morning down at the police station, Frank is at Laviano's desk identifying the men he saw at the shootout. Laviano later tells Captain Howard Furniss that Frank has IDed five high ranking members of the Costa crime family, and is more than eager to testify against them at their trail. Over at the Daily Bugle, McTeer is talking with editor Robbie Robertson about the Castle Massacre and is asking him to talk to J Jonah Jameson about letting him write the story. Robbie reluctantly agrees, but tells McTeer to "pull together some basics" as to show Robbie that his time is not being wasted. McTeer eagerly agrees and upon exiting Robbie's office sees Peter Parker, asking him if he can borrow Peter's camera for the story. Peter reluctantly agrees and hands McTeer the camera, prompting McTeer to steal a roll of film from Peter's bag once Peter's back is turned. McTeer makes his way to the Castle household, taking pictures of the outside, when he finds Frank inside. After being invited in, McTeer tries to convince Frank to let him write about the massacre, saying that doing so will help saves lives by having it in the public eye and that it might help battle against the disease that is organized crime. When shown reluctance, McTeer tells Frank about his own wife's death, how she was gunned down during a hold-up, and promises Frank that writing this story will help save people like his wife. Back at the police station, Laviano is being told by Captain Furniss over the phone that all five members of the Costa family have iron clad alibis and to drop the case entirely. Laviano angrily hangs up and goes to find Witts to tell him the news. Upon informing Witts, Laviano adds how he doesn't know how he's going to tell Frank. Back at the Castle house, Frank is being told the news about his case by Laviano over the phone. Frank hangs up and beings talking towards Maria about how he's failed her and the kids. During his talk, he gets a phone call from McTeer, who's heard the news about Frank's case and reminds him about the offer. The next morning, McTeer and Frank are at receptionist Betty Brant's desk, with McTeer demanding to see Jameson. Brant manages to set up a meeting, which McTeer immediately goes to, leaving Frank to stand by Brant's desk. Brant gets a call and takes a message concerning McTeer, alerting Frank's curiosity. Brant leaves to go get coffee for Frank, leaving time for Frank to look at the message. Brant comes back with said coffee, but finds Frank missing. McTeer comes back and asks Brant where Frank is. Brant doesn't know, but tells McTeer about the message, that his wife called and asked McTeer to call her back. McTeer, realizing that Frank knows about the lie and that he has lost Frank's trust, rushes out of the Daily Bugle to find Frank. Frank is back at his house, talking towards Maria again. He goes through his old marine trunk and finds his old handgun. He professes his eternal love for Maria and aims the gun at his head. End of Part 2.
Valuation parity across physical collectible manifestations for The Punisher: Year One #2.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Frank dispatches the mob goons sent to kill him in the hospital, but with his family dead, he tries to find a reason to keep on living. The police and an alcoholic Bugle reporter prey on the uncertainties his recent tragedy have caused to try and use him to further their own agendas and careers.
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All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Total graded population from the stored CGC census snapshot for this title and issue.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $3.54 | — | — | $2.79 | — | $9.17 | — | $14.86 | — | $21.49 | $52.00 | $47.14 | $61.00 |
Panel Profits(Bid (Buy Price)) | $0.80 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $3.89 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 4 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 4 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.