Independent·Astonishing Tales·#2·Bronze Age·ID-2410982
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 9 of 167 slabs (5.4%) | 9 | SOV | $450.00 | 9 | $4,050 | (41.1x) |
| 9.6 | 23 of 167 slabs (13.8%) | 23 | $264.04 | 23 | $6,073 | (24.1x) | |
| 9.4 | 34 of 167 slabs (20.4%) | 34 | ANC | $60.00 | 34 | $2,040 | (5.5x) |
| 9.2 | 23 of 167 slabs (13.8%) | 23 | $112.00 | 23 | $2,576 | (10.2x) | |
| 9.0 | 16 of 167 slabs (9.6%) | 16 | $20.99 | 16 | $335.84 | (1.9x) | |
| RAW | Raw Uncertified Copies | — | RAW | $10.95 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
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Jack Kirby
Sam Grainger
N/A
Stan Lee
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Ka-Zar storms into the Arlington Arms hotel demanding to see Kraven the Hunter, who has captured his beloved sabretooth Zabu. Kraven's men try to stop him, but Ka-Zar fights through the lobby chaos until Kraven himself snares him with a tightening bola-net and finishes the job with a tranquilizer spray, leaving Ka-Zar apparently helpless. Kraven makes his mistake by growing careless — he leaves Ka-Zar for dead and heads upstairs for his "ultimate prize," not knowing Ka-Zar only held his breath. Ka-Zar snaps the net apart, lets out a jungle call that pierces forty floors of concrete, and rouses Zabu from his drugged stupor on an upper level. The two reunite and take the fight to Kraven directly, but the Hunter meets Zabu's charge with a hidden electrified band and Ka-Zar with explosive pellets and a concealed blowgun. Ka-Zar refuses to risk bystanders' lives and makes a final stand, spraining Kraven's weapon hand and forcing him to fall back on a stun blast — the same trick he used in their previous encounter. Kraven retreats wounded, vowing a rematch, while Ka-Zar pulls himself off the ground, battered but unbroken, and reunites with Zabu. The issue closes on an unexpected encounter: a stone-faced stranger in the corridor who identifies himself as someone who once lived deep in the Savage Land and must return there soon — or die — and warns that if he perishes, the Savage Land itself will perish with him.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.