Price history & market evidence
Price observations belong to this edition. Guide estimates, catalog references and completed sales are separate kinds of evidence.
| Grade | Amount | Evidence | Recorded |
|---|---|---|---|
| 9.8 | $120.00 | ComicBase · catalog referencecatalog | Date not recorded |
Reading this edition’s market
Compare the same cover, printing and grade before setting a bid. A raw guide or a higher-grade price does not establish a slab’s value. Include selling fees, shipping and the depth of completed-sale evidence when assessing an exit price.
The table includes 0 guide observations and 1 catalog references. These are reference values, not guaranteed sale proceeds.
Graded population
CGC records 2,014 graded copies for Amazing Spider-Man #134 (1974). Population is the number recorded by this grading source, not the total print run or all surviving copies.
Danger is a Man Named... Tarantula
Running late for a cruise with Flash Thompson, Mary Jane, and Liz Allan, Peter web-slings to the docks so as not to miss the trip. Changing back to Peter Parker, he makes it just in time. The cruise goes sour when it is hijacked by the costumed mercenary known as the Tarantula, who intends on ransoming off the passengers for 1 million dollars. Peter slips away and changes into Spider-Man, and attacks the Tarantula. However, the Tarantula knocks some of the crew overboard, and Spider-Man is forced to jump ship to save them. He realizes that he is out of web fluid and cannot swing back to the ship. He then rushes back to his apartment that he shares with Harry Osborn and quickly grabs his spare web-cartridges. He leaves in such a rush that he does not notice that Harry Osborn had spied him doing so and has discovered Peter's secret identity.
As word of the ransom (and demands for financial help from the Mayor) reach J. Jonah Jameson, Spider-Man manages to web-sling back onto the ship to resume his fight with the Tarantula. Although he is tagged by the drugged tips of the Tarantula's boots, Spider-Man manages to put up a good fight against his foe. However, the drugs then kick in and Spider-Man briefly blacks out, when he comes to, he sees that the Punisher has arrived and is now pointing a gun in his face, seeking to take control of the situation.
Creative credits
Writers: Gerry Conway
Interior art: Ross Andru
Color: Linda Lessmann
Cover art: John Romita, Danny Crespi
Source records & attribution
Panel Profits keeps each source identity attached to its edition record.
COMICBASE: comicbase:51546
GCD: 27552