DC·Action Comics·#56·Golden Age·ID-2313825
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 1 of 67 slabs (1.5%) | 1 | SOV | $432.00 | — | $432.00 | (1.0x) |
| 9.6 | 0 slabs | 0 | — | — | — | — | |
| 9.4 | 0 slabs | 0 | — | — | — | — | |
| 9.2 | 0 slabs | 0 | $3,588.00 | — | — | (8.3x) | |
| 9.0 | 3 of 67 slabs (4.5%) | 3 | $3,174.00 | 3 | $9,522 | (7.3x) | |
| 3.0 | 8 of 67 slabs (11.9%) | 8 | ANC | $550.00 | 8 | $4,400 | (1.3x) |
| RAW | Raw Uncertified Copies | — | RAW | $432.00 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Jerry Siegel
John Sikela
George Roussos
Jack Schiff
Home of Superman, Batman, Wonder Woman, and the Justice League.
The birth of superheroes. Superman, Batman, Captain America, and Wonder Woman debut. Comics became a mass medium.
Extreme scarcity drives value. Condition sensitivity is paramount — even low-grade copies of key issues command five figures.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Superman prevents strange disasters from striking the Washington Monument, Mount Rushmore, the Statue of Liberty, and other historic landmarks. Meanwhile Lois Lane pursues an investigation of the Gateson Employment Agency. She is taken prisoner and sent to Africa where she meets the man behind the disasters, Emil Loring. Using slave labor supplied by the employment agency, Loring, a brilliant architect, has constructed an immense tower. His attacks on other monuments were designed to eliminate the competition. Superman traces Lois back to Africa and prevents an attack on the pyramids. He then rescues Lois, while Loring is crushed beneath the wreckage of his own tower.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
An insane architect tries to destroy some of America's greatest historical structures so that they might not overshadow his creation of what he believes to be the world's tallest building.
Bill uses a criminal gang's plan to dominate the natives with baseball against them.
“| Speaker =”
— | Editor1_1 = Jack Schiff
Superman prevents strange disasters from striking the Washington Monument, Mount Rushmore, the Statue of Liberty, and other historic landmarks. Meanwhile Lois Lane pursues an investigation of the Gateson Employment Agency. She is taken prisoner and sent to Africa where she meets the man behind the disasters, Emil Loring. Using slave labor supplied by the employment agency, Loring, a brilliant architect, has constructed an immense tower. His attacks on other monuments were designed to eliminate the competition. Superman traces Lois back to Africa and prevents an attack on the pyramids. He then rescues Lois, while Loring is crushed beneath the wreckage of his own tower.
Published by Detective Comics, Inc. First issue of this title to be edited by Jack Schiff, replacing Whitney Ellsworth. Design for Doom is reprinted in Superman: The Action Comics Archives Vol. 4 (Collected). * In this story, Lois Lane is kidnapped for the 24th time.,