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Marvel·Tales of Suspense·#51·Silver Age·ID-2387511
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 0 slabs | 0 | $8,901.66 | — | — | (128.1x) | |
| 9.6 | 10 of 608 slabs (1.6%) | 10 | SOV | $4,320.00 | 10 | $43,200 | (62.2x) |
| 9.4 | 18 of 608 slabs (3.0%) | 18 | $2,007.14 | 18 | $36,129 | (28.9x) | |
| 9.2 | 15 of 608 slabs (2.5%) | 15 | $1,295.69 | 15 | $19,435 | (18.6x) | |
| 9.0 | 17 of 608 slabs (2.8%) | 17 | $731.07 | 17 | $12,428 | (10.5x) | |
| 7.0 | 60 of 608 slabs (9.9%) | 60 | ANC | $240.51 | 60 | $14,431 | (3.5x) |
| RAW | Raw Uncertified Copies | — | RAW | $69.50 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Stan Lee
Don Heck
Don Heck
N/A
Stan Lee
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Marvel revolution. Stan Lee, Jack Kirby, and Steve Ditko create the modern superhero. Spider-Man, Fantastic Four, X-Men debut.
The sweet spot for collectors — significant enough to be culturally important, scarce enough to be valuable. 9.8 copies are extremely rare.
Silver Age (1956–1970) — the era that redefined the superhero genre. Scientific themes, moral complexity, and Stan Lee's Marvel revolution define this period. High-grade copies command aggressive premiums.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
In illiquid alternative asset markets, sovereign blue-chip holdings trade at an exponential multiple over mid-grade float due to institutional accumulation and inelastic seller reservation prices.
Iron Man catches a criminal attempting to rob a box office and pursues him into the theater, where the contortionist the Uncanny Umberto is performing. Umberto uses his tricks to stop the thief and Iron Man congratulates him. Struck by sudden inspiration, Umberto bends his talents to perform burglaries. To disguise himself, he steals a scarecrow costume. He also steals the trained crows of fellow performer Thornton. He decides upon Tony Stark's apartment as his first target. At the main reception room in Stark's Long Island factory, Veronica Vogue is tricked away from her promised date with Tony Stark by Pepper Potts. Tony and Happy Hogan drive home. There they discover the Scarecrow breaking into Tony's safe. The Scarecrow's acrobatics easily beats Happy, but this gives Tony a chance to put on his Iron Man suit. The Scarecrow's crows entangle Iron Man in a drapery. When he tears himself free, Iron Man sees the crows flying out the window. Thinking the Scarecrow has escaped, Iron Man flies out. In truth, the Scarecrow has merely hidden himself inside the apartment. With Iron Man gone, the Scarecrow steals the plans for some of Stark's new weapon systems and escapes. The Scarecrow blackmails Tony for the stolen plans, but Tony hides one of his gadgets in the briefcase with the money. The Scarecrow gets the money without handing back the plans and then sails for Cuba in a small motorboat. Iron Man tracks the Scarecrow to his rendezvous with a Cuban gunboat. Iron Man gets the plans back and sinks the gunboat. However he fails to stop the Scarecrow from swimming ashore on Cuba. Back home, Tony gives his Broadway tickets to Happy and Pepper.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
