COMICBOOKSTOCKEXCHANGE.COM·
UTC LIVE TIMEDEAL RADAR
MARKET CLOCKS
HOME OFFICEHOME OFFICE--:--
NYSENew York--:--
LSELondon--:--
JPX / NIKKEITokyo--:--
DFM / ADXDubai--:--
WORLD / UTC--:--
Marvel·Daredevil·#185·Bronze Age·ID-2389413
DirectACTIVE| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 286 of 896 slabs (31.9%) | 286 | SOV | $83.50 | 286 | $23,881 | (18.7x) |
| 9.6 | 248 of 896 slabs (27.7%) | 248 | $59.00 | 248 | $14,632 | (13.2x) | |
| 9.4 | 139 of 896 slabs (15.5%) | 139 | $46.33 | 139 | $6,440 | (10.4x) | |
| 9.2 | 58 of 896 slabs (6.5%) | 58 | $37.17 | 58 | $2,156 | (8.3x) | |
| 9.0 | 49 of 896 slabs (5.5%) | 49 | $27.00 | 49 | $1,323 | (6.0x) | |
| RAW | Raw Uncertified Copies | — | RAW | $4.47 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Frank Miller
? (various)
? (various)
Klaus Janson
Denny O'Neil, Ralph Macchio
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Foggy begins to investigate why Heather's company is making bombs, and this causes him to run up against both Eric Slaughter and the Kingpin; no problem for Nelson and his partner Turk. DD is caught in an explosion that messes up his radar sense. A supreme comic relief issue—klutzy Foggy only takes the case to keep the even more reckless Heather Glenn from investigating the case herself. He quickly finds himself captive in Slaughter's headquarters, with hitmen complaining they had to carry a heavy guy across town. The lights go out, Daredevil sneaks in, and knocks out everybody but Slaughter. The lights go on. Foggy is quick to take credit for the victory. Turk, a witness looking for any kind of work, quickly decides—"I'm working for THIS guy!" Turk brings Foggy to the Kingpin's penthouse, knowing Fisk still needs a top assassin to replace Elektra. Kingpin takes one look at Foggy and is somehow skeptical that he is a master assassin. He is busy supervising a radium heist at one of the piers, using the bombs provided by Glenn Industries. Daredevil arrives to break up the heist, though not without damage to his super-sensitive hearing. Daredevil concludes by getting on the two-way radio and telling Fisk, "Don't mess with Guts Nelson." The nonplussed Kingpin lets Foggy leave unharmed. Foggy eventually ditches Turk by ducking out of an airplane just before takeoff and smilingly watches Turk leave for Chicago alone.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
