Marvel·Daredevil·#71·Bronze Age·ID-2389666
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 9 of 127 slabs (7.1%) | 9 | SOV | $915.22 | 9 | $8,237 | (65.4x) |
| 9.6 | 13 of 127 slabs (10.2%) | 13 | $183.00 | 13 | $2,379 | (13.1x) | |
| 9.4 | 21 of 127 slabs (16.5%) | 21 | ANC | $70.51 | 21 | $1,481 | (5.0x) |
| 9.2 | 13 of 127 slabs (10.2%) | 13 | $94.00 | 13 | $1,222 | (6.7x) | |
| 9.0 | 12 of 127 slabs (9.4%) | 12 | — | — | — | (9.4%) | |
| RAW | Raw Uncertified Copies | — | RAW | $14.00 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
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Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Roy Thomas
Gene Colan
Syd Shores
Artie Simek
Stan Lee
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
In illiquid alternative asset markets, sovereign blue-chip holdings trade at an exponential multiple over mid-grade float due to institutional accumulation and inelastic seller reservation prices.
While patrolling the streets by night, Daredevil tries to break up a fist fight, but it turns out it had been faked in order to serve him a summons to court, to testify in the case against the New York Three. Matt Murdock also helps Foggy Nelson during the day with the same court case. As they prepare for the trial, Buck Ralston travels to New York in order to personally execute the Three in his costumed identity of Tribune, believing them to be all guilty of Anti-Americanism. On the day of the big trial, Matt fakes a headache so he can have an excuse not to attend the trial, thus allowing him to attend as Daredevil. Meanwhile, Tribune incapacitates the judge that will be presiding over the case and then takes control of the court room. At first, Daredevil is helpless to do anything, since the Tribune's men are surrounding the courtroom, and he doesn't want to get innocent people hurt. While on the witness stand, he hears "an almost infinitesimal hum-- coming from the Tribune's belt!" He leaps to action, and smashes the belt, releasing the Tribune's men from the hypnotic control they were under. The Tribune leaves a bomb, and tries to get away in a helicopter, but Daredevil throws the bomb at the escaping villain. It explodes and Tribune seemingly perishes. Days later, in the D.A.'s office, Foggy is relieved that he's actually lost a court case for once in his career, as the case of the New York Three is dismissed, after the discovery of the Tribune's plan to frame them. Catching a televised soap box of Buck Ralston on TV, Matt being weary of hearing people rabble-rousing, turns off the TV, little knowing that Ralston was the villain he fought and believed dead weeks earlier.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.