Source: VERIFIED_REGISTRY
Marvel·Ultimate Spider-Man·#1·Modern Age·ID-2396759
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 736 of 4,038 slabs (18.2%) | 736 | SOV | $460.00 | 736 | $338,560 | (7.9x) |
| 9.6 | 1,511 of 4,038 slabs (37.4%) | 1,511 | ANC | $130.00 | 1511 | $196,430 | (2.2x) |
| 9.4 | 1,042 of 4,038 slabs (25.8%) | 1,042 | $68.00 | 1042 | $70,856 | (1.2x) | |
| 9.2 | 347 of 4,038 slabs (8.6%) | 347 | $101.00 | 347 | $35,047 | (1.7x) | |
| 9.0 | 190 of 4,038 slabs (4.7%) | 190 | $86.00 | 190 | $16,340 | (1.5x) | |
| RAW | ~34,047 surviving raw (of ~54,407 printed) | 34,047 | RAW | $58.38 | — | $1,987,664 | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Brian Michael Bendis
Mark Bagley
Art Thibert
Steve Buccellato
Richard Starkings
Ralph Macchio
The Amazing Spider-Man (Vol. 2) #1 — Late-90s Relaunch
Archival retrospective on Marvel's 1999 volume relaunch of Peter Parker following the Clone Saga, exploring direct market reception and modern holographic cover variants.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Variant cover era. Trade paperback culture. Independent movement flourishes. Digital distribution begins.
Census-registered copies anchor pricing. First appearances of characters adapted to screen drive the market.
Modern Age (1992–present) — foil cover era, variant proliferation, and the independent movement. Strong narrative significance drives key issue demand. Census-registered copies anchor pricing.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
At Oscorp Industries, Norman Osborn is hard at work with his genetic technicians. They are using various subjects, such as spiders, on the OZ project. As Norman has to talk with his lawyer over the phone urgently, his assistant fails to cap the container on the spider case, and the arachnid escapes. Elsewhere, in Queens, Peter Parker reads a chemistry book in a mall food court. As he tries to study, some rowdy teenagers pester him by throwing food. A sympathetic red-head (Mary Jane Watson) looks on with sadness. Before the other teens can stir up more trouble, Peter's uncle, Ben Parker, shows up and wrangles Mary Jane into a conversation with Peter and him. The next day at his public school, Peter is further instigated by Flash and his big friend, but Harry Osborn shows up and helps the guys to leave Peter alone. Peter and Harry are friends even though Harry is on the team with the other lugs. Later that evening, Ben and May Parker discuss the possibility that Peter may have S.A.D., but Peter just shrugs it off. Harry comes by so they can study and it is revealed Peter's parents had died in a plane crash. When Peter trails off about an adhesive invention his father had worked on before dying, Harry ends up leaving. Norman is too busy to be bothered with Harry when he tries to remind his father his class will be in the lab the next day. As the class is going through Osborn Industries, Peter is bitten on the hand by the same spider shown at the beginning. Even though he has a seizure, he recovers after blacking out. Norman has a meeting to discuss what to do about Peter, decides to pay his hospital bill, and notes that we wants to keep an eye on the boy. In school the next day, the heckling continues but as Flash's pal Kong is about to trip Peter, Peter reacts instinctively and flattens him onto the ground. Peter faints again and is taken to the hospital. He has blood taken, but the sample is replaced by one of Osborn's men. As Norman examines the blood, he notices the toxins will kill Peter. He decides to send his goon Shaw to kill him before that happens, so that no one finds out he died because of his Oscorp. When Shaw tries to run down Peter with his car, Peter reacts for some reason (Spider Sense), and leaps over the car. When Shaw reports back in, Norman aborts the kill so that he may study the boy further. Peter begins to research and realize the spider has affected him somehow. After a confrontation with May and Ben, Peter wakes up in the middle of the night and tries to climb the wall. The issue ends with Peter hanging upside down from the ceiling.
Peter is bitten by a radioactive spider and begins to develop powers.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.