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Independent · Tomb of Dracula · #35 · Bronze Age · ID-2401578
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Tomb of Dracula #35 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Marv Wolfman
Gene Colan
Tom Palmer
Tom Palmer
typeset
| Grade | Panel Profits |
|---|---|
| 10.0 | $842.00 |
| 9.8 | $647.50 |
| 9.6 | $143.06 |
| 9.4 | $41.35 |
| 9.2 | $79.99 |
| 9.0 | $65.00 |
| 8.0 | $50.79 |
| 7.0 | $42.49 |
| 6.0 | $44.07 |
| 5.0 | $35.00 |
| 4.0 | $18.50 |
| 3.0 | $15.00 |
| 2.0 | $12.00 |
| Raw | $16.99 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $19.20 | $47.99 | 60.0% | Khamsin Custodial |
| 4.0 | $5.00 | $19.99 | 75.0% | Khamsin Custodial |
| Raw | $4.80 | $18.99 | 74.7% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Value-focused accumulation target poised for catalyst breakouts.
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Len Wein
In illiquid alternative asset markets, sovereign blue-chip holdings trade at an exponential multiple over mid-grade float due to institutional accumulation and inelastic seller reservation prices.
Continued from last issue... After getting the weakened Dracula to feed upon Jackson Hardy, Daphne von Wilkinson offers a deal to Dracula: If he eliminates four men she blames for the failure of her fashion business, she will try to find information on Dr. Sun for him. Dracula decides to go along with this plan, and Daphne makes a few phone calls to get information out of a member of Scotland Yard she apparently has incriminating photos of. When she is finished Dracula asks why this woman wants these four men killed. She explains that when she took over her fathers fashion business, a number of her designs were stolen by the four men in question and that nobody believed her because she was a mere woman. Amused by this woman's need for vengeance, Dracula agrees to carry out her request. She first asks him to target Martin Beatering, however Dracula informs her that he needs more than one person to sustain himself this night, she then agrees to provide for him.. As Dracula goes to his first victim, in Brazil, Brother Voodoo and Frank Drake fight off the zombies that have been unleashed upon them. The two men manage to over power the zombies sending most of them off a cliff. The last zombie, armed with a torch attempts to light Brother Voodoo on fire, however Voodoo's mystical immunity to fire allows him to set the zombie on fire, incinerating it. With the threat passed, Brother Voodoo asks Frank to help him find Danny Summers, Franks "friend" and the one responsible for leading the two men into this trap. While back in London, Dracula descends on the home of Martin Beatering, who is bickering with his wife Tilly. Since he last worked with von Wilkinson he had run out of fashion ideas and since has been reduced to working on an assembly line, putting the two in dire financial straits. When Dracula knocks at the door, he tells them that Daphne von Wilkinson had sent him calling. When Martin asks what Daphne wants, Dracula pounces on him and feeds, when he finishes draining Martin, Dracula then turns and does the same to his wife. Returning back to Daphne's studio, Dracula is given one of her fashion models named Angie as another meal. Dracula tells her he will kill the next three victims over the following nights until the information he needs is obtained. The following night Dracula sets up a dinner date with his next intended victim Ken Mitchell. Mitchell admits to stealing Daphne's work but justifies himself by stating it happens all the time in the industry. Dracula explains that Daphne has "forgiven" him and wishes to hire him so that he might steal designs for her failing business. Mitchell is interested, and Dracula manages to convince him to discuss matters further in the men's room as it is less noisy in there. There, Dracula feasts upon Mitchell. Upon departing, Dracula begins to wonder why he's doing a woman's bidding when he could do better hunting Doctor Sun himself, and this exercise is only wasting his time, and causing his vampiric powers to drain even more. Next Dracula pays a visit to Jack Bolt, when Bolt asks what Daphne wants, Dracula explains that she has sent him to kill him because he never took her suggestions seriously. Even though Jack Bolt is in the top of his shape, he proves to be no match for Dracula and shares the same fate as those that Daphne has requested killed before him. His final kill is of shrewd business man Winston Twindel. Dracula finds him being driven through Scotland at 3:00 am, making stock trades and firing employees. Dracula appears in Twindel's car and feeds upon Twidel and sends his car driving off a cliff. Returning to Daphne's home three days later, Daphne informs Dracula that she was able to get information from her man in Scotland Yard. She explains their own investigations of Dr. Sun point to the United States, specifically the city of Boston. As Dracula departs, Daphne asks for reassurance that all her targets are dead. Dracula proves it to her in the worst way possible: by having all her victims -- all vampires -- enter in to feed upon her.
Valuation parity across physical collectible manifestations for Tomb of Dracula #35.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
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typeset
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All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2401578. 1 dated nightly snapshot on file for this book.
Dracula continues to kill at the behest of Daphne von Wilkinson but in the end, he has his revenge.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $16.99 | — | $15.00 | $18.50 | $35.00 | $44.07 | $42.49 | $50.79 | $65.00 | $79.99 | $143.06 | $647.50 | $842.00 |
Panel Profits(Bid (Buy Price)) | $4.80 | — | — | $5.00 | — | $19.20 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $18.99 | — | — | $19.99 | — | $47.99 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 54 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 54 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.