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Independent·Marvel Two-In-One·#28·Bronze Age·ID-2411050
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 13 of 46 slabs (28.3%) | 13 | SOV | $135.01 | 13 | $1,755 | (21.8x) |
| 9.6 | 8 of 46 slabs (17.4%) | 8 | $111.00 | 8 | $888.00 | (17.9x) | |
| 9.4 | 6 of 46 slabs (13.0%) | 6 | — | — | — | (13.0%) | |
| 9.2 | 5 of 46 slabs (10.9%) | 5 | $32.94 | 5 | $164.70 | (5.3x) | |
| 9.0 | 7 of 46 slabs (15.2%) | 7 | $23.50 | 7 | $164.50 | (3.8x) | |
| RAW | Raw Uncertified Copies | — | RAW | $6.20 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
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Ron Wilson
John Tartaglione
Irene Vartanoff
Marv Wolfman
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
After a thorough examination of the Deathlok android, Reed Richards decides to have it shipped to his colleague Dr. Kort for further study. Ben agrees to take it to England where Kort is residing and he takes Alicia along with him, promising to take her to see the sights. Meanwhile, in the Atlantic, Namor is being attacked by the Piranha, who has somehow survived his previous attack. However, it turns out that they are really mutated piranha's that ate the corpse of the original, and they have created their own society. Namor, however, manages to fight off the attacker. Spotting the Thing's aircraft, the Sub-Mariner asks Thing for his help fighting the Piranha. The Thing agrees and dives into the ocean, leaving Alicia behind. Alicia is shortly captured by one of the Piranhas. This ends up putting a kink in Namor and Thing's plan for dealing with the Piranha's and they demand that the two fight to the death for Alicia's safety. However, the two pretend to fight each other and cause enough damage to the battlefield and cause enough distraction for Namor to rescue Alicia. The trio makes their escape as the Piranha's kingdom crumbles down around them. Afterwards, Namor thanks Thing for his help and Ben and Alicia continue their trip to England.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
