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Independent·Marvel Two-In-One·#46·Bronze Age·ID-2411069
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 22 of 72 slabs (30.6%) | 22 | SOV | $209.62 | 22 | $4,612 | (25.3x) |
| 9.6 | 20 of 72 slabs (27.8%) | 20 | $119.00 | 20 | $2,380 | (14.4x) | |
| 9.4 | 11 of 72 slabs (15.3%) | 11 | $45.00 | 11 | $495.00 | (5.4x) | |
| 9.2 | 5 of 72 slabs (6.9%) | 5 | $78.00 | 5 | $390.00 | (9.4x) | |
| 9.0 | 1 of 72 slabs (1.4%) | 1 | $65.40 | 1 | $65.40 | (7.9x) | |
| RAW | Raw Uncertified Copies | — | RAW | $8.28 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Alan Kupperberg
Alan Kupperberg
Chic Stone
Alan Kupperberg
Roger Stern
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Furious that the Hulk has been given his own television series, the Thing decides to go to Hollywood and try to talk the studio into making a show based on the Thing. Meanwhile, elsewhere, Bruce Banner himself sees that a television show based on his alter ego causes him to change into the Hulk. Furious that there is a television show about him, the Hulk also heads towards Hollywood as well. While the Thing tries to talk to a studio exec about getting his own show, the Hulk arrives and goes on a rampage. After a battle with the Thing, the studio exec agrees to not make the Hulk look stupid on television (satisfying the Hulk to leave) and agrees to give the Thing his own show. However, Ben gets more than he bargains for when he realizes that the program is called "Thing in the Family" and turns out to be a poorly conceived sit-com.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
