Independent·Marvel Two-In-One·#82·Bronze Age·ID-2411109
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 14 of 36 slabs (38.9%) | 14 | SOV | $109.98 | 14 | $1,540 | (37.9x) |
| 9.6 | 8 of 36 slabs (22.2%) | 8 | $40.00 | 8 | $320.00 | (13.8x) | |
| 9.4 | 2 of 36 slabs (5.6%) | 2 | — | — | — | (5.6%) | |
| 9.2 | 4 of 36 slabs (11.1%) | 4 | $33.75 | 4 | $135.00 | (11.6x) | |
| 9.0 | 2 of 36 slabs (5.6%) | 2 | $30.50 | 2 | $61.00 | (10.5x) | |
| RAW | Raw Uncertified Copies | — | RAW | $2.90 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Tom DeFalco
Ron Wilson
Chic Stone
George Roussos
Jim Salicrup
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
The Thing has been infected by Virus X, a biological weapon created by MODOK and AIM. Completely dazed by his exposure, the Thing hobbles his way out of AIM's abandoned hideout and into the streets of the Bowery. As he tries to stumble home, Ben gets the attention of three street hoods who decide to try and jump him. Along the way, they bump into freelance artist Steve Rogers. Recognizing the Thing and suspecting that there is something wrong with him, Steve slips into a nearby alley so he can change into Captain America. When the thugs jump the Thing, he is too disorientated to fight back, but soon Captain America is upon their foes and manages to fight them off without breaking a sweat. By the time he is done, the Thing has collapsed on the sidewalk, prompting Cap to rush him back to the Baxter Building for Mister Fantastic to examine. To assist him, Reed calls on Giant-Man from Project PEGASUS to help out with examining the Thing. When Ben wakes up he is less than happy to find himself being probed by a machine and fights his way loose. As Mister Fantastic tries to talk sense into Ben, suddenly his body begins to mutate even more. Realizing that he is becoming more and more hideous, Ben begins to crack up and loses his temper. Both Cap and Reed step in and get Ben to calm down. Reed is sure that if he can obtain a sample of Virus X he can develop a cure, but after hearing promises of a cure for so many years the Thing is not quick to believe it and walks out. Before Ben can take off in his sky-cycle, Giant-Man catches up with him and convinces Ben to allow him to come along -- since Foster can relate to Ben since he learned that he was dying of cancer. Meanwhile, Captain America has set out to find a lead on AIM and is traversing the city for answers. Crashing in on the hideout of some criminals, Captain America fights them into submission and demands to know where AIM is hiding out. Miles away at a secret hideout buried below Antarctica, MODOK is punishing his minions for failing him on his previous mission by exposing them to Virus X. One of his subordinates informs him that they have received word that Captain America is seeking their location in order to find a cure for Virus X. Believing that Captain America will be able to locate them, MODOK orders his men to prepare a proper reception for him. At that same moment, Ben has taken Giant-Man to the launching site where the Fantastic Four took their maiden voyage into space and got their powers. There he recalls how he and the others were bombarded with Cosmic Rays which caused his mutation into the Thing. He expresses his disappointments in Reed for not being able to find a cure and fears that he will have to deal with the mutative properties of Virus X until the day he dies. Foster tries to convince Ben to stick in there, able to relate to the sense of futility since he was diagnosed with cancer. Ben has heard the speech before, assuring Bill that he isn't going to give up and commit suicide, but wonders if this constantly mutating form is a reflection of who he really is. Suddenly their pep talk is interrupted by a call from the Sky-Cycle, Captain America has located AIM's hideout, and hopefully the cure. Soon enough, Captain America, the Thing, and Giant-Man are smashing their way into an AIM facility. Fighting past the guards they are able to locate a teleportation platform that sends them to the secret facility in Antarctica. There they find themselves surrounded by AIM soldiers, MODOK, and a synthoid that has mimicked the Thing's powers. The Thing pounds the ground, sending the soldiers sprawling and a fight breaks out. As the fight rages on, Giant-Man decides that the brawl isn't helping Ben and leaves the scene to try and find the cure. As the fight carries on, Giant-Man locates the lab and forces one of the AIM scientists to turn over the antidote. Examining the application device, Foster is surprised to discover that it could also cure him of his cancer, but the AIM lackey tells him that the antidote can only be administered once. As the battle begins to wind down, the Thing lands a powerful punch that sends the synthoid crashing outside of the AIM base, causing it to begin to flood. With Foster joining them, the three heroes manage to teleport away, just barely managing to recover the antidote when MODOK briefly shoots it out of their hands. With the Thing fading fast, Giant-Man decides that curing him is more important than his own health and utilizes the antidote which quickly cures Ben and restores him to his normal Thing form. As Ben wakes up he notices that Bill has slipped away. While he and Cap wonder where he went, Giant-Man walks away convincing himself that it was better to cure the Thing than a second rate loser such as himself.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.