Latest sale · click to enlarge
EC · Vault of Horror · #12 · Atomic Age · ID-2420881
Stored prices by grade and source, exactly as recorded. A source with no price for a grade shows a dash.
Your cost basis next to the stored PriceCharting price for the grade you hold
Track your holding in your portfolio. Record your grade (0.5–10.0 or Raw), grading authority (CGC, CBCS, PSA, or Raw), acquisition cost basis, and purchase date to activate real-time equity valuation, unrealized ROI, and capital gains tracking.
| Grade | Panel Profits |
|---|---|
| 9.2 | $12,112.00 |
Dated PriceCharting snapshots and recorded sales. Nothing is drawn where no dated price exists.
AI-scored · tracking Vault of Horror · refreshes every 2 min
RSI needs 15 dated prices; 1 on file for 9.2.
BB20 is waiting for 20 dated prices for 9.2; no shorter window is substituted.
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Vault of Horror #12 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
? (1 panel art)
? (1 panel art)
? (see notes)
?; typeset
? (ad agency or client)
| 9.0 | $10,714.00 |
| 8.0 | $9,316.88 |
| 7.0 | $1,397.16 |
| 6.0 | $1,912.00 |
| 5.0 | $1,846.64 |
| 4.0 | $1,530.00 |
| 3.0 | $1,464.00 |
| 2.0 | $1,171.00 |
| Raw | $925.00 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
Rigorous options modeling requires empirical prices for both legs (raw acquisition and target slab FMV). One or both legs currently lack recorded market observations; synthetic assumptions are disabled.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $1,261.80 | $2,103.00 | 40.0% | Khamsin Custodial |
| 4.0 | $1,009.80 | $1,683.00 | 40.0% | Khamsin Custodial |
| Raw | $610.80 | $1,018.00 | 40.0% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Publisher profile coming soon
In illiquid alternative asset markets, sovereign blue-chip holdings trade at an exponential multiple over mid-grade float due to institutional accumulation and inelastic seller reservation prices.
Gloria was in a cab, running away from her husband Ralph...heading toward the train station and the train that would take her away from this man whom she thought was trying to poison her. Seated on the train, she kept imagining him at every turn and remembering the $25,000 insurance policies Ralph had taken out on them both...then she remembered that poison bottle he had brought home. Asleep in her berth, Gloria suddenly awakens at what she thinks is a scream, and goes to wake the conductor...but he is dead in his berth. In fact, everyone is dead in their berths! She jumps off the train and locates a farmhouse that has a freshly-dug grave outside. She enters the house and spies a coffin in it....then sees Ralph behind her, who grabs Gloria, puts her in the coffin, nails it shut, drags it to the grave and buries it. Suddenly, she awakens in her berth on the train.....sees Ralph with an attendant in a white coat, who takes her off to a nice house with bars on it so that Ralph can never get to her again!
Valuation parity across physical collectible manifestations for Vault of Horror #12.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
?
? (1 panel art), ? (2 panels art), ? (illustrations), ? (photograph), ? (illustration)
? (1 panel art), ? (2 panels art), ? (illustrations), ? (photograph), ? (illustration)
? (see notes), ?
typeset, ?
? (ad agency or client)
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Total graded population from the stored CGC census snapshot for this title and issue.
Henry was jealous of his artist friend Robert for not selling his etchings. One day Henry began selling Robert's work to an art buyer. Robert found out and confronted Henry, who threw acid in his face then dumped the body into an acid vat. Henry almost used up the wealth of Robert's drawings until he met a wax statue maker and opened a museum with him. When one of the statues' arms was damaged Henry found a human hand beneath it. Henry confronted the sculptor, who removed a wax mask from his face, revealing himself as Robert.
Walter Mallory believes that he is a werewolf, committing murder after murder, and is convinced when he uncovers the Mallory family's werewolf legend. He tells Scotland Yard about this and they agree to help capture the creature, but Walter is determined to end the string of killings, and is about to shoot himself when Scotland Yard enters and tells him that it was actually Sir Gregory (an accomplished hypnotist) who killed the people because they were blackmailing him. He had hypnotized Walter and put werewolf makeup on him to make Walter think he had committed the crimes... as a werewolf!
At last he had done it: he had killed Montrose to get a valuable gold chain, but someone was coming and he had to get away....he could return for the chain later. Later, the killer then broke into Montrose's coffin and there was the gold chain in the corpse's hands. He tried to pry the chain from those stiff fingers, but he couldn't budge it until finally, the fingers moved ever so slightly to release that chain. As the man bent forward to examine the chain in the light, the fingers of the corpse began to close again, this time around the man's throat, tighter and tighter and tighter until...
At the Hawkin's Tourist Colony, Tom is hitting the bottle as his friend Jim walks in, and explains that he is doing so because of a terrible dream he had the night before. In it, a couple come in to take a room for the night....but the woman fears that death is stalking her and kills a cat, believing it was death coming for her. The couple get into a fight he kills her, then shoots himself! Jim tells Tom it was just a nightmare and leaves. A few moments later, a car pulls up and the same couple Tom had seen in his dream were standing before him wanting a room!
Contains letters from readers Grace Calmesi, Cleo Gruner and Shirley Johnson.
A knife flashes down and the owner of a circus falls to the floor dead. The killer then saw the shadows of the roustabouts just outside the tent, so he shoved money he had just stolen into his pockets, then looked for another way out. He spied a barred door at the back of the tent, opened it and hid there. Suddenly, there was a snarl behind him and he could see the eyes of a large panther. He tried to escape, but the barred door wouldn't open. He thought of screaming to alert the roustabouts who were leaving the area, but he couldn't be heard over the roars of the cat as it killed him!
Gloria was in a cab, running away from her husband Ralph...heading toward the train station and the train that would take her away from this man whom she thought was trying to poison her. Seated on the train, she kept imagining him at every turn and remembering the $25,000 insurance policies Ralph had taken out on them both...then she remembered that poison bottle he had brought home. Asleep in her berth, Gloria suddenly awakens at what she thinks is a scream, and goes to wake the conductor...but he is dead in his berth. In fact, everyone is dead in their berths! She jumps off the train and locates a farmhouse that has a freshly-dug grave outside. She enters the house and spies a coffin in it....then sees Ralph behind her, who grabs Gloria, puts her in the coffin, nails it shut, drags it to the grave and buries it. Suddenly, she awakens in her berth on the train.....sees Ralph with an attendant in a white coat, who takes her off to a nice house with bars on it so that Ralph can never get to her again!
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $925.00 | — | $1,464.00 | $1,530.00 | $1,846.64 | $1,912.00 | $1,397.16 | $9,316.88 | $10,714.00 | $12,112.00 | — | — | — |
Panel Profits(Bid (Buy Price)) | $610.80 | — | — | $1,009.80 | — | $1,261.80 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $1,018.00 | — | — | $1,683.00 | — | $2,103.00 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 3 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 3 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.