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Independent·Our Fighting Forces·#142·Bronze Age·ID-2424787
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 1 of 9 slabs (11.1%) | 1 | SOV | $159.47 | 1 | $159.47 | (65.4x) |
| 9.6 | 2 of 9 slabs (22.2%) | 2 | — | — | — | (22.2%) | |
| 9.4 | 0 slabs | 0 | — | — | — | — | |
| 9.2 | 2 of 9 slabs (22.2%) | 2 | ANC | $38.61 | 2 | $77.22 | (15.8x) |
| 9.0 | 1 of 9 slabs (11.1%) | 1 | $12.05 | 1 | $12.05 | (4.9x) | |
| RAW | Raw Uncertified Copies | — | RAW | $2.44 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Robert Kanigher
John Severin
John Severin
Joe Kubert
No narrative synopsis recorded in GCD for this sequence.
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
The Losers, except for Captain Storm, are sent to the African desert to assassinate a man the natives think of as the incarnation of Saladin. This angers Storm and he sets off alone to prove that he can get the job done. The Losers tail him and play guardian angel so that he won't be killed by Saladin's forces. While Storm saves a native boy from a lion, the Losers get captured by Saladin. As Saladin prepares to have them executed, Storm and the boy intervene. Storm can't shoot Saladin without hitting the Losers in the crossfire so he closes in and finishes him off with one of the natives' swords. Storm is proud to have saved the Losers and completed the mission all by himself, but the boy reminds him that he had the aid of Allah.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
