Independent·Rawhide Kid·#19·Silver Age·ID-2427711
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 0 slabs | 0 | $5,513.86 | — | — | (110.9x) | |
| 9.6 | 1 of 21 slabs (4.8%) | 1 | — | — | — | (4.8%) | |
| 9.4 | 0 slabs | 0 | — | — | — | — | |
| 9.2 | 1 of 21 slabs (4.8%) | 1 | SOV | $784.23 | 1 | $784.23 | (15.8x) |
| 9.0 | 2 of 21 slabs (9.5%) | 2 | — | — | — | (9.5%) | |
| 6.0 | 3 of 21 slabs (14.3%) | 3 | ANC | $262.90 | 1 | $788.70 | (5.3x) |
| RAW | Raw Uncertified Copies | — | RAW | $49.70 | 22 | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Stan Lee
Jack Kirby
Dick Ayers
Stan Goldberg
No narrative synopsis recorded in GCD for this sequence.
Publisher profile coming soon
Marvel revolution. Stan Lee, Jack Kirby, and Steve Ditko create the modern superhero. Spider-Man, Fantastic Four, X-Men debut.
The sweet spot for collectors — significant enough to be culturally important, scarce enough to be valuable. 9.8 copies are extremely rare.
Silver Age (1956–1970) — the era that redefined the superhero genre. Scientific themes, moral complexity, and Stan Lee's Marvel revolution define this period. High-grade copies command aggressive premiums.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
In illiquid alternative asset markets, sovereign blue-chip holdings trade at an exponential multiple over mid-grade float due to institutional accumulation and inelastic seller reservation prices.
The Rawhide Kid is trying to lay low in the town of Trigger Gap in one of the local saloons when he is confronted by outlaw Big Bill Corbet who has come to inform the Kid that he does not like strangers in his town. Not wishing to draw attention to himself due to his status as an outlaw, the Rawhide Kid ties to diffuse the situation by telling Corbet that he doesn't want any trouble. This brings laughter from Big Bill who calls the Kid a coward and kicks over the young gunslinger over in his chair before leaving the saloon. Outside Corbet encounters Miss Susan Clark a local woman whom Corbet tries to advance on her using force. Seeing this from inside the Rawhide Kid rushes out to defend the young woman. The Kid then comes to her rescue, beating Bill senseless. Susan thanks Rawhide, who tells her that he is called "Kid" and goes about his ways. The Rawhide Kid stays in town but cannot get the thought of Susan out of his mind, but cannot bring himself to tell her his feelings because he believes that he has no right to be with such an innocent woman while he is hunted by the law. However Susan comes to see him and her forward behaviour leads him to open up and soon a romance begins to bud. But this proves to be short lived as soon as news that Susan's father has returned to town, the Kid cannot bring himself to meet him fearing that he will recognize who he really is and sends Susan to meet with him alone. Not long after Susan left, a local bursts into the cabin and tells the Kid that the Garson Gang are heading into town to rob a gold shipment from the bank and the sheriff has ordered everyone to stay indoors. The Rawhide Kid rushes out to see what he can do to stop the Garson Gang, and is spotted by Susan's father and mistaken for part of the gang and shoots the Kid in the arm. He rushes out, revealing himself to be the sheriff, and recognizing the young man as the Rawhide Kid. However before he can take the Kid, Susan rushes out and tells her father that she loves him. The Kid tries to tell Susan that her father is right that she will never be happy with him when suddenly the Garsons arrive in town and in the attack they grab Susan and make their escape. The Rawhide Kid gets on his horse Nightwind and races after them, incapacitating anyone who tries to stop him from following. He then bursts into the bank as the Garson gang tries to rob it. The Kid uses his fists and his guns to disarm the outlaws of their guns and even stopping a stick of TNT from exploding. Out of bullets, the Kid then tosses his gun into the lamp lighting the room plunging it into darkness. When the leader of the gang strikes a match, Rawhide has climbed up onto a chandelier and pounces down them from above. The Kid beats the entire gang into submission, but when Susan promises not to leave him the Kid -- still believing that he does not deserve a woman such as her -- pretends to have been taking advantage of her the entire time, the Rawhide Kid grabs the loot to finally "show her" how "evil" he really is and rides out. Susan's father the sheriff chases after him, and the Kid ropes him up outside of town. He hands the money over to the sheriff explaining his motivations, knowing this will break his daughters heart, the sheriff understands why and lets the Kid go free. Rawhide rides off hoping that someday Susan will learn to forget about him.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.