Latest sale · click to enlarge
Marvel · Deadpool: Back in Black · #4 · Postmodern Age · ID-2428275
Stored prices by grade and source, exactly as recorded. A source with no price for a grade shows a dash.
Your cost basis next to the stored PriceCharting price for the grade you hold
Track your holding in your portfolio. Record your grade (0.5–10.0 or Raw), grading authority (CGC, CBCS, PSA, or Raw), acquisition cost basis, and purchase date to activate real-time equity valuation, unrealized ROI, and capital gains tracking.
Dated PriceCharting snapshots and recorded sales. Nothing is drawn where no dated price exists.
AI-scored · tracking Deadpool: Back in Black · refreshes every 2 min
RSI needs 15 dated prices; 1 on file for 9.8.
BB20 is waiting for 20 dated prices for 9.8; no shorter window is substituted.
Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Deadpool: Back in Black #4 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Cullen Bunn
Salvador Espin
Salvador Espin
Ruth Redmond
Joe Sabino
| Grade | Panel Profits |
|---|---|
| 10.0 | $36.00 |
| 9.8 | $28.00 |
| 9.6 | $16.50 |
| Raw | $5.03 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| Raw | $1.10 | $5.49 | 80.0% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Jordan D. White
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Web-swinging through Central Park, Deadpool thinks to himself that bonding to an alien costume ought to be more fun, but ever since it happened he's been overwhelmed with enemies and unusual situations. He pauses to rest on a tree, lamenting that all he wants is a nap, and narrowly evades a flurry of darts, asking if his opponent can cut him some slack. Snapping that he will show neither slack or mercy, Kraven the Hunter tackles Deadpool to the ground, having mistaken him for Spider-Man and being intent on ending their long enmity. As Kraven prepares to stab him, Deadpool protests that he's got the wrong person and lashes out with a symbiotic tendril, accidentally flipping up the front of Kraven's loincloth. While Deadpool is both disgusted and impressed by Kraven going commando, Kraven recovers and states that Spider-Man's new tricks won't save him. As he launches into a tirade about how he is the Predator's Spirit, Deadpool kicks him in the face and web-swings away. Kraven retaliates with a volley of poisoned darts, which Deadpool attempts to evade only to notice that several hit his back. Crashing into a tree, Deadpool falls to the ground in a delirious state while the symbiote expels the darts, and struggles to get away so that his healing factor can get rid of the toxins. Kraven arrives and finds the discarded darts, sniffing one of them before proclaiming that Spider-Man won't be able to hide for long since he mixed the toxins specifically to bring him down. Behind Kraven, Deadpool - disguised as a tree using the symbiote's shapeshifting - quips that this is where Kraven's mistaken identity is going to cost him. Sporting a fanged mouth and claws, Deadpool grabs Kraven from behind; the hunter gleefully remarking that Spider-Man has finally given into his rage and predatory side, and that the true hunt can begin. He's interrupted by Deadpool asking if he dyes his hair, and angrily kicks him away, snapping that he won't let his opponent's sarcasm ruin the sacred rite of the hunt. Deadpool begins to come up with a retort before the venom from the darts kicks in, enabling Kraven to attack him. Tossing Kraven aside with tentacles, Deadpool flees in search of a spot to rest, reliving his and the symbiote's memories as a psychedelic nightmare, and sensing the alien's profound loneliness, abandonment, and rage at being abandoned by the one hero it wanted to befriend. Dropping to the ground, Deadpool curls up to sleep the toxins off, not realizing he's landed in a lion enclosure. As one of the lions curiously sniffs him, Deadpool swats its snout away and grumbles for Aunt May to let him sleep. Suddenly waking up wondering who Aunt May is, Deadpool notices the angry lion, which slashes him across the face. Deadpool prepares to return the favor, but a strange ululating howl interrupts him. Kraven tackles the lion, snapping that no caged beast will take his prey from him. When Deadpool mocks his entrance and calls him a redneck, Kraven kicks him in the face and snaps that it was a Kravinoff virility cry. When he calls Deadpool Spider-Man again, Wade retracts the symbiote to reveal his scarred face, revealing that Kraven has got the wrong person. When Kraven is left speechless by his mistake, Deadpool assures him it was an easy mistake to make; but when he calls Spider-Man awesome the symbiote abruptly seizes control and snarls that Spider-Man is not awesome, but a monster for bringing it to this strange world and abandoning it. As Kraven and the lions watch in stunned silence, Deadpool and the symbiote alternate control as they argue, with Deadpool suggesting the symbiote cut Spider-Man some slack since he's got a lot to worry about, the symbiote angrily cutting him off and snarling that it and Deadpool are one and hate Spider-Man together. Deadpool retorts that the symbiote was trying to control Spider-Man and that at this moment he can see why Spider-Man wouldn't like that. The symbiote is enraged by this insult, shouting that it helped Spider-Man and saved his life, but he left it to die and be hunted. Deadpool tries to calm it down, saying that the symbiote has got him now, that it doesn't need Spider-Man anymore, and can let go of its anger. Kraven interrupts, saying that Deadpool has made his point and that he can see that he's not Spider-Man. Livid, the symbiote takes over Deadpool and transforms into a bulky, monstrous form. Slamming Kraven to the ground, it snarls that it can tell that the drugs he's been using have left him terminally ill and that if he really wants to kill Spider-Man he should ditch the knives and darts and just use a gun. As the monstrous Deadpool leaves, Kraven stands up, awed into believing the symbiote to be a dark spirit imitating Spider-Man's form to tell him what must be done, and vows to hunt Spider-Man one last time. The next day, Deadpool awakens on a rooftop, covered in pigeons and guano. He assumes his argument with the symbiote was nothing more than a nightmare induced by the poisoned darts, and remarks that he hopes he's seen the last of Kraven and his venom. Elsewhere, Killer Thrill vows to avenge Coldwar, saying that only she should be allowed to kill her teammates. She asks Guzz if he's found a way to lure the symbiote to them, and Guzz replies that because the symbiote has a connection to its past hosts, the easiest way to draw it out would be capturing and torturing Spider-Man.
Valuation parity across physical collectible manifestations for Deadpool: Back in Black #4.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 2428275. 1 dated nightly snapshot on file for this book.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $5.03 | — | — | — | — | — | — | — | — | — | $16.50 | $28.00 | $36.00 |
Panel Profits(Bid (Buy Price)) | $1.10 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $5.49 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 4 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 4 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.