Marvel·Giant-Size Avengers·#2·Bronze Age·ID-2451431
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 5 of 285 slabs (1.8%) | 5 | SOV | $478.00 | 5 | $2,390 | (32.0x) |
| 9.6 | 42 of 285 slabs (14.7%) | 42 | $242.33 | 42 | $10,178 | (16.2x) | |
| 9.4 | 50 of 285 slabs (17.5%) | 50 | ANC | $122.38 | 50 | $6,119 | (8.2x) |
| 9.2 | 27 of 285 slabs (9.5%) | 27 | $124.00 | 27 | $3,348 | (8.3x) | |
| 9.0 | 21 of 285 slabs (7.4%) | 21 | $90.00 | 21 | $1,890 | (6.0x) | |
| RAW | Raw Uncertified Copies | — | RAW | $14.93 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
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Dave Cockrum
Dave Cockrum
Bill Mantlo
Tom Orzechowski
Roy Thomas
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Continuing from the events in Avengers Vol 1 129... Hawkeye has finished busting up some thieves when his attention is directed to the star shining above Avengers Mansion. Arriving there, he finds out from Jarvis that the Avengers are missing. Swordsman and Rama-Tut arrive and recruit Hawkeye to help them stop Kang from starting World War 3. They travel back to Egypt and battle against three fellow Avengers (Thor, Iron Man & Vision) who have been captured and put inside Macrobots by Kang. During the battle, Rama-Tut reflects on his past: how he is a future version of Kang who grew tired of the constant conquest and resumed his Rama-Tut guise and ruled ancient Egypt again as a just ruler. However, he decided to change his destiny, so he was put into suspended animation by one of his medicine men to this point in history when his past self -- Kang -- would travel back in time seeking the Celestial Madonna. Defeating the Macrobots and freeing the Avengers, they make an attack on Kang, and when Kang and Rama-Tut meet face to face, time goes wild and Mantis is revealed to be the Celestial Madonna. During the fight between Kang and Rama-Tut, the Swordsman jumps into the path of an energy weapon, sacrificing himself to save the others, and Kang and Rama-Tut are sent outside of time. Following the climax of the battle, the Swordsman dies and the Avengers mourn the loss of their ally.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.