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Quality Comics·Crack Comics·#10·Golden Age·ID-24890
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 0 slabs | 0 | — | — | — | — | |
| 9.6 | 0 slabs | 0 | — | — | — | — | |
| 9.4 | 0 slabs | 0 | — | — | — | — | |
| 9.2 | 2 of 11 slabs (18.2%) | 2 | SOV | $3,360.00 | 2 | $6,720 | (21.9x) |
| 9.0 | 0 slabs | 0 | — | — | — | — | |
| RAW | Raw Uncertified Copies | — | RAW | $153.25 | — | — | (1.0x Base) |
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
? [as Kenneth Lewis] (signed)
Lou Fine
Lou Fine
Ed Cronin
No narrative synopsis recorded in GCD for this sequence.
Publisher profile coming soon
The birth of superheroes. Superman, Batman, Captain America, and Wonder Woman debut. Comics became a mass medium.
Extreme scarcity drives value. Condition sensitivity is paramount — even low-grade copies of key issues command five figures.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
No priced issues on record for this series.
| StoryTitle4 = Red Torpedo: "Captured by the Black Shark"
Alias, the Spider: Tom Hallaway's body count is now <u>></u> 13. The Clock's long-time habit of leaving calling cards and witty notes at crime scenes and on arrested suspects has backfired on him thrice before, and now does so again as a fourth copycat has some fake "Clock" calling cards printed up. At least this one went to the trouble of renting a tuxedo and making a facemask. Madam Fatal: In Quality Comics, Jester (Robert Mason) and Jester (Charles Lane) are two different characters. Also featured in this issue of Crack Comics were: Molly The Model, by Bernard Dibble Slap Happy Pappy, by Jack Cole Off The Record, by Ed Reed Rube Goldberg's Side Show, by Rube Goldberg Snappy*, by Arthur Beeman