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Quality Comics·Crack Comics·#14·Golden Age·ID-24892
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 1 of 10 slabs (10.0%) | 1 | SOV | $312.50 | — | $312.50 | (1.0x) |
| 9.6 | 0 slabs | 0 | — | — | — | — | |
| 9.4 | 0 slabs | 0 | — | — | — | — | |
| 9.2 | 0 slabs | 0 | — | — | — | — | |
| 9.0 | 1 of 10 slabs (10.0%) | 1 | — | — | — | (10.0%) | |
| 7.0 | 1 of 10 slabs (10.0%) | 1 | ANC | $1,506.00 | 1 | $1,506 | (4.8x) |
| RAW | Raw Uncertified Copies | — | RAW | $312.50 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Lou Fine
Lou Fine
Ed Cronin
Publisher profile coming soon
The birth of superheroes. Superman, Batman, Captain America, and Wonder Woman debut. Comics became a mass medium.
Extreme scarcity drives value. Condition sensitivity is paramount — even low-grade copies of key issues command five figures.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
After his first defeat at the hands of the Black Condor, Jaspar Crow begins a long descent into darker evil that manifests in his private endeavors. Crow create an imposter Black Condor to attack his own workers who were poised to go on strike. The true Condor infiltrates the plant and frightens Crow into paying his workers properly and agreeing to humane working conditions.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
No priced issues on record for this series.
After his first defeat at the hands of the Black Condor, Jaspar Crow begins a long descent into darker evil that manifests in his private endeavors. Crow create an imposter Black Condor to attack his own workers who were poised to go on strike. The true Condor infiltrates the plant and frightens Crow into paying his workers properly and agreeing to humane working conditions.
The Spider battles an old crone who has been locked in a tomb for decades and seeks revenge on young girls.
| Appearing1 = '''Featured Characters:''' Black Condor Senator Jaspar Crow <small>(his 3rd big scheme)</small>
Wizard Wells appears for the final time in this issue of Crack Comics. Tor, the Magic Master begins speaking his spells backwards in this issue's story. Internal calendar evidence indicates that The Clock's adventure in this issue of Crack Comics takes place from early June through mid June. Also appearing in this issue of Crack Comics were: Molly The Model, by Bernard Dibble Rube Goldberg's Side Show, by Rube Goldberg Slap Happy Pappy, by Jack Cole Snappy, art by Arthur Beeman Off The Record, by Ed Reed They're Still Talking: "About That Two-Punch Championship Fight", by Bob Zuppke and R.W. DePew