Independent·Shanna the She-Devil·#3·Bronze Age·ID-2514595
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 25 of 102 slabs (24.5%) | 25 | SOV | $250.00 | 25 | $6,250 | (25.4x) |
| 9.6 | 22 of 102 slabs (21.6%) | 22 | $100.00 | 22 | $2,200 | (10.2x) | |
| 9.4 | 15 of 102 slabs (14.7%) | 15 | $40.99 | 15 | $614.85 | (4.2x) | |
| 9.2 | 13 of 102 slabs (12.7%) | 13 | $117.00 | 13 | $1,521 | (11.9x) | |
| 9.0 | 5 of 102 slabs (4.9%) | 5 | $40.90 | 5 | $204.50 | (4.2x) | |
| RAW | Raw Uncertified Copies | — | RAW | $9.85 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Carole Seuling
Ross Andru
Vince Colletta
Petra Goldberg
Roy Thomas
No narrative synopsis recorded in GCD for this sequence.
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Shanna slays a crocodile that tried to attack game warden Patrick McShane who was pinned under a fallen tree. Later, she complains that construction of her new house (“Frank Lloyd Wright’s last design”) has been delayed by crew unwilling to venture so far into the jungle. Suddenly a local arrives to inform Shanna and Patrick that a rampaging cape buffalo has destroyed his village. Accompanied by Ina and Biri, Shanna takes off in pursuit, following its trail for hours. After narrowly escaping death after falling into a spiked elephant trap, Shanna is rescued by a group of Greek-speaking, white tribesmen. When her rescuers are attacked by a second group wearing bull masks, she helps them fight the attackers off. They then lead her to their home, which is a replica of the ancient Greek city of Knossos, and Shanna recognizes their culture as Minoan. Fortunately Shanna took ancient Greek in college, and is able to communicate with the Minoan settlers. They narrate how they were driven from Crete by invaders and ended up penetrating deep into Africa, where they established a new Knosses. A local cape buffalo was captured to serve as the center of their religious bull cult, but when it was sequestered with two females, all three somehow gained a supernatural glow, and their offspring became supernaturally-powered Fear-Bulls, immensely large and powerful and capable of emitting Fear-rays when threatened. Recently, the Minoans’ bull-priest became insane and unleashed all the Fear-Bulls to subjugate the populace and took over kingship for himself. Just as he finishes the story, the usurper king’s horned guards come upon the rebel band, and Shanna once again fights alongside them. This time they are outnumbered though, and Shanna is forced to stand down. She is brought before the king, who reveals himself as General Elam, the recently-deposed dictator of the “West African Confederation,” who intends to use the Fear-Bulls to regain his political power. He implores Shanna to join him, but he refuses. She is imprisoned, but shadowy figures promise to aid her the following day during the ritual bull dance. The next day in the arena, the rebels launch their attack. Leaping on the back of a fear bull, she directs its Fear Ray (triggered by her leopards) toward the king and his men, leaving them open to a lethal attack from the rebels. As the rebels celebrate their victory, Shanna and her leopards leave to return home.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.