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Marvel · Web of Venom: Funeral Pyre · #1 · Postmodern Age · ID-28572
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RSI needs 15 dated prices; 1 on file for 9.8.
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Web of Venom: Funeral Pyre #1 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Cullen Bunn
Joshua Cassara
Joshua Cassara
Jay David Ramos
typeset; ? (logo design)
| Grade | Panel Profits |
|---|---|
| 10.0 | $52.00 |
| 9.8 | $39.74 |
| 9.2 | $16.29 |
| 8.0 | $11.42 |
| 6.0 | $6.94 |
| 4.0 | $1.75 |
| 3.0 | $1.00 |
| 2.0 | $1.00 |
| Raw | $1.71 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| 6.0 | $1.50 | $7.59 | 80.2% | Khamsin Custodial |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Devin Lewis
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Andi Benton awakens in bed to find the Mania symbiote biting into her leg. As she screams in pain, it rips out a chunk of flesh and sadistically croons that she tastes delicious. Kicking it off with her uninjured leg, she tries to limp away, but the Mania symbiote pursues her, mockingly stating that she'll never be able to escape it. As the Mania symbiote gloats that it's a part of her and she'll never be free, Andi looks down in horror to see living abyss oozing from her wound instead of blood, spreading up her leg and engulfing her body. Andi awakens with a gasp and sits up in bed, realizing it was just a nightmare - the fourth she's had that week. Surveying her messy room and getting dressed, she glumly congratulates herself on not having woken up screaming this time and wonders whether they're easing up or she's just getting used to them. In the kitchen, Andi finds her Aunt Sarah making breakfast and opts for some toast. Sarah asks if Andi had another bad dream, but Andi - rummaging through the fridge - says that she slept like a baby. Eyeing her niece's can of pop disapprovingly, Sarah chastises Andi's poor eating habits, but Andi retorts that she's not a kid anymore. Sarah says that she knows, but that she's entitled to fuss over her niece for a while longer. Saying she wouldn't have it any other way, Andi kisses Sarah on the cheek and heads out to work. As she walks down the street, Andi recalls how her nightmares began: in high school when she met her assistant gym coach, Flash Thompson -- aka the symbiote-augmented supersoldier Agent Venom. Smiling sadly as she thinks about how bad her late mentor and father-figure had been at the whole superhero gig, Andi thinks to herself that she was just as bad -- not noticing a man in a red hoodie following her. As she compares the loss of her symbiote to the phantom limb syndrome Flash had once described to her, she notices a group of friends and walks over to have coffee with them. As they chat, Andi thinks to herself that while she's not adjusting she's started to adapt and get her act together, making new, normal friends. Leaving to add more sugar to her coffee, Andi thinks to herself that having a degree of normalcy in her life eases the pain and that she might leave her nightmares behind her; looking up in shock as she hears the sound of slicing flesh. Turning, she sees the Mania symbiote slaughtering her friends, snarling that she'll never be free of it and that it will always be a part of her nesting inside her very cells. As Andi recoils in horror, a mass of tendrils bursts from her mouth. Coming to her senses, Andi realizes it was a hallucination, one of her friends asking if she's alright. Seeing her friends are OK, Andi says that she's alright. Andi bids her friends farewell, noting that their smiles and laughter are fake and that they're wondering what's wrong with her. Carrying a pair of coffees, Andi admits she can't blame them and that if she knew she'd tell them if she thought they could be chill about her having been a teenage vigilante. Entering a record store, Andi is scolded by her boss, Mitch, for being late again. Smiling appeasingly, Andi presents him with coffee but Mitch tells her that bribery will only get her so far. Mitch asks her if she got the coffee just the way he likes it, remarking that she's elevated tardiness to an artform. Andi quips that he should've known her in high school, taking his place at the register while he heads into the back room. Putting on her nametag, which she's altered to read "Mania", Andi thinks to herself that between the lulls in her hallucinations she can still feel the anxiety building. Andi's coffee cup suddenly topples over, the black liquid inside forming into the Mania symbiote, which snarls that she'll never be free. Mitch exits the back room demanding to know what's going on, only to be impaled through the chest by a tendril. Coming to her senses and realizing it was another hallucination, Andi runs out of the store -- ignoring Mitch's protests. Walking around town for a couple of hours to calm herself, Andi returns home hoping that her aunt hasn't found out about her ditching work, and that if she tells her about work then she won't be able to stop herself and would tell her aunt everything. Hopefully wondering if her aunt will be understanding, Andi spots Sarah sitting in the surprisingly dark living room. As Sarah tells her to come closer, Andi asks if Sarah is okay, recoiling in horror as Sarah's body rips in half, a mass of red-and-black tentacles surging out. As Andi stares, numbly telling herself that it's just a dream, another hallucination, Carnage climbs out of her aunt's hollowed-out corpse and mockingly offers to pinch her awake. On the verge of shutting down in horror, Andi numbly repeats to herself that it's not real until Carnage lashes out with a flurry of tendrils and lacerates her arm. Realizing it's not a hallucination, Andi flees but runs into an elderly neighbor who's walking his poodle. As her neighbor notices she's been hurt, Carnage impales him on a flurry of tendrils, Andi fleeing and wondering if her hallucinations were warning her, trying to protect her. As she flees into a park, Andi recognizes that her pursuer is the symbiote-enhanced serial killer Carnage, mournfully wishing that Flash was there to help her. Carnage corners her, hissing that he can feel the remnants of her symbiote deep inside her and asking if she has any last words. Tapping into her Hell-Mark, Andi summons the Monsters of Evil -- demonically-enhanced monsters gifted to her by Mephisto. As Carnage incredulously calls Andi "freaky", she sics the Monsters of Evil on him. Set ablaze by hellfire, Carnage begs Andi for mercy, stammering that she's killing him... before transforming his arms into blades and impaling Lord Tiki through the chest. As Andi incredulously wonders how Carnage survived when the flames should have turned his symbiote to ash, Carnage states that it was a nice try but that she's not the only one who's cursed. As Andi blasts him with more hellfire, Carnage notes that he was going to kill her quickly and painlessly, but now that she's pissed him off by fighting back he's going to make her suffer. As the Worm coils around him and starts constricting, Carnage roars that he'll make it rain their blood and guts, slicing her to pieces with a flurry of bladed tendrils. Declaring himself the Apostle of Knull, Carnage snarls that he'll sacrifice Andi to the God of the Abyss. Wreathing herself in hellfire, Andi tells him to bring it on and transforms into a demon - sporting black and red armor, horns, and hock-jointed hoofed legs. Conjuring a demonic pipe wrench, Andi bashes Carnage with it and shouts that she'll make him scream for killing her family and attacking her. Carnage snares her left arm with tendrils and breaks it, sneering that she's the one who's going to scream. Carnage tells Andi that he's after the remnants of the symbiote in her blood so that he can unleash the dark god Knull, Andi snarling that she'll send him to Hell. Knocking aside the remaining Monsters of Evil and stabbing them with tendrils, Carnage impales Andi and says that the more former hosts he devours the stronger he becomes, and that soon he'll apotheosize into a god. Skunk Ape rips Carnage away, Andi growing delirious from blood loss as hellfire blazes around her. Finding herself falling through Hell, Andi realizes that her Hell-Mark saved her to fulfill her destiny as a candidate for the Descent. As her demonic armor dissipates and she returns to human form, Andi realizes that there was no way she could have beaten Carnage on her own and worries about what will happen to the other symbiote hosts. Healing her wounds and opening a portal to New York, Andi sets out to find and warn Eddie Brock - who was the Venom symbiote's host when they last met. Spotting a hallucination of her old symbiote, Andi smiles and acknowledges that it's still a part of her and always will be... though she can still sense Carnage clinging to her like phantom pain. Standing over the dismembered corpses of Gragoa, Skunk Ape, and Sphinx, Carnage mockingly remarks that Andi thought she could escape from him but that he can sense her presence no matter where she goes. Adding that he was planning to go to New York anyway, Carnage strolls through the hellfire cheerfully humming a tune.
Valuation parity across physical collectible manifestations for Web of Venom: Funeral Pyre #1.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
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typeset, ? (logo design)
Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Stored PriceCharting 9.8 price for product 28572. 1 dated nightly snapshot on file for this book.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $1.71 | — | $1.00 | $1.75 | — | $6.94 | — | $11.42 | — | $16.29 | $55.00 | $39.74 | $52.00 |
Panel Profits(Bid (Buy Price)) | — | — | — | — | — | $1.50 | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $2.99 | — | — | — | — | $7.59 | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 53 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 53 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.