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Independent · Tomb of Dracula · #59 · Bronze Age · ID-3315586
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Tomb of Dracula #59 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Marv Wolfman
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typeset
| Grade | Panel Profits |
|---|---|
| 7.0 | $139.00 |
| 5.0 | $58.00 |
| Raw | $49.99 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
Rigorous options modeling requires empirical prices for both legs (raw acquisition and target slab FMV). One or both legs currently lack recorded market observations; synthetic assumptions are disabled.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| Raw | $22.00 | $54.99 | 60.0% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Marv Wolfman
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Anton Lupeski has come to the apartment of Quincy Harker, asking for their help in destroying Dracula. He provides them with guns loaded with silver bullets to do the deed and explains that Dracula will be holding a celebration feast for his newborn son, Janus. The vampire hunters find themselves at a moral crossroads because although both the vampire hunters and Lupeski want Dracula dead, they want to do so for fundamentally different reasons. However, when they contemplate all the loved ones that Dracula has killed between themselves, they decide to go along with Lupeski's plan. Meanwhile, Dracula returns home to his wife and child and after spending time with his son Janus, Dracula decides to go out for a feast of his own before the celebration. Dracula goes to Boston College, where a student called Barry is trying to seduce his teacher, Emily Arthurs. She is saved from him by Dracula, who sends the student running. However, the teacher is far from safe as when she is alone with Dracula, the vampire lord feeds upon her. Dracula instructs Emily that when Barry returns next week, he will again try to seduce Emily. But this time, she must allow him to kiss her. After that, Emily will give him the dark kiss of the vampire. Shortly thereafter, at the home of Anton Lupeski, the dinner celebration for young Janus starts off, with Lupeski preparing to betray Dracula, and Quincy Harker and the other vampire hunters waiting outside. After Dracula has arrived and Lupeski has made an opening speech, Frank Drake and the others burst in. Stunned by the intrusion, Dracula is caught off guard enough for Lupeski to get in his first shot at Dracula. As the vampire hunters begin unloading their silver bullets into Dracula, Domini (with Janus in her arms) attempts to stop them from harming her husband. Although weakened, Dracula manages to fight off Harold, Quincy, and Frank. He then dodges a silver bullet fired by Rachel by turning into mist form. When Dracula returns to his physical form, Lupeski announces his next shot will go for Dracula's heart. Dracula goads Lupeski into firing again and turns into mist form. Lupeski's silver bullet misses Dracula; however, the battle meets a tragic end when Domini screams and announces to all present that Lupeski's bullet had struck and killed Janus. All present are horrified and immediately stop fighting, and Dracula in a brutally angry moment crushes Lupeski's head with his bare hands. Domini turns her attention to the oil painting of Jesus Christ, asking the glowing painting why so much blood must be shed before her son can be allowed into Heaven, what purpose is this vengeance. Dracula, believing that Domini is addressing him, tells her that his vengeance is not complete and turns his attention toward the vampire hunters; however, before he can attack them, Domini orders Dracula to stop, not wishing for more bloodshed on this tragic day. She assures her husband that even this was ordained and tells the vampire hunters to leave quickly. After the vampire hunters have departed, Dracula wants to know how his own wife would dare to command him. Domini explains that these were not her commands, but those of the painting. Noticing its glowing eyes for the first time, Dracula curses the painting and wonders why he did not and still cannot remove it. He then demands to know why his wife listens to its words over his. Domini only expresses her love for Dracula and asks him to take her hand and accept Christ's words. Horrified, Dracula cannot bring himself to do so, and flees into the night in his bat form. This story is continued next issue...
Valuation parity across physical collectible manifestations for Tomb of Dracula #59.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
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All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Total graded population from the stored CGC census snapshot for this title and issue.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $49.99 | — | — | — | $58.00 | — | $139.00 | — | — | — | — | — | — |
Panel Profits(Bid (Buy Price)) | $22.00 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $54.99 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 1 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 1 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.