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Independent · Wild Western · #14 · Atomic Age · ID-3383228
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Market-wide signal (top 4) · Issue-specific signal (bottom 2 · tagged ISSUE)
Wild Western #14 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
Publisher profile coming soon
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Robert Bernstein
Al Hartley
Al Hartley
typeset
| Grade | Panel Profits |
|---|---|
| Raw | $38.38 |
Single-source econometric valuation across 1 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
Rigorous options modeling requires empirical prices for both legs (raw acquisition and target slab FMV). One or both legs currently lack recorded market observations; synthetic assumptions are disabled.
| Grade | Dealer Buy (Bid) | Retail Sell (Ask) | Spread | Underwriting House |
|---|---|---|---|---|
| Raw | $16.80 | $41.99 | 60.0% | Arnveld Capital |
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Several years ago, the Krug family settled into Blackton County. They were: Papa Krug, an old drunk; Blanche the daughter who dreamed of living in high society; and three brothers Vic, Don and Dick who were card dealing, foul mouthed drunks. Their father had married to a rich woman and after she dropped dead, they squandered her fortune. After the Krug boys got in trouble back east they were forced to flee west where they ran out of money and lived in their decapitated home. With no money and a lack of desire to get an honest living leaves the Krug family wondering what to do next, they then side with an outlaw named Markley and his posse. Salvation comes when a stage coach pulls in and the riders ask if they can stay the night to ride out a storm that has come through the area. The Krug family decides to take them in for the night, and when they notice that a number of crates the Krug boys decide to rob the stage coach riders and murder the passengers to keep it quiet. Although Blanche protests the idea, the Krug brothers decide to use their ill gotten fortune to repair their home and turn it into an inn to lure more victims to rob. Their cheap prices attract a large number of visitors, all of which never leave the property alive. Several weeks later, the Black Rider is visiting Fort Langely and meets with the captain. The captain is worried that his father has not arrived in the scheduled stage coach and tells the masked hero about the stages that have gone missing in the past few weeks. The Black Rider decides to investigate where these coaches have been disappearing to and promises the captain he will do whatever he can to try and find his father. The Black Rider follows the back trail and the first. This eventually leads them to the Krug Inn, the last place where all the coaches were seen. One of the Krug brothers tells the Black Rider that the coaches all left. However, as the Black Rider leaves the Inn he finds that there are outlaws working the horses on the ranch and finds it suspicious. He doubles back and decides to get a room for the night. Blanche is instantly smitten by the Black Rider and warns him that it is dangerous to stay and tells him that he may be murdered. The Krug brothers silence her and tell the Black Rider that he has nothing to worry about. The hero begins searching around the property and is confronted by one of the Krug brothers and Markley who deny any wrong doing. The Black Rider notices loose dirt on the property, but his questions about it are dismissed. That night while dinner is being served, the outlaws try to poison the Black Rider's meal, but he sees through this by feeding his meal to the dog, killing it. The Rider then pretends that it was an accident and pretends to retire for the night. The hero sneaks out and changes into his alter ego of Matthew Masters and gets another room for the night. Masters then slips out of his room and then slips into the room he got as the Black Rider. He then waits for someone to try and kill him. He is not disappointed when a man comes through a hidden trap door in the floor. The Black Rider fights off the man, but he dies when he falls on his own knife. Deciding that there is a way to catch the Krug family and their outlaw friends, the Black Rider wraps up the killer in a sack and changes back into Doc Masters. When the Krug family comes to investigate the noise, they find Masters and "ease" his mind and send him back to his room. Masters changes back into the Black Rider and goes out into the yard just as Blanche Krug catches her brothers burying the "Black Rider" and accuses them of being murderers. The real Black Rider appears and guns down the remaining Krug members. The Black Rider then calls the authorities who recover the bodies of all the Krug victims.
Valuation parity across physical collectible manifestations for Wild Western #14.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
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Inspect underlying sources, timestamps, and confidence factors for any market claim
All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Total graded population from the stored CGC census snapshot for this title and issue.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Panel Profits(Exchange FMV) | $38.38 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Bid (Buy Price)) | $16.80 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Ask (Sell Price)) | $41.99 | — | — | — | — | — | — | — | — | — | — | — | — |
Panel Profits(Annual Volume) | — | — | — | — | — | — | — | — | — | — | — | 1 tracked sales | — |
Panel Profits(Realized Listings) | — | — | — | — | — | — | — | — | — | — | — | 1 sold | — |
Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.