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Marvel · Deadpool Kills the Marvel Universe Again · #1 · Postmodern Age · ID-3812510
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Deadpool Kills the Marvel Universe Again #1 demonstrates disciplined liquidity depth and stable sovereign grade spread characteristics across current secondary market trading.
Speculative micro-allocation with high-beta risk/reward characteristics.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
News linked to this book, the Grand Comics Database record, variants and the source of each figure.
Cullen Bunn
Dalibor Talajic
Goran Sudzuka
Miroslav Mrva
Joe Sabino
Single-source econometric valuation across 0 verified monthly observation epochs (0Y runway)
Hedonic age factor + census scarcity weighting.
80% Interval: Unmeasured (Insufficient Volatility Sample)
Wholesale realization (45% haircut · ILLIQUID_SPECIALTY)
Relative-value gravitational equilibrium anchored to the foundational genesis instruments of sequential art.
Rigorous options modeling requires empirical prices for both legs (raw acquisition and target slab FMV). One or both legs currently lack recorded market observations; synthetic assumptions are disabled.
Insufficient secondary market transactions recorded to calculate verified replacement cost basis or 9.8 liquidation arbitrage. Sovereign pricing rules prohibit synthetic price injection.
Multi-tier analytical consensus distinguishing public truth, firm posture, desk urgency, and personal exposure
Jordan D. White
No narrative synopsis recorded in GCD for this sequence.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
The story begins with a squad of police officers standing in front of a bar in New Orleans, while a group of unknown characters stand at the doorway looking in, where Gambit has been killed. They theorize who did it, and one character comments that whoever did the killing thoroughly enjoyed it. Action currently happening on A.I.M. Island is then shown, where Deadpool is displayed fighting A.I.M. Agents alongside his teammates of the Avengers Unity Division. Deadpool advances to kill the enemies' leader, M.O.D.O.K., but before he dies M.O.D.O.K. speaks a few code words that trigger programming in Deadpool's brain, causing him to see all of his teammates as bright, fun-colored enemies. Deadpool proceeds to kill all of his teammates, not realizing who they are. Later, a group of heroes including Jessica Jones, Hawkeye, Mr. Knight, Cable, Misty Knight, and Punisher are looking over the massacre on A.I.M. Island, and find Deadpool's symbol drawn in blood on the floor. Deadpool, meanwhile, is still in a trance and is seeing everything as happy and bright versions of the world even though in reality he is sitting in a dingy, abandoned room in Schaefer Theater. He receives a call on the telephone from a mysterious caller who uses the code words again to give Deadpool more instructions, but in Deadpool's trance-induced vision he sees it as Nick Fury calling for him with a special heroic assignment. The scene fast-forwards to Loki, Valkyrie, Hercules, Thor, Hippolyta, and Ganesha all appearing on an island in the Aegean Sea after being summoned there by cries of help from other gods. There they find a plethora of gods all turned to stone and Deadpool standing above them all, thinking that they are his friends all having a beach party together. Deadpool holds up what he thinks is a volleyball, but is actually Medusa's head, and turns all of the new arrivals to stone as well. During this, the group of heroes that were investigating at A.I.M. Island bust into Deadpool's room in Schaffer Theater. There they find detailed files containing weaknesses and strategies for killing all of the deceased heroes they have seen so far, confirming to them that Deadpool is the killer. They see that he received a phone call from someone before leaving, but they also find a message from Deadpool reading "Help Me" written on a desk pizza cheese. Finally, an ominous scene reveals the Red Skull, Abomination, Magneto, and Doctor Doom are the ones behind the scenes controlling Deadpool. The comic ends as they deliberate over which hero to kill next.
Valuation parity across physical collectible manifestations for Deadpool Kills the Marvel Universe Again #1.
CGC, CBCS, PSA Universal certified high-grade specimens (9.8 / 9.6 / 9.4). The gold standard for institutional alternative investment.
Official witnessed creator-signed slabs (Yellow label). Valued based on creator historical stature and inscription provenance.
Certified specimens from landmark historical collections (Edgar Church / Mile High, White Mountain, Kansas City, Pacific Coast).
Original newsstand barcode distribution copies. Extremely scarce in high grade due to newsstand rack wear and unsold return pulping.
Regional price test market copies (Canadian 75¢/95¢ variants, Marvel 30¢/35¢ test variants). Highly coveted micro-population rarities.
Exclusively allocated copies requiring retailer orders of 1:25, 1:50, 1:100, or 1:500 standard copies. Immediate manufactured scarcity.
Unslabbed collector copies inspected under standard Overstreet physical guidelines. The primary pool for grading arbitrage.
Alternative artistic interpretations, virgin covers, metal foil, and convention exclusives with dedicated collector followings.
Standard specialty comic shop printings sold through non-returnable distribution. The baseline circulation foundation.
Green label copies with significant manufacturing flaws, unwitnessed signatures, or missing coupons that do not affect the main story.
Purple label copies with professional or amateur color touch, tear seals, piece fill, or spine rebuilds.
Blue/Grey label copies treated exclusively with archival preservation techniques (leaf-casting, rice paper tear reinforcement, solvent wash).
Official second, third, or later printings released to satisfy secondary market sellouts. Distinct cover art and trade dress.
International editions licensed by La Prensa (Mexico), Editora Abril (Brazil), Panini (Europe), or Titan (UK).
Certified printing oddities (missing foil, inverted interior, double covers, foil color error). Unique curiosity pieces.
Advance promotional black-and-white booklets, ashcans created to secure trademark rights, and preview giveaways.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
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All prices are current market price based on historic completed sales with a buyer and seller agreeing on price. Calculated via proprietary algorithm tracking end-of-month historical sales. Unsold items are excluded.
Total graded population from the stored CGC census snapshot for this title and issue.
Recorded price evidence by source and grade tier. Ungraded / RAW pricing represents loose physical copies; certified grading authorities record authenticated slabbed grades only. Unpriced grades remain unpriced.
| Authority Source / Metric | RAWUNGRADED | 1.8 | 3.0 | 4.0 | 5.0 | 6.0 | 7.0 | 8.0 | 9.0 | 9.2 | 9.6 | 9.8ANCHOR | 10.0 |
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Highest verified price observed. Non-9.8 books never receive a 9.8 price or synthetic valuation.
ComicBase catalog guide reference valuation. Evaluated independently from newsstand cover prices and certified slabs.
Historical cover price stamped on physical newsstand or direct copies at initial publication.
Panel Profits decodes auction transaction feeds into sovereign econometric market valuations and bid-ask spreads. CGC, CBCS, and PSA never carry RAW prices.