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Marvel·Deadpool Annual·#1·Independent·ID-3368140
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 5 of 17 slabs (29.4%) | 5 | SOV | $89.21 | 5 | $446.05 | (12.7x) |
| 9.6 | 4 of 17 slabs (23.5%) | 4 | — | — | — | (23.5% / 0.01%) | |
| 9.4 | 2 of 17 slabs (11.8%) | 2 | — | — | — | (11.8% / <0.01%) | |
| 9.2 | 3 of 17 slabs (17.6%) | 3 | $19.58 | 3 | $58.74 | (2.8x) | |
| 9.0 | 1 of 17 slabs (5.9%) | 1 | — | — | — | (5.9% / <0.01%) | |
| RAW | ~19,297 surviving raw (of ~27,592 printed) | 19,297 | RAW | $7.00 | — | $135,079 | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
John Layman
Juan Doe
Juan Doe
Fabio D'Auria
Ellie Pyle, Alejandro Arbona, Stephen Wacker, Joe Quesada
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Outside the Marvel/DC duopoly. Often creator-owned with outsized cultural impact and far greater natural scarcity.
No returnable copies, no overprint buffer. True scarcity with potential for explosive growth on media adaptation news.
Independent publisher — outside the Marvel/DC duopoly. These issues often carry outsized cultural impact with far greater natural scarcity. No returnable copies, no overprint buffer.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
Deadpool is in an alternate reality having the time of his life hanging out with his new BFF and dimensional doppelganger, Death Wish. That is, until Death Wish's boss (who looks an awful lot like Dr. Doom) shows up and fries his lackey for goofing off. To make matters worse, it turns out that Death Wish isn't Wade Wilson, Death Mask is. In retaliation, Deadpool starts knocking off all of Death Mask's goons and then makes a play for the big boss himself. Deadpool takes out Death Mask and, since he happens to be Wade Wilson too, replaces him as the kingpin of crime.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
