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DC·Adventures of Superman·Jon Kent·#2·Postmodern Age·ID-4954901
Clayton HenryACTIVE| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 1 of 2 slabs (50.0%) | 1 | SOV | $24.32 | 1 | $24.32 | (4.3x) |
| 9.6 | 0 slabs | 0 | $12.00 | — | — | (2.1x) | |
| 9.4 | 0 slabs | 0 | — | — | — | — | |
| 9.2 | 0 slabs | 0 | $16.59 | — | — | (2.9x) | |
| 9.0 | 0 slabs | 0 | — | — | — | — | |
| RAW | Raw Uncertified Copies | — | RAW | $5.64 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Tom Taylor
Clayton Henry
Clayton Henry
Jordie Bellaire
Wes Abbott
Jillian Grant, Paul Kaminski
Home of Superman, Batman, Wonder Woman, and the Justice League.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Postmodern era — deconstructionist storytelling and trade paperback culture. Sustained demand comes from adaptations and creator prestige rather than print scarcity.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
The group head to the Fortress of Solitude and retrieve the Phantom Zone Projector, their most useful weapon against Ultraman. Red Tornado senses Ultraman jump realities and Jon bids farewell to Lois and Jay, then follows her and Val-Zod through the portal to Ultraman's location. Ultraman launches a sneak attack on them, quickly smashing up Red Tornado and stealing the Projector, which he uses to send her and Zod into the Zone. Jon and Ultraman fight, but due to his training to avoid harming normal humans Jon subconsciously holds back from using his full strength even against someone as powerful as Ultraman, and the more ruthless Kryptonian overpowers him. Jon again feels the energy welling up inside him and lets it out, allowing him to bring Ultraman down with a single blow, but when the energy recedes he is exhausted and collapses. Ultraman recovers and tells Jon that he will imprison him in the volcano again, then travel to Earth 0 and murder Lois. However, the Superman of the world they are on (revealed to be Earth 49) suddenly flies up behind him and snaps his neck. Superman recognises Jon as his and Lois Lane's son.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
