Marvel·Ms. Marvel·#11·Bronze Age·ID-2398847
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 38 of 155 slabs (24.5%) | 38 | SOV | $203.12 | 38 | $7,719 | (45.4x) |
| 9.6 | 36 of 155 slabs (23.2%) | 36 | $63.50 | 36 | $2,286 | (14.2x) | |
| 9.4 | 22 of 155 slabs (14.2%) | 22 | $18.93 | 22 | $416.46 | (4.2x) | |
| 9.2 | 15 of 155 slabs (9.7%) | 15 | $48.89 | 15 | $733.35 | (10.9x) | |
| 9.0 | 10 of 155 slabs (6.5%) | 10 | $36.00 | 10 | $360.00 | (8.1x) | |
| RAW | Raw Uncertified Copies | — | RAW | $4.47 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Chris Claremont
Sal Buscema
Frank Giacoia
Glynis Wein
Archie Goodwin
No narrative synopsis recorded in GCD for this sequence.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
After breaking up a gang of thieves, Ms. Marvel returns to her hotel room, where she changes back into Carol Danvers and returns to work at the Daily Bugle. There, after a few moments where she loses her temper, she learns that she is to go and report at Cape Canaveral to report on a space mission involving her old friend Salia Petrie. Meanwhile, not far from the Cape, Zephyr, Miles Olddan, and Richard Harper are all attacked by some elemental forces. While back at the Cape, Carol waits for the rocket launch when she has another premonition – this time she sees Salia's rocket exploding and her being trapped in space. However, before she can do anything, Carol is compelled to change into Ms. Marvel and go to the location where Zephyr, Olddan and Harper are located. There she finds three Olympian-style soldiers fashioned out of the very sand, and with some quick thinking manages to defeat them. However she is blasted from behind. Recovering, she finds that her foes are Hecate and the Elementals. This story is continued next issue...
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.