Independent·Warlock·#8·Bronze Age·ID-2412891
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 6 of 121 slabs (5.0%) | 6 | SOV | $282.58 | 6 | $1,695 | (37.7x) |
| 9.6 | 23 of 121 slabs (19.0%) | 23 | $185.38 | 23 | $4,264 | (24.8x) | |
| 9.4 | 26 of 121 slabs (21.5%) | 26 | ANC | $30.00 | 26 | $780.00 | (4.0x) |
| 9.2 | 13 of 121 slabs (10.7%) | 13 | $80.00 | 13 | $1,040 | (10.7x) | |
| 9.0 | 10 of 121 slabs (8.3%) | 10 | $37.04 | 10 | $370.40 | (4.9x) | |
| RAW | Raw Uncertified Copies | — | RAW | $7.49 | — | — | (1.0x Base) |
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Mike Friedrich
William Robert Brown
Tom Sutton
George Roussos
Roy Thomas
No narrative synopsis recorded in GCD for this sequence.
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
Though he publicly praised Warlock and admitted to having made a mistake, Rex Carpenter continues to work against Warlock, because he causes trouble since he first appeared. There were no superhumans on Counter-Earth until Warlock and now there is an uncountable number of them; Carpenter also claims that Warlock let Eddie Roberts die and that only Warlock's followers witnessed the untimely death of Dr. Doom. Followers of Warlock are protesting and they are attacked by demons; the police, however, can't see any demons and arrest the protesters. Astrella is revealed to be Rex Carpenter's sister for the first time and admits to Warlock that she hasn't been completely honest with him. As Warlock fights the demons they gain the upper hand and try to manipulate him to join them and enslave humankind. After Warlock overcomes the demons he is sent to President Carpenter; Man-Beast leaves Carpenter's body and the story ends with a big cliffhanger to be continued sometime, somewhere.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.