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Marvel·Captain America·Steve Rogers·#18·Postmodern Age·ID-2435086
| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 1 of 4 slabs (25.0%) | 1 | SOV | $30.28 | 1 | $30.28 | (10.1x) |
| 9.6 | 2 of 4 slabs (50.0%) | 2 | — | — | — | (50.0% / <0.01%) | |
| 9.4 | 1 of 4 slabs (25.0%) | 1 | — | — | — | (25.0% / <0.01%) | |
| 9.2 | 0 slabs | 0 | — | — | — | — | |
| 9.0 | 0 slabs | 0 | $33,600.00 | — | — | (11200.0x) | |
| RAW | ~27,411 surviving raw (of ~39,164 printed) | 27,411 | RAW | $3.00 | — | $82,233 | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Nick Spencer
Javier Pina
Javier Pina
Rachelle Rosenberg
Tom Brevoort, Alanna Smith
No narrative synopsis recorded in GCD for this sequence.
Home of Spider-Man, X-Men, Avengers, and the Marvel Cinematic Universe.
Deconstructionist storytelling. Trade-first publishing. Creator prestige over character IP.
Value driven by creator reputation and adaptation potential rather than print scarcity.
Postmodern era — deconstructionist storytelling and trade paperback culture. Sustained demand comes from adaptations and creator prestige rather than print scarcity.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
The recovery of third-party encapsulation and grading expenditures when an asset is acquired at a discount below the physical cost of replacement grading fees, shipping, and insurance.
An evil Steve Rogers, working for Hydra, came to the UN assembly in Brussels to deliver a speech. He made it clear that any attacks or espionage on Hydra territory would no longer be tolerated, but would be met with exile and embargo. He also stated that Hydra did not need the rest of the world's financial or military support, but offered these nations to grow alongside them in a new era. Before he could continue and make a claim for the Savage Land, Steve was interrupted by Black Panther, who joined via hologram. T'Challa reminded the Hydra leader that his forces had already tried and failed three times to invade Wakanda. He challenged the man to face him himself, rather than sending more men for him to kill. Leaving the assembly, Steve ran into Namor. He had been sending the king of Atlantis threatening letters regarding a cube fragment in his possession. One last time, he urged Namor to give back what was his, before he'd be forced to take it.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
