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Independent·Secrets of Haunted House·#12·Bronze Age·ID-2517354
Variant #32305ACTIVE| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 6 of 19 slabs (31.6%) | 6 | SOV | $288.00 | 6 | $1,728 | (58.9x) |
| 9.6 | 3 of 19 slabs (15.8%) | 3 | — | — | — | (15.8%) | |
| 9.4 | 7 of 19 slabs (36.8%) | 7 | ANC | $75.00 | 7 | $525.00 | (15.3x) |
| 9.2 | 0 slabs | 0 | $66.90 | — | — | (13.7x) | |
| 9.0 | 1 of 19 slabs (5.3%) | 1 | $34.00 | 1 | $34.00 | (7.0x) | |
| RAW | Raw Uncertified Copies | — | RAW | $4.89 | — | — | (1.0x Base) |
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Bob Toomey
Frank Redondo
Frank Redondo
Jerry Serpe
Paul Levitz
No narrative synopsis recorded in GCD for this sequence.
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
A drunken actor's understudy resents his bullying so when the understudy breaks Yorick's skull, he replaces it by cutting the actor's head off with an axe and boiling away the flesh. During the play, the skull doesn't hold still, rolling this way and that, ultimately causing the understudy to trip and decapitate himself on a prop. The last panel shows the two heads glaring at each other.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
