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Independent·Omega the Unknown·#6·Bronze Age·ID-2520037
Variant #30681ACTIVE| Grade | Census & Float Distribution | Copies / Slabs | Role | FMV | Sales | Total Value | Multiple |
|---|---|---|---|---|---|---|---|
| 9.8 | 5 of 23 slabs (21.7%) | 5 | SOV | $100.65 | 5 | $503.25 | (50.3x) |
| 9.6 | 13 of 23 slabs (56.5%) | 13 | ANC | $77.00 | 13 | $1,001 | (38.5x) |
| 9.4 | 1 of 23 slabs (4.3%) | 1 | — | — | — | (4.3%) | |
| 9.2 | 0 slabs | 0 | $52.00 | — | — | (26.0x) | |
| 9.0 | 1 of 23 slabs (4.3%) | 1 | — | — | — | (4.3%) | |
| RAW | Raw Uncertified Copies | — | RAW | $2.00 | — | — | (1.0x Base) |
Empirical cash settlement intelligence, cross-grade elasticity curve, and secondary liquidation velocity.
Empirical step multipliers between adjacent condition tiers. Pinpoints the exponential premium transition and capital efficiency frontier.
Realized turnover cadence and capital absorption depth across certified auction comps.
Autonomous institutional strategies, financial equilibrium, scarcity modeling, and algorithmic risk profiling.
Market operates purely on organic buyer and seller auction discovery. Zero artificial price interventions or emergency liquidity halts on record.
Verified historical transaction line with quarterly equilibrium baseline anchor.
Understand how physical sales, invested dollars, and liquidity friction divide across grades.
Completed market sales by grade
Relative market value allocation
Estimated execution friction
Bibliographic provenance, creator credits, historical significance, and multimedia documentation.
Steve Gerber
Jim Mooney
Mike Esposito
Hugh Paley
Archie Goodwin
No narrative synopsis recorded in GCD for this sequence.
Publisher profile coming soon
Comics grow darker and more socially aware. Wolverine, Punisher, Swamp Thing debut. Creator-driven storytelling emerges.
Newsstand variants carry meaningful scarcity premiums. First appearances from this era are blue-chip investments.
Bronze Age (1970–1984) — comics grew darker and more socially aware. The era of classic runs, creator-driven storytelling, and the birth of serious collecting culture. Newsstand variants carry a meaningful scarcity premium.
Inspectable mathematical proof, blockchain/ledger provenance, data integrity validation, and asset taxonomy.
A pricing discrepancy between an auction listing and the prevailing cleared consensus value across organized exchanges, allowing rapid liquidity capture before market equilibrium reconverges.
James-Michael awakes from a nightmare where he, as Omega, fails to prevent the murder of all his friends by Nick, Tank, and the killer robots he had previously envisioned Omega fighting. Ruth tries to comfort him, but quickly gives up against James-Michael's uncooperative attitude, going back to bed after calling him a "robot", a comment that hits home for the boy. He decides to sneak out for a walk around Hell's Kitchen. Meanwhile, Gramps has taken "Sam" out drinking with his elderly friends. Omega hasn't tasted alcohol before and samples it reluctantly, not liking the dulling effect it has on his senses. They escort Gramps' friend, Mamie home, and after she enters her building, Gramps tells Sam about how her friend Ethel was recently killed by a mugger. Before they can leave, a scream is heard from Mamie's apartment and Omega flies through the window to find her struck down by a large man wielding a wrench. Wrench gets the drop on the inebriated Omega and escapes, but Omega follows him, observing that the man is mentally ill. James-Michael spots Amber on a date during his walk and feels an inexplicable jealousy driving him to hide from her as she walks by. When Amber gets home to find James-Michael missing, she heads back out alone to find him, though she's partially encouraged by the boy showing signs of working out his inner restlessness for once. She finds him in an arcade just before some other boys gang up on him for winning too much at pinball. She starts to rush him home through a dark alley, but they're intercepted by a violent and unstable Wrench. Omega swoops in to protect them, but Wrench pulls out a gun and grazes Omega's head, knocking him out. Amber tries to provide a diversion for James-Michael to escape, but the boy remains frozen in fear as Wrench knocks her out as well. In a moment of desperation, the omega symbols appear on James-Michael's palms again and he shoots an energy blast that instantly incapacitates Wrench, leaving James-Michael the last body in the alley standing, bewildered at what transpired.
Each cover variant, retailer incentive, and subsequent printing represents an independent atomic tradeable instrument with unique supply elasticity, barcode registration, and secondary market demand.
Strict algorithmic segregation separating clean single-issue Cover A sales from multi-issue lot bundles, retailer exclusives, and foreign variants.
