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100 Bullets #2

Edition record · September 1999

Price history & market evidence

PriceCharting guide history

Dated guide estimates for this edition, separate from completed sales.

PPCF-0000031095 · TRADINGVIEW VALUATION ENGINE DATED GUIDE
$4.99+0.00%
Stored guide observationsPriceCharting · exact edition

2 dated observations. Last recorded 2026-11-01. Source record #2454512

Price observations belong to this edition. Guide estimates, catalog references and completed sales are separate kinds of evidence.

GradeAmountEvidenceRecorded
9.4$24.99PANEL_PROFITS · grade_9_4_valueguide1999-09-01
RAW$4.25PANEL_PROFITS · ungraded_valueguide1999-09-01
9.8$26.00ComicBase · catalog referencecatalogDate not recorded

Reading this edition’s market

Compare the same cover, printing and grade before setting a bid. A raw guide or a higher-grade price does not establish a slab’s value. Include selling fees, shipping and the depth of completed-sale evidence when assessing an exit price.

The table includes 2 guide observations and 1 catalog references. These are reference values, not guaranteed sale proceeds.

Graded population

CGC records 41 graded copies for 100 Bullets #2 (1999). Population is the number recorded by this grading source, not the total print run or all surviving copies.

9.0 · 29.2 · 19.4 · 59.6 · 169.8 · 17

Dizzy (Part II of III)

Dizzy)'s mother, Bonita, enters her bedroom just as Dizzy closes the attaché case. The two begin arguing and Bonita cites that Dizzy needs to find something worth fighting for. Dizzy retorts, stating that everything she ever had is now dead. Dizzy leaves, and goes down to the basketball courts to see her brother. She is amazed at how much of an important figure Emilio has become in the street gangs since she has been away.

She then goes down to the park to hang out with her friends, Kimmy, Angie and Droopy. Several police cars speed by them with their lights flashing. One of them stops and warns the girls to stay out of the neighborhood. Dizzy finds Emilio and has him follow the cops. The trail leads to a building filled with police officers and dead gang-bangers. Dizzy sneaks past the police line and identifies one of her brother's friends - Smack. He is lying on the floor with a bullet hole in his forehead. The cops pull her away from the crime scene and drag her outside. Suddenly, she sees the two detectives whom she believes murdered her husband and child. She flies into a fury and lunges at them, but the officers manage to hold her back. They shove her into a squad car and take her to the precinct.

No sooner does the duty officer book her however, than he is instructed to let her go. Confused, Dizzy walks outside and finds Emilio waiting for her. She naturally believes that Emilio bailed her out of prison - a fallacy that Emilio makes no effort to deny. They talk about the recent massacre. Emilio is convinced that the Vice Lords are responsible. Dizzy asks him why he is not retaliating, but Emilio tells her that he has decided to let "Five-Oh" earn their pay. She returns to her room and stares at the gun that Agent Graves gave to her.

| Editor1_1 = Axel Alonso | Writer1_1 = Brian Azzarello | Penciler1_1 = Eduardo Risso | Inker1_1 = Eduardo Risso | Colorist1_1 = Grant Goleash | Colorist1_2 = Digital Chameleon | Letterer1_1 = Clem Robins

| Appearing1 = **Featured Characters:** * Isabelle Cordova) * Joseph Shepherd)

**Other Characters:** * Angie * Bonita Cordova * Droopy * Emilio Cordova * Freedy * Gutierrez * Kimmy * Morgan * Orlando * Smack * Swirski

**Locations:** * Illinois **Chicago

**Items:** * None

| Notes = * This issue is reprinted in 100 Bullets: First Shot, Last Call (Collected) and 100 Bullets: Book One (Collected).

| Trivia =

| Recommended = * 100 Bullets

| Links =

Creative credits

Writers: Brian Azzarello

Interior art: Eduardo Risso

Color: Grant Goleash, Digital Chameleon

Source records & attribution

Panel Profits keeps each source identity attached to its edition record.

COMICBASE: comicbase:4998

GCD: 62920

PANEL PROFITS: 2454512

Original story text reference and licenseOriginal text reference ↗

CC BY-SA 3.0